Site-Specific & Installation | Performance Space New York

Get a Good Night’s Sleep at Dream of the Red Chamber

Jim Findlay, a PS122 artist whose performed on our stages more times than we can count, closes up shop this weekend at his newest installation work Dream of the Red Chamber, a performance for a sleeping audience presented by The Time Square Arts in production with 3-Legged Dog and Collapsable Giraffe. If you haven’t experienced it yet, we urge you to run to this absolutely FREE performance event.

Dream of the Red Chamber is created to be a dream play. The audience is invited to experience and partake in the work meanwhile they fall in and out of sleep. The set creates an inviting environment that facilitates sleep, while the live performance inspired by Cao Xueqin’s 18th century Chinese novel “Dream of the Red Chamber” — an epic love story between a stone and a flower – is performed, gently trying to shape the audience’s dreams

If you’re around Times Square this weekend stop by, hop in, & take a nap.


Dream of the Red Chamber, a performance for a sleeping audience.
by Jim Findlay
Brill Building / 1619 Broadway (between 49th and 50th)
May 16 – 5pm to 12m
May 17 – 5pm to 6am

Habit


David Levine
Habit

The Real World meets No Exit: audiences circulate around the exterior of a fully functional house, watching the ever-changing action through the windows, and coming and going as they please.

Habit is a durational installation created by provocateur David Levine (previously at PS122: Anger at the Movies, Venice Saved), with a commissioned text by playwright Jason Grote (Smash, Mad Men) and environment by Marsha Ginsberg (Telephone, Map of Virtue). All day long, within the four walls, actors re-complete the drama, on an endless loop, making up staging to suit their needs. When they’re hungry, they eat; when they’re dirty, they wash.

“Enraging, engaging.. Levine a savvy rascal who makes theater pieces that bleed into Conceptual art” – Time Out

Co-presented by Performance Space 122 & FIAF’s Crossing the Line

Sept 21 – 30 / 1 – 9pm daily
at Essex Street Market, Building B; 130-144 Essex Street (btw. Rivington & Stanton Streets)

Free and open to the public. No reservations required.

@alldayhabit #CTL12

 

 

 

 

“After the fourth iteration of the day – I’d been running around the house, chasing the meaning I was helping to create, for seven hours, constantly afraid I’d miss something, exhilarated by the prospect of being surprised by the next turn…”

 

-Read Gideon Lewis-Kraus’ essay ‘Over and Over’ (The Threepenny Review, 2012) on his experience with Habit at the Luminato Festival in Toronto

David Levine has successfully bridged the worlds of contemporary theater and visual art with a body of work that examines the conditions of spectacle and spectatorship across a range of media. His work has been performed and/or exhibited internationally at the Museum of Modern Art (MoMA), Documenta XII, the Townhouse Gallery (Cairo), HAU 2 (Berlin), Matadero Madrid, and Blum & Poe (Los Angeles). He has directed theatrical premieres at the Vineyard Theatre, Primary Stages, and the Atlantic Theater, alongside workshops at The Public Theater and the Sundance Institute Theatre Lab.

 

Read an interview excerpt with Levine in The Believer

Habit takes place in a disused building, once a bustling part of The Essex Street Market. This magnificently decayed warehouse has been closed to the public since 1994. The market complex turned 70 this year; it was created by Mayor Fiorello LaGuardia and has a rich history on the Lower East Side. Learn more about Essex Street Market’s History

PS122 has partnered with Crossing the Line since the festival’s inception in 2007.

 

Crossing the Line is the French Institute Alliance Française (FIAF)’s annual fall festival presenting interdisciplinary works and performances created by artists from around the world in New York. The festival provides opportunities for New Yorkers to explore the dialogue between artist and participant, examine how artists help re-imagine the world, and engage in the vital role artists play as critical thinkers and catalysts for social evolution. Crossing the Line is initiated and produced by FIAF in partnership with leading cultural institutions and takes place this year from September 14 – October 14, 2012.

Conversation with David Levine
David Levine (Habit creator/director), Eliza Baldi and Brian Bickerstaff (Habit performers) in conversation with Gideon Lester, co-curator of Crossing the Line.
Saturday, September 29 12pm immediately preceding Habit

Essex Street Market, Building B; 130-144 Essex Street, btw. Rivington & Stanton Streets
Free – Reservations suggested

Created & directed David Levine
Environment & clothes Marsha Ginsberg
Text Jason Grote
Produced Maria Luisa Gambale
Production Manager Chris Batstone
Assistant Directors David Conison & Kristin Meyer


Dedicated to Tom Murrin, friend
Co-commissioned by Luminato Festival in Toronto, and Mass MoCA, with support from The Watermill Center.

A Visit to Habit in Rehearsal

On Wednesday, our intern from Copenhagen, Mette, dropped by Habit in rehearsal. Here are some of her impressions:

Today I had the fortunate opportunity to able to watch some of the rehearsals for David Levine’s installation/performance/play Habit, which makes its New York premiere on Friday.

Three actors, a woman and two men are playing a text by Jason Grote in a continuous loop in a new set design. It’s a full functioning house with a toilet, TV and kitchen made by Marsha Ginsberg. The set is built inside a raw and empty space in the Essex Street Market, Lower East Side – close to where I live, at the moment.
Continue reading “A Visit to Habit in Rehearsal”

Hotel Savoy

Hotel Savoy

A blendwerk production
Presented in association with the Goethe-Institut New York

“You are checking into an hour of existential angst, with only your spiritual baggage for company…Certainly my hour inside put me in the mood for Halloween.” – Charles Isherwood, The New York Times

“The building exerts a strange pull over its visitors” – Helen Shaw, Time Out New York

“I don’t want to give anything away, on the off chance that you squeeze in…I’d recommend simply wandering until they come for you. And don’t worry, they’ll come for you. They always come for you.” – Scott Brown, NY Magazine

“There’s hardly a short age of Halloween attractions this time of year, but few are as haunting as Hotel Savoy – Frank Scheck, NY Post

“At only $25 per night, Hotel Savoy provides budget travelers with a distinct theatrical bargain” – Alexis Soloski, The Village Voice

CRITICS’ PICK – Backstage

With its overlapping of Joseph Roth’s novel, reality, and contemporary history, HOTEL SAVOY opens up a world between dream and reality in the history-laden and often unseen spaces of 1014 5th Avenue. Visitors become guests in the empty hotel and encounter past employees: an elevator operator, a young maid, the hotel barber, the concierge, and a barmaid. These gatekeepers lead us into remote corners of the building, into unreal hotel rooms and real salons still haunted by spirits of past occupants. Against the background of this surreal through-station for German exiles, visitors are faced with questions about their own heritage in these restless and unanchored times. Guests play the lead role in their brief stay at the Hotel Savoy.

Concept, Staging, Spaces: Dominic Huber
Artistic Collaboration, Dramaturgy: Anne Hoelck
Sound Design: Knut Jensen
Coaching, Collaboration Script: Lara Koerte

Fabian Offert (Assistant Director, Props and Set Dressing)
Paula Reissig (Assistant Director, Props and Set Dressing, Documentation)
Phillip Gulley (Assistant Cast)

With: Wickham Boyle, Howard des Chenes, Tom Gallucio, Léna Greenberg, Chandler Gregoire, Timothy Hospodar, Michael Simmons, Richard Stein, Issac Taylor, Heather Warner

Co-Producer blendwerk: Dominic Huber
Production Goethe Institut: Philipp Leist

Michael Sanabria (Technical Supervisor Goethe Institut)
Nick Bixby (Technical Producer)
Joe Cantalupo (Light Technician)
Brendan Regimbal (Sound Technician)
Ryan Holsopple (Sound Technician)
Brandon Morris (Construction)
Andrew Scoville (Construction)
Lisa Pfister (Construction)

Thanks to:
Claudia and Daniel Huber, Gian Manuel Rau, Ingrid Scheib-Rothbart

Dominic Huber began working in the theatre while studying architecture at ETH in Zürich. In 2000 he founded the company blendwerk with lighting designer Christa Wenger. In collaboration with the director Bernhard Mikeska, Huber conceptualized and produced a series of scenographically and technically complex performances (Rashomon, Ghosts, Marienbad) under the rubric mikeska:plus:blendwerk which were invited for guest performances by numerous theatrical venues, including Impulse and the Fajr Festival in Teheran. Along with his work as a set designer, Dominic has developed a series of installations and exhibitions. His first large projects took him from Zürich to Theater Basel, and then on to Berlin for numerous jobs at, among others, the Maxim Gorki Theater, where in 2002 he presented a piece he directed, Koppstoff, based on the book by Feridun Zaimoglu. Along with Berlin’s Hebbel am Ufer, other venues included Theater Aachen, Theatre de Vidy-Lausanne, the Munich Kammerspiele and the Schauspielhaus in Zürich. He has created spaces for, among others, Susanne-Marie Wrage, Simone Aughterlony, and PeterLicht. Since 2008 he has worked in an ongoing collaboration with Stefan Kaegi and Lola Arias. In 2008 he received a three-month stipend from the city of Zürich for a working stay in New York. Dominic Huber lives in Zürich and Berlin. https://www.blendwerk.ch/

Photo by Paula Reissig

WORLD PREMIERE | Live Art | Offsite

All performances at 1014 Fifth Avenue, NY

The uptown site of the Goethe-Institut New York
(opposite the Metropolitan Museum of Art)
MAP

Thursday, September 30 –
Sunday, October 31, 2010

Wednesday – Sunday 5:30 – 9:45

Your personal journey through the hotel lasts approximately 1 hour*
Timed-entry tickets available for the following intervals: 5:30, 5:45, 6:00, 6:15, 6:30, 6:45, 7, 7:15, 8, 8:15, 8:30, 8:45, 9, 9:15, 9:30, 9:45

$25, $15 (student/senior)

Thursday Night Social: September 30
6:45pm – Midnight @ Orsay

*LIMITED ACCESS:
Only 1 audience member enters the Hotel Savoy at a time. Due to the precise nature of the performance schedule, you must arrive at 1014 5th Avenue no later than 10 minutes prior to your reservation time in order to check in and use your ticket. Please note that you may be asked to wait for up to 20 minutes in between arrival and entry. There is an indoor waiting area available.

Help PS122 Go Green by viewing your Hotel Savoy program online!

ZEE

Zee


ZEE is a rigorous mindscape; a hallucinatory architecture of light; a dream machine.

An enclosed space is filled with a dense, odorless fog that completely obscures the walls, floor and ceiling. Individuals freely roam this environment, while flickering light filters through the haze, inducing hallucinations and sensory distortions within each viewer. A droning soundscape intensifies this full-immersion experience, shifting dynamically according to changes in the color, frequency and intensity of the light.

Exhilarating and meditative, Hentschläger’s pulsing, stroboscopic and mind-altering ZEE pushes the boundaries of human perception and creates an intensely riveting audiovisual journey.

“Hentschläger’s piece delivered literally on the hackneyed promise that art will refashion one’s way of seeing the world.” – Kenneth Baker, Art Critic, San Francisco Chronicle, November 2008

ZEE was originally commissioned by OK-Center Linz, and Wood Street Galleries, Pittsburgh in 2008.

Kurt Hentschläger is Managed and Represented by Richard Castelli / Epidemic

Supported by: BMUKK -Austrian Ministry for Education, Art & Culture and MEDA(TM) – vision beyond

Production Assistance: Shane Mecklenburger / Technical Assistance Touring: Alexander Boehmler, Ian Brill

Important information: Anybody with the following conditions should not attend ZEE: photosensitive epilepsy; asthma, breathing and heart problems; abnormal blood pressure; migraine & headaches; all kinds of eye & ear diseases; claustrophobia or anxiety. Pregnant women are also advised to refrain from attending. Please note: The artificial fog being used is proven, even in extreme intensities, not to be of any health risk; the stroboscopes used in the show are standard theatrical units.

Kurt Hentschläger

A constant innovator and one of the most influential figures in the field of contemporary art and technology, Hentschläger merges conceptual art, sound, video, performance,and technologyin his large-scale installations. Since launching his career in 1983, his work has been commissioned worldwide, including: NoiseGate 2000 for Creative Time’s Art in the Anchorage as part of the Austrian duo Granular-Synthesis, representing Austria at the 2001 Venice Biennale, and his most recent installations ZEE, RANGE and KARMA/X are currently touring. www.kurthentschlager.com

About FuturePerfect

ZEE is the inaugural event of FuturePerfect, a new initiative that researches and presents hybrid performance practices, media forms, and artistic ideas that continue to emerge as computer technologies and electronic networks mature and become inseparable from contemporary culture. In particular focus is the future of live performance and related visual culture. FuturePerfect 2011, a performance festival and exhibition, is slated for New York City during Spring 2011. Wayne Ashley is FuturePerfect’s founding artistic director, the former Director of Arts in Multimedia at Brooklyn Academy of Music, BAM. Contact: Wayne Ashley at waynewayneashley.net. More info: www.futureperfectfestival.org

New York Premiere

October 28 – November 15, 2009

3LD Art & Technology Center, 80 Greenwich Street, near Rector St., Lower Manhattan

Time: Wednesday, Thursday, Friday 5-9pm; Saturday, Sunday 2pm-9pm

Project begins on the hour and the half hour; approximately 20 minutes.

Kurt Hentschläger’s ZEE is now previewing BY INVITATION ONLY for individual visits by the press, curators, and professionals in the art and performance community. Due to limited capacity, entrance is by confirmed RSVP only -please contact rsvp@futureperfectfestival.org and include your phone number.


Panel Discussion: Performance, Installation and Immersion–Free

Presented by FuturePerfect and CPR–Center for Performance Research

Venue: CPR–Center for Performance Research

361 Manhattan Avenue, Unit 1, Williamsburg, Brooklyn

Sunday, October 25, 2009

1:30pm – 3:30pm

In conjunction with the opening of ZEE, FuturePerfect, CPR–Center for Performance Research, 3LD Art & Technology Center, and PS122 invite you a panel on Performance, Installation, and Immersion. Panelists include: Kevin Cunningham (Director, 3-Legged Dog Media and Theater Group), Kurt Hentschläger (Artist, Austria/US), Kora Van den Bulcke and Thomas Soetens (Workspace Unlimited, Artist Collective Belgium/Canada), Allen Feldman (Associate Professor, Anthropology, NYU). Discussants include: Vallejo Gantner (PS122), Morgan von Prelle Pecelli (PS122), Wayne Ashley (FuturePerfect), Jonah Bokaer (CPR–Center for Performance Research), Dr. Frank Hentschker (Martin E. Segal Theatre Center, CUNY), and others to be announced. https://www.cprnyc.org

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