Clay McLeod Chapman | Performance Space New York

The Pumpkin Pie Show

The Pumpkin Pie ShowThe Pumpkin Pie Show

The Pumpkin Pie Show

Celebrating its tenth year, the Pumpkin Pie Show is a rigorous storytelling session amplified by its own live soundtrack. In junta high, Clay McLeod Chapman, a New New Stuff 2005 favorite, crafts a Sweet Valley-styled high school for terrorists where cheerleaders double as suicide bombers and guidance counselors are taken hostage by the A/V club. Holy causes worth dying for galvanize school spirits, blood is shed on the football field every Friday night and the Hungry March Band fervently plays on.

Original music written and performed live by the Hungry March Band.

Thursday, March 23: SPECIAL POST-SHOW PANEL DISCUSSION
with Michael F. Oppenheimer and Paul Rieckhoff.
Perception v. Reality: An in-depth conversation about government policy, media representation and what’s happening in Iraq – as well as the crucial role of the arts in addressing this ever-widening disconnect.

See what the Press are saying about junta high:

Under the collective name the Pumpkin Pie Show, novelist-monologuist Clay McLeod Chapman and a rotating roster of performers have spent the past decade reinventing the art of the campfire tale by injecting live music with visceral theatricality. This planned evolution takes a disturbing and invigorating turn in Chapman’s latest effort, Junta High.

Staged as a pep rally (replete with color guard and wooden gym floor), this is no mere collection of monologues — the high intensity of the performers is scored throughout by the Hungry March Band, a kick-ass brass ensemble that helps turn this storytelling huddle into an orgasmic nightmare of school spirit gone violently wrong. The concept casts the grim effects of complex geopolitical struggle as the rivalry between opposing high school football teams: A lethal homecoming queen (the electric Hanna Cheek) relates the discovery of a mass grave under the bleachers, for instance, and a team mascot (the wickedly gleeful Abe Goldfarb) provides an infectious demonstration of fascist antics.

Though this sassy approach may prove offensive to some, its aim is neither to glorify intramural sports nor to diminish global horrors. Junta High is not metaphor, but something akin to Brecht’s alienation effect: a fresh light that forces you to read in a new, left-field context the bloody international headlines that have grown dull with repetition. At a certain point, the laughter gives way to darker emotions, and the stories start hitting a bit too close to home. Luckily, the band kicks in to make us clap our hands and stomp our feet – but that just implicates us even further, doesn’t it?
– TimeOut New York

“Social anxieties, competing cliques, and the rival pressures to stand out and conform can certainly make high school feel like a battlefield. But arch-monologuist Clay McLeod Chapman replaces the figurative with the literal in this tale of warrior football players, terrorist cheerleaders, and guidance counselor hostages. Hungry March Band supplies the music.”
– The Village Voice, Spring Arts Preview

“The art and literature world find themselves with a strange, wonderful treat on their hands… The Pumpkin Pie show is a crazy, jubilant convergence of art and words and it seems like it sprung, fully-formed, from the mind of Clay McLeod Chapman. (P)ut this on your calendars. We promise it won’t be dull.
– The Gothamist

“Chapman writes complex, witty noir fiction — but it’s doubly enjoyable to see him perform…
– Flavorpill NYC

“Think of it as (Gus van Sant’s) Elephant times ten plus tubas.”
– FREEWilliamsburg


“Makes Columbine look like kindergarten… (The Hungry March Band) is a bombastic Brooklyn-based brass outfit with a known talent for getting jaded hipsters on their feet.”

– Theatre Today

March 16 – 26, 2006
Opens Thursday, March 16
Wednesday-Saturday at 8:30 p.m.
Saturday and Sunday at 4:30 p.m.
$20($10 Members)

The New, New Stuff

The New, New Stuff

The New, New Stuff

The New, New Stuff
Curated by Natalie Johnsonius

Performance Space 122’s longstanding dance program New Stuff is back and better than ever! We’ve revamped New Stuff and created a brand new multidisciplinary residency program for emerging dance, theater and performance artists.

WEEK ONE: April 28 – May 1

Drama of Works in: WARHOLTM
Directed by Gretchen Van Lente
Warhol puppet designed and built by David Michael Friend
Sound Design by Jill DuBoff
Costumes by Mary Trumbour

Before the nose job and legal name change, Andrew Warhola was a sweet gifted boy who loved his mother. Society would love to believe he was a sex-obsessed, druggie, party-hopper. But with pop icons, the truth doesn’t really matter, does it? In their latest puppet-theatre piece, Drama of Works probes into the double life of this consumerist icon, where a soup can plays his mother and his life is literally boxed up into his signature Brillo Pad creations.

Click for more information about WARHOL&#8482

The Pumpkin Pie Show in: the cardiac shadow
Written by Clay McLeod Chapman
Music by Joshua Camp and Michael Hearst (of One Ring Zero)
Choreography by Blair Bodie
Lighting design by: Sabrina Braswell
Performed by: Hannah Bos, Hanna Cheek, Alexa Scott-Flaherty, Jordan Simmons, and Paul Thureen

Four women were procured from the Ravensbruck concentration camp, hand-selected by SS Second Lieutenant Dr. Sigmund Rascher, Air Force physician. These four women were “volunteered” for a series of experiments that would eventually come to be known as the cold conference — tests specifically designed to determine the endurance of the human body to extreme temperatures. The voices of these four women have since disappeared. Where does the human spirit go when the body must remain behind, frozen inside an atrocity?

Click for more information about
the cardiac shadow

buy tickets now

WEEK TWO: May 5-8

mundane

Choreographed by Ryuji Yamaguchi
Lighting by Dan Scully
Sound by Pyton Sherwood
Costumes by Sarah Cubbage
Performers: Cynthia Koppe, Christina Shelby, Kathryn Sydell, and Ryuji Yamaguchi

Choreographed by Ryuji Yamaguchi, mundane is a navigational journey through space, time, and memory. Through linear tracings of points and nodes, mundane surrounds itself with an eerie stillness and a vague clouded atmosphere.

Click for more information about mundane

The Vangeline Theater in: C.A.R.O.U.S.E / L.
Choreographed by Vangeline
Lighting by Pierre Mansire
Video projection by Laurent Briet
Music by The Mitgang Audio aka Ray Sweeten
Dancers: Nicole Baxley, Ayako Sana, Mandy Caughey, Sarah McCollum, kat Mac Millan, Yukiko Yumiwaki, Jessi Peterso, Michele Moritz, Vangeline, Coco, Hadley Nunes, Jeremy Scott, Seth Abramson, Peyton Biederman, Katherine Adamenko, Leslie Katonis, Andrea Keung, Banaue Miclat and Scott P.

Loosely inspired by the cult movie Blade Runner and the French sci-fi thriller La Nuit des Temps, Vangeline’s electronic butoh ballet C.A.R.O.U.S.E./L is a sensual re-telling of the apocalyptic story of a golden sphere buried deep in the Antacrtic ice. Encapsulated in the sphere are the bodies of a man and a woman, survivors of a civilization that perished 900,000 year ago.

Click for more information about
C.A.R.O.U.S.E / L.

buy tickets now

WEEK THREE: May 12-15

Fusion FEED
Choreographed and directed by Sarah Vasilas and Leonardo Smith
Video and sound design by Chelsea Snider

Choreographers Sarah Vasilas and Leonardo Smith’s new multi-media dance piece is a fusion of sculpture, video, original music and dance, delving into the question “What feeds us?”. Through the use of live, improvisational, and set media, Fusion FEED explores the visceral responses people have to their environment, society, relationships and imagination.

Click for more information about FEED

Ursula and the 11,000 Virgins
Choreography by Christopher Williams
Original Music by Peter Kirn
Dancers: Kindra Windish, Vicky Shick, Nami Yamamoto, Deana Acheson, Beth Simons, Wendy Perron, Hallie Glickman-Hoch, Janet Charleston, Jennifer Lafferty, Elizabeth Zimmer, and Derry Swan

Singers: Jacqueline Horner and Susan Hellauer (of The Anonymous 4)
Costumes by Michael Oberle and Christopher Williams

Inspired by the bizarre and gory legends of early virgin martyr saints, Ursula and the 11,000 Virgins combines eleven short solos for women ranging from a young girl to older women in the NYC dance scene. Existent medieval hymns and songs with new original music set the tone for this playfully macabre look at the lives of these mysterious women.

Click for more information about Ursula and the 11,000 Virgins

buy tickets now

April 28 – May 15, 2005
Post-performance party: April 28
Thursday – Saturday, 8pm
Sundays at 5pm

The Cardiac Shadow

the cardiac shadow

the cardiac shadow

The Pumpkin Pie Show in: the cardiac shadow
Written by Clay McLeod Chapman
Music by Joshua Camp and Michael Hearst (of One Ring Zero)
Choreography by Blair Bodie
Lighting design by: Sabrina Braswell
Performed by: Hannah Bos, Hanna Cheek, Alexa Scott-Flaherty, Jordan Simmons, and Paul Thureen

Four women were procured from the Ravensbruck concentration camp, hand-selected by SS Second Lieutenant Dr. Sigmund Rascher, Air Force physician. These four women were “volunteered” for a series of experiments that would eventually come to be known as the cold conference — tests specifically designed to determine the endurance of the human body to extreme temperatures. The voices of these four women have since disappeared. Where does the human spirit go when the body must remain behind, frozen inside an atrocity?

This performance is presented as a part of The New, New Stuff a three week festival of new and emerging artists. Click here for full festival listings.

Apr. 28 – May 1, 2005
Post-show reception: Apr 28
Thursday – Saturday, 8 p.m.
Sun. at 5 p.m.

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