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Art Workers are Artists Too

While artists work hard to bring their visions to life, there are many unsung heroes behind the scenes who help make that happen. Art Workers are Artists Too is a performance showcase that highlights art workers’ creativity and skill, aiming to shift the industry’s standards and foster greater recognition of their contributions. Our crew members, with diverse production backgrounds in theatre, dance, and music, bring a unique set of talents to Performance Space New York, all shaped by their own artistic practices in service of the work of their fellow artists. This collaborative spirit is the heart of Art Workers are Artists Too, creating an environment of mutual support.
 

Now in its fourth year, this annual event honors the vital contributions of those working behind the scenes and encourages broader acknowledgment of the artistry involved in labor that often goes unseen by the public.
 

Open Movement – Winter/Spring 2025

Curated and organized by Monica Mirable
Every Sunday from noon to 4pm, we invite you to our theaters where Open Movement is held. Curated and organized by Monica Mirabile, Open Movement is a free program open to all ages, abilities, and levels of experience that offers both space for self-guided movement practice and artist-led workshops. Here, participants are invited to move in whatever way they choose—stretching, drawing, dancing, rehearsing, and observing if they don’t feel called to move. Folks in the Open Movement community describe this environment as a sacred space for self-discovery, connection, and grounding towards personal and collective practices.
At 4pm, our program shifts to feature workshops guided by artists and practitioners. Each week, these sessions offer a unique opportunity for participants to engage in two hours of participatory practice, exploring a range of themes from movement techniques, to performance philosophies, wellness practices and beyond. Open Movement workshop facilitators are a part of our extended Performance Space network: many of these artists have been regular participants in Open Movement and have created or hosted programs in our theaters.
This season features workshops by Simone Coonrod, Kate Williams, Katya Borkov, Shamar Watt, Iliana Penichet-Ramirez, Ryan McNamara, CyX, Remy Maelan of Goodwitch, Summer Breeze, Emily Allen & Leah Hennessey, Kinlaw, Camilo Restrepo, Angela Trimbur, Daniel Ryan and Performance Space New York’s Production Manager Sarai Frazier (presenting a workshop as part of their Alternative Education series).
As part of our commitment to process-focused initiatives, throughout the year we also host WIP Feedback Front, a showcase of works in progress from artists, many of whom are part of the Open Movement community. Artists present their projects in a casual, supportive atmosphere to get feedback while the works are still being developed. Audience members are invited to share their responses anonymously, creating open exchange between creators and observers. This season WIP will be showcased on February 23 (Round Robin Play), April 6 (Performance Dinner with Halo Perez), and June 8 (Open Mic).
At Open Movement, performance is for everyone, whether you’re experienced or a newcomer. Our mission is to provide a welcoming space for curious-minds to reconnect, ground themselves, and expand their perspectives, wherever they may be on their journey.

Free with RSVP

Where are you? What’s going on dans l’intérieur question mark

Free with RSVP
Storytelling is what keeps us alive and connected to each other. Stories go on to live beyond ourselves. Raging On and Letting Go is a way for us to release certain tensions and emotions being held within the body. In this workshop we will use movement to understand the depth of our own stories that we each carry within us.

Free with RSVP
Who are you on the dance floor? What does this liminal space allow us to embody or cast off? How can we move through the tension between who we are, who we once were, and who we long to be? And what does it look like to do this together, in relationship with the other moving members of this ecosystem?

Together, we’ll engage with standard tango choreography and learn about the varied musical and cultural influences which shape the dance’s origins and evolution. We’ll better understand how the desire to assert power and pursue passion in the face of loss and othering has motivated ballroom styles across cultures, using this context to explore how we might break from or expand upon tango’s traditions with reverence and intention. Through movement, we’ll consider the hotbed of tensions which defined tango’s birth in the newly industrialized, late 19th century Buenos Aires, and explore the pursuit of glamor which colored the instructor’s study of ballroom dance as a first generation American of Russian descent.

2/9 Free with RSVP

2/16 Free with RSVP
Living notes…
I’m devoted to Krump forms, Animist forms from the global south, and experimental/avant-garde forms : these forms are all articulations of the underground. For me they have the capacity to express pure potential and essence that lies in the deep of the dark. …in which WE will share with you.
I have lots of questions and lots of feelings of desires — untold!
“being ready” as practice.
Body = a site that articulates “language of landscapes” (Glissant) and “points of collisions”
(We) = “really” expressed in baby talk = deep passionate desire to mobilize and connect
I (we) wanna be ready for the incarnation and the rapture, into another mode of relation!
I’m curious about how bodies and collective bodies has the capacity to (we) TRANS-form into gargantuan organisms through plugging into the earth wide web. (eww.we.rhiz)
I (we) wanna get caught UP
I (we) wanna get DOWN into something.
I (we) wanna go to that guttural dark ugly place of utter beauty in me and make sweet hardcore love. Why don’t we (we) embrace the gargantuan shadows of our spirit in our dance, to have a fighting chance against economies of destruction?
..You (we) want to be ready?
What does it mean to be human. ??
– Reproduction of destruction
– Economy of commerce
What does it mean to be a beast/primitive ?
-embracing all of one’s sensuousness-
– Reproduction of life
– Economy of life

Free with RSVP

Humans have an innate ability to read layers of meaning into gestures. What are your moves giving? Any performance is acting, any movement is dancing. We will look at how minute shifts in gesture and tone can change audience interpretation.

Free with RSVP

Enter a world of gaps, voids, and openings.
Cavities, gaps, mouthfuls. Inhale, exhale.
We will map the soft edges of inner spaces.
Cruise the contours of openings and pauses.
Hollow. Swallow. Hover on the brink of no-space.
Bodies talking through silence, through holes—
What does it mean to be filled? What does it mean to stay open?

FREE with RSVP

A blend of voice and movement to release all that keeps us tir3d and burned OUT.

Free with RSVP
Lighting is like painting. It has color, direction, texture, shadow, depth, darkness , sharpness and so much more. Come explore this movement based design as we learn the physical + emotional properties of lighting and its aide in storytelling.

Free with RSVP

Participants will come together as an ensemble to unlock creative impulsivity and develop new work. This workshop is open to performers, writers, artists and anyone willing to explore the limits of physical expression, get into their feelings, and precisely memorize text.

“The creation of something new is not accomplished by the intellect but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.” – C.G Jung

Free with RSVP
GLYPHOGRAPHY

(n.) lit. the act of writing a

GLYPH
from Ancient Greek “γλυφή”

I. a 2 or 3 dimensional symbol representing a sound, word, or idea
II. a carved sculpture
III. a cut hole, a void

Through sensory meditation/movement/games, we’ll explore relationships between body and space, body and meaning, dance and divination.

Practice is an open field with many access points and possible modes of participation.

Free with RSVP

WHAT YOUU OWN ONWS YOu

from the world of gut ccheck, a vocal & movement workshop for all levels. this two hour experimental workshop focuses on momentum, sspeed, balance, and tyypos of the body/voice.

Free with RSVP

We dance trusting in the intelligence of the process and the body. How do we expand that same trust in other life processes?
The Fool does not know the way, but is open to what life offers them.
The Page Of Wands does not have the experience, but trusts that they can do it.
Let us dance to uncertainty, find joy in it and celebrate life with movement, oracle, play and imagination.

This workshop proposes to create an experience in the body and a memory in the unconscious through a somatic and symbolic journey.

Practice based on psychosomagic, more information in camarstudio.com/workshops

Free with RSVP

Join Angela Trimbur on a passionate adventure to unlock the blocks that hold you back from true celebration in dance. Through imaginative confidence exercises and unapologetic movement, this workshop invites you to break out of your shell and rediscover the joy of being fully, wildly yourself.

Free with RSVP
PARTYYYY!

A. Garden

Inspired by the idea of a forest bath or nature walk, A. Garden, or “Anthrophony (human made sound) Garden” encourages us to blur the distinctions between human and nature. Featuring Lake Dorn, YATTA and Keith N’Dong, with a live installation by Neda Mouzayanni, the audience is invited to take a moment of reprieve in this auditory garden. Under the prompt of regeneration and rebirth, each artist’s interpretation is enlivened through sonic based interventions.

 

“In the midst of thinking about our intricate relationships with the more than human world, the constant destruction and devastation amidst this beautiful resilient earth, it’s becoming more difficult to deny the fact that we and all things are inextricably linked. For the past two years, I’ve delved into research surrounding the earth that birthed me, with all paths, all routes to rebuilding bringing me right back to the land and the soil, first worn down by the plantation economy. While reflecting on processes of rematriation and in considering the possibilities of decolonial futures, I reflect on the growing polarities. Driving through Manchester looking out and seeing the mountains in the distance, there in the foreground is toxic molten red pools of bauxite tailings. Being amongst the trees in Jamaica and hearing all the natural world all around, you can immediately turn a corner to hear dancehall blaring from a small shop on the road side—lined with Ting, Rum, Red Stripe, Cheese Trix and assortment of other snacks, drinks, and small household items. There’s a constant reckoning with nature and all the things we’ve cultivated within it, resulting in a deeper understanding of our interconnectedness.” – Tara-Jo Tashna

 

With the understanding of the natural world being one in which humans are inextricably linked, the audience is invited to splendor, to imagine, to take a moment of reprieve in a space activated by human made sounds. A. Garden encourages each artist to activate the space in a way guided by a regenerative framework unique to their own interpretation, the audience is invited to bask in the auditory garden, leaving or bringing with them into the space what they please.

 

All three artists push the boundaries of conventionalities: Lake Dorn, a multidisciplinary artist, delves into their work with the ability to successfully cultivate an extremely strong and magnetic vocal and movement performance. This performance is their New York debut ahead of their impending second record which touches on themes of the hunt, resilience, and alignment. YATTA’s well received album PALM WINE, is a unique culmination of folk and pop assemblages. An artist and poet whose work has resulted in beautiful textural tapestries, they challenge typical notions of carefree whimsy with their genre bending sound. Keith N’Dong, a passionate multi-instrumentalist and dancer, burns the candle at both ends. Spanning multi-genres, their dedication to their craft results in both moody and energetic sonic iterations. Each maintains their own unique and distinct artistry threaded to culminate in a unique anthrophonic experience.

CORTEX

Originally commissioned by the Sónar Festival Barcelona and CTM Berlin, Performance Space presents the official U.S. premiere of CORTEX, directed, choreographed, and performed by Kianí Del Valle and her interdisciplinary movement ensemble, KDV Performance Group. Making its New York debut, this piece collaborates with the creative studio Hamill Industries for visual and lighting design, and features an original live score by experimental club producer and DJ, Tayhana, seamlessly integrating dance, music, and visual effects.
 

CORTEX is a semi-narrative, four-act performance that explores the profound implications of the human brain in the quest for existence beyond morality. Each act examines various physiological states emerging from the depths of the grieving process. Drawing on extensive research into the remarkable resilience of the human brain—particularly the functions of gamma waves and the temporal lobe, which sustain consciousness even amid bodily decline—this work delves into the liminal realms of life and death, solitude and connection.
 

By exploring movement as a medium for fluid, equitable collaboration, each performer’s unique history and interpretation of death and grief enrich the overall piece, cultivating a space where individual and communal expression converge. The characters in this work, including Del Valle as a performer, create movement-based narratives prompted by sound to escape existential limbo—a temporary halt in their physical, psychological, and psychic journeys where they are stuck in time, restlessly questioning their psychological state. Breaking free from these constraints is essential to finding others; only then can they gain the energy to continue their respective journeys and unlock the simple yet profound aspects of existence.

 

Inebria Me

Inebria Me adapts Los Angeles-based composer, musician, and performance artist San Cha’s 2019 album of original music, La Luz de la Esperanza, into an experimental opera. Drawing inspiration from eclectic sources–Frederico Garcia Lorca, Robert Wilson, Winona Ryder in Bram Stoker’s Dracula, and the Ecstasy of Saint Theresa to name a few– Inebria Me‘s captivating narrative and libretto are driven by San Cha’s personal and artistic influences. Her rural Mexican immigrant family life; Bay Area and Los Angeles drag, queer nightlife, and DIY communities; childhood participation in Catholic church choirs; and familial cross-border experiences all converge in a narrative arc that defies linear conventions. San Cha combines sonic performance with innovative lighting, scenic design, theatrical elements, and video, to celebrate the liberating power of ascendant relationships and offer a nuanced exploration of tragedy and love.

San Cha asserts queer Black and brown presence and perspectives while both honoring and subverting two long-standing traditions; she merges the structural framework and theatrical arc of opera with the melodramatic emotive essence and storytelling methodologies of telenovelas (internal dialogues and flashback sequences for example). A central facet of the work lies in the representation of gender binaries through the opulent art of drag, challenging societal norms with a deliberate exaggeration of gender roles. In general, Inebria Me queers and dispels the cisgender and heteronormative archetypes that dominated the telenovelas of San Cha’s youth. The work introduces the character Dolores, a beauty of humble means who, after marrying wealthy Salvador, finds herself caught in a web of jealousy and abuse. During a particularly dark moment, Esperanza, a gender-less being of light and empowerment, visits Dolores, giving her strength to escape Salvador’s control and realize her true value.

The cast, musicians, and creative team reflect a diverse spectrum of queerness and cultural identity and as San Cha is a consummate collaborator, their collaborative contributions to this work are central to the piece. Alongside vocalists San Cha, Dorian Wood, Carolina Oliveros, and stefa marin alarcon, Darian Donovan Thomas’ musical arrangements highlight the talents of Phong Tran and Lu Coy across strings, percussion, harp, horns, woodwinds, and modular synthesizer, in a composed live score that fuses the long notes and strong vibrato of ranchera music with cumbia, mariachi, punk, and classical, while remaining contemporary and electronic-forward. With creative direction by Gerardo Gonzalez, lighting by Pablo Santiago, scenic design by Anthony Robles, costume design by Fern Cerezo, hair & makeup design by Sonny Molina, and dramaturgy by William Ruiz Morales, this acclaimed and imaginative team is building a work that seamlessly embraces tradition and experimentation, queer histories and self-determined futures.

Inebria Me is co-commissioned by Performance Space New York; National Performance Network (NPN); Portland Institute for Contemporary Art (PICA); Movimiento de Arte y Cultura Latino Americana; and Roy & Edna Disney CalArts Theatre (REDCAT).

Additional support provided by Stylus; Denniston Hill; Oak Head; and The Limen Foundation.

All rights reserved by Performance Space New York
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