Shows | Page 3 of 63 | Performance Space New York

Season Opening – THE LESBIAN BODY by Monique Wittig

Our new season celebrating living writers’ new work, starts off with a community parade for one of our influences- the great French lesbian philosopher, filmmaker and novelist, Monique Wittig (1935-2003), and especially her work THE STRAIGHT MIND.

Excerpts read by:
Zaina Arafat, Harriet Clark, Cat Fitzpatrick, Gayatri Gopinath, Rachel Levitsky, Claudia Rankine, Giada Scodellaro, Parul Sehgal, Bina Shariff, Pamela Sneed, Sara Jane Stoner, Jeanne Thornton.

Co-curated and presented by William M. Burton – assistant professor of French at UC Berkeley, author The End of Sex: Science and the Social Contract in Monique Wittig and Jean-Jacques Rousseau due from Fordham University Press in summer 2027 and Lazz Kinnamon – scholar of Gender and Sexuality Studies who currently teaches at the University of Arizona.

Open Movement – Fall 2026

Every Sunday from noon to 4pm, we invite you to our theaters where Open Movement is held. Curated and organized by Monica Mirabile, Open Movement is a free program open to all ages, abilities, and levels of experience that offers both space for self-guided movement practice and artist-led workshops. Here, participants are invited to move in whatever way they choose—stretching, drawing, dancing, rehearsing, and observing if they don’t feel called to move. Folks in the Open Movement community describe this environment as a sacred space for self-discovery, connection, and grounding towards personal and collective practices.

At 4pm, our program shifts to feature workshops guided by artists and practitioners. Each week, these sessions offer a unique opportunity for participants to engage in two hours of participatory practice, exploring a range of themes from movement techniques, to performance philosophies, wellness practices and beyond. Open Movement workshop facilitators are a part of our extended Performance Space network: many of these artists have been regular participants in Open Movement and have created or hosted programs in our theaters.

This season features workshops by Eartheater’s child (Nova Harlem), Dorchel Haqq, Charmaine Bee, Andros Zins-Browne, Sophie Ortiz, Gillian Walsh, Sigrid Lauren, Viva Ruiz, and Works In Progress showings by Cristina Moya-Palacios and Viva Soudan!

As part of our commitment to process-focused initiatives, throughout the year we also host WIP Feedback Front, a showcase of works in progress from artists, many of whom are part of the Open Movement community. Artists present their projects in a casual, supportive atmosphere to get feedback while the works are still being developed. Audience members are invited to share their responses anonymously, creating open exchange between creators and observers. This season WIP will be showcased on October 11th and December 13th whether you’re experienced or a newcomer. Our mission is to provide a welcoming space for curious-minds to reconnect, ground themselves, and expand their perspectives, wherever they may be on their journey.

Fall 2026 Schedule:

Free with RSVP!

Nova Harlem is a 1-year-old that has just taken her first steps, literally, in preparation to lead this workshop. By autumn, she will have developed an elastic practice in throwing her body into every muscular inhibition her synapses fires. As she observes and mimics the world, and all the people in it, the tables will turn on October 4th when every move she makes is immediately mirrored by the host of attendees. This innocent dictation of synchronized bodies, led by a cherub, will undoubtedly leave a trail of wonderment in all the hearts that attend.

Free with RSVP!

there are unspoken pathways in our bodies that record habit, injury, and time that shape how we move through the world.

using cardinal directions, nonstop moving durational practices, vocal expression, and heightened awareness, we’ll reveal the pathways of our bodies together.

the intention of this individual movement practice is to discover the body’s echoes of movement.

this offering is open to all, as we move from a place of curiosity to soften to the history and pathways of our bodies.

Free with RSVP!

During our time together in Liver Submersion Dream Workshop we will deep dive into the space that is our livers and think about how our relationship to our livers impact our sleep dream worlds.

Our livers support us in so many regulatory functions, it is a filtration organ and supports in regulation of digestion or hormonal system and in TCM systems the liver is ruled by jupiter and is an organ that holds and filters emotions such as anger. As we filter and process so many changes, shifts, in terms of climate change and our ecosystems, multiple wars and genocides, deaths, transitions, births, there is no denying that this impacts our mind, dreams and internal organs as we process. I find this time incredibly important to come together to support one another and process.
We will discuss our current dream states as well as herbal support and dream practices that can hold us during this time!

Together we think about deep diving into our liver as a way to reclaim and remember our dreams and to use our dream space to speak to our liver. What do we want to gently support in releasing? What do we want to justifiably sit with a little longer?

We will look at ways to use herbs that support liver health and visualize swimming through our liver to support us through shifts and changes. Over the course of two hours we will reflect on our recent dream worlds, talk about liver function, practice visualizations to support our dreaming and relationships with our liver and sip on tea together.

Free with RSVP!

HALUCINNATIONNNSSSS is a workshop led by artist/ choreographer Andros Zins-Browne expanding his research into the entanglements between embodied experience and our online (after)lives. In the workshop, we’ll create, share and remix ‘dance memes’ -micro-choreographies of several seconds each, that perform affect through ‘specific whatevers’. Together, we’ll inhabit future bodies where interfaces have disappeared, expressions echo continuously– without author or origin, and the meme codes how we gather, move, and communicate. Open to all.

Free with RSVP!

STUNTING X GATHERING is a community workshop exploring cheerleading stunts as a sculptural, collaborative practice. Building and deconstructing pyramid structures and group lifts using exercises drawn from competitive cheerleading and playful improvisation. Absolutely no cheerleading experience required—this space is purposely designed to experiment outside the pressure of a varsity all-star. Expect awkwardness, success, falls, and the surprising joy of launching a body into the air. Drawing on Sophie’s background as an athlete, coach, and performer, the workshop treats the stunt as both a physical puzzle and a cultural artifact—a “Hyper American!” gesture far overdue for a make-over. As a team we mix cheerleading’s rigid discipline with the chaos of artists.

Free with RSVP!

In class we will work with meditative practices, esoteric somatics, and performance exercises. Class is slow and simple. Simple ≠ easy. Open to all.

Free with RSVP!

Let’s peer into the phenomena of how the dance floor needs that first person to crack it open and let everyone in. Exploring how our bodies at the party can be the same nerve required to initiate and join anti fascist actions.

Free with RSVP!

WIP Feedback Front is a showcase of works in progress from artists, many of whom are part of the Open Movement community. Artists present their projects in a casual, supportive atmosphere to get feedback while the works are still being developed. Audience members are invited to share their responses anonymously, creating open exchange between creators and observers.

EMOTES

EMOTES, a new work by Nazareth Hassan, is a dance in four movements exploring hyperreality, simulation, gnosticism, and avatars.
How does virtual life reduce and distill our experiences?
How do we manage our impulse to control through self-(re)creation?
What is the residue of digital conditioning on our bodies?
What happens to us when we perform our virtual avatars in real life?

In gaming, an emote is a physical command given to your avatar, like a dance or gesture.
On text-based platforms, these commands are written out, i.e.: *jumps for joy* or *model pose*. Often, colloquial dances become programmed into various gaming and social media platforms, with the gamified versions of the dances becoming viral memes that are performed again in the real world. Often, these dances change when moving through this algorithmic equation, and the original version of the dance is forgotten all together.

EMOTES is supported by a 3D developmental residency taking place in September 2026 at Mercury Store.

Written and directed by Nazareth Hassan
Choregraped by Joëlle Santiago
Music and Sound by Ryan Gamblin
Designed by Dyer Rhoads

Nazareth Hassan is an interdisciplinary writer, director & musician. Their play Bowl EP was a 2026 Pulitzer Finalist and won the 2025 Obie Award for Outstanding New Play. Other performance and theater works include Practice at Playwrights Horizons, Untitled (1-5) at The Shed (text published by 3 Hole Press), VANTABLACK at Theatertreffen Stückemarkt in Berlin, and Memory A at MUAC in Mexico City. Their first book of poetry and photography, Slow mania, was published in December 2025 by Futurepoem. In 2022-23, they were the dramaturg at Royal Court Theatre. They are a 2026-27 Hodder Fellow at Princeton University.

Dark Fringe

Composed of five sculptural instruments, Dark Fringe, is a multi-channel audio installation by sonic and visual artist Jules Gimbrone. Building on Gimbrone’s artistic and theoretical framework, Trans-Sensing, Dark Fringe was born from extended dialogue with astrophysicist Max Isi. Isi’s research into black holes centers a type of scientific inquiry that pushes the edges of human belief and understanding; echoing this, Gimbrone proposes that transness is an embodied perceptual orientation based in speculation. 

Trans-Sensing modalities are methods that trans people—specifically those who identify as transgender, but also people whose subjectivity is unmoored or unrecognizable to the dominant culture—intuitively cultivate to navigate the world. Here, this framework is central in complicating the relationship between signal vs. noise and using the idea of interference to make a “third idea” or “third sound.” 

In science, a “dark fringe” occurs when two interfering waves undergo destructive cancellation; in contrast, Gimbrone’s interference relays a speculative mode of perception— a “third way” made variously visible and audible—to the installation’s audience. 

Dark Fringe invites us to embrace a blurring that is central to trans-sensing as well as the potential of perception to an embodied experience of transness–creating new ways of listening, being, and knowing.

PERFORMANCE GIRL NEW YORK

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“​​So today I’m doing a room tour and I’m so excited!
I think that this room tour has been requested at least over a thousand times.
It’s crazy! So I thought I have to do a room tour for you guys…
It’ll give you a little glimpse into my life”
(Mota, Bethany. “ROOM TOUR ?!?!?!.” YouTube, uploaded by Bethany Mota,
19 November, 2010.)

💖💋✨💅🏽🎀🌸💄🪞👛💕🎀👁️👄💖💋✨💅🏽🎀🌸💄🪞👛💕🎀👁️👄💖💋✨💅🏽

Performance Girl New York is a pastiche cosmetics company newly founded by Janggo Mahmud, beauty enthusiast, hyperfemme ephemerist, social worker turned arts administrator, and the 2025-2027 Keith Haring Curatorial Fellow at Performance Space New York. PGNY recalls motifs of YouTube’s radically approachable ‘beauty community’, a pillar of ‘08 recession pop culture that democratized makeup artistry and industry expertise as a lure to study material culture, nurture forms of social capital, and offer accessible peer support within the art world.

Poised as a community of practice—a social framework coined by Etienne Wenger in 1998 that credits consistent, grassroots engagement as a fundamental for apprenticeship and meaning-making, PGNY will commission femme cultural workers Mahmud encounters on personal digital feeds to restage relational content-making structures such as “GRWM” and “DIML” videos to discuss femme aesthetics, rituals, and politics in contemporary art. Serving as brand ambassadors, this cohort of interdisciplinaries will test new ways of sharing their work, inquiries, interests; honing their methodologies in community with others in the same way beauty professionals and cosmetic chemists assess formulas and trial products.

Performance Girl New York’s promotional campaign runs throughout Performance Space New York’s 2026-2027 season as a digital publication (@performancegirlnewyork on Instagram, Substack, and YouTube) and convenes for a masterclass open to the public during a two week long installation.

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