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Danceoff Spring 06

DanceoffDanceoffDanceoff

Danceoff

Way before there was “So, You Think You Can…” there was DANCEOFF! Fierce, imaginative, and often funny, DANCEOFF! is NYC’s only full-contact, non- competitive, not-really-a, dance competition. Continuing to present the best and brightest in emerging and emerged dance/theater artists, Terry Dean &Katie along with PS 122 bring you the critically acclaimed DANCEOFF!

Following Sold-Out runs at Symphony Space in February and PS 122 in April, and two fabulous, free DANCEOFF! shows in Riverside and Union Square Parks this summer, DANCEOFF! is back at PS 122 for 4 mind-blowing shows, over 2 nights! It’s “What’s Up” in Downtown Dance!

March 2006 Danceoff will feature work by:
Katie Workum
Skyler Sullivan
Cynthia Hopkins
Palissimo
Will Rawls
Jonah Bokaer (motion capture video)
Ani Weintstein w/ Russ Salmon

March 21 – 22, 2006
8:00 and 10:00pm
$15($10 Members)

The Pumpkin Pie Show

The Pumpkin Pie ShowThe Pumpkin Pie Show

The Pumpkin Pie Show

Celebrating its tenth year, the Pumpkin Pie Show is a rigorous storytelling session amplified by its own live soundtrack. In junta high, Clay McLeod Chapman, a New New Stuff 2005 favorite, crafts a Sweet Valley-styled high school for terrorists where cheerleaders double as suicide bombers and guidance counselors are taken hostage by the A/V club. Holy causes worth dying for galvanize school spirits, blood is shed on the football field every Friday night and the Hungry March Band fervently plays on.

Original music written and performed live by the Hungry March Band.

Thursday, March 23: SPECIAL POST-SHOW PANEL DISCUSSION
with Michael F. Oppenheimer and Paul Rieckhoff.
Perception v. Reality: An in-depth conversation about government policy, media representation and what’s happening in Iraq – as well as the crucial role of the arts in addressing this ever-widening disconnect.

See what the Press are saying about junta high:

Under the collective name the Pumpkin Pie Show, novelist-monologuist Clay McLeod Chapman and a rotating roster of performers have spent the past decade reinventing the art of the campfire tale by injecting live music with visceral theatricality. This planned evolution takes a disturbing and invigorating turn in Chapman’s latest effort, Junta High.

Staged as a pep rally (replete with color guard and wooden gym floor), this is no mere collection of monologues — the high intensity of the performers is scored throughout by the Hungry March Band, a kick-ass brass ensemble that helps turn this storytelling huddle into an orgasmic nightmare of school spirit gone violently wrong. The concept casts the grim effects of complex geopolitical struggle as the rivalry between opposing high school football teams: A lethal homecoming queen (the electric Hanna Cheek) relates the discovery of a mass grave under the bleachers, for instance, and a team mascot (the wickedly gleeful Abe Goldfarb) provides an infectious demonstration of fascist antics.

Though this sassy approach may prove offensive to some, its aim is neither to glorify intramural sports nor to diminish global horrors. Junta High is not metaphor, but something akin to Brecht’s alienation effect: a fresh light that forces you to read in a new, left-field context the bloody international headlines that have grown dull with repetition. At a certain point, the laughter gives way to darker emotions, and the stories start hitting a bit too close to home. Luckily, the band kicks in to make us clap our hands and stomp our feet – but that just implicates us even further, doesn’t it?
– TimeOut New York

“Social anxieties, competing cliques, and the rival pressures to stand out and conform can certainly make high school feel like a battlefield. But arch-monologuist Clay McLeod Chapman replaces the figurative with the literal in this tale of warrior football players, terrorist cheerleaders, and guidance counselor hostages. Hungry March Band supplies the music.”
– The Village Voice, Spring Arts Preview

“The art and literature world find themselves with a strange, wonderful treat on their hands… The Pumpkin Pie show is a crazy, jubilant convergence of art and words and it seems like it sprung, fully-formed, from the mind of Clay McLeod Chapman. (P)ut this on your calendars. We promise it won’t be dull.
– The Gothamist

“Chapman writes complex, witty noir fiction — but it’s doubly enjoyable to see him perform…
– Flavorpill NYC

“Think of it as (Gus van Sant’s) Elephant times ten plus tubas.”
– FREEWilliamsburg


“Makes Columbine look like kindergarten… (The Hungry March Band) is a bombastic Brooklyn-based brass outfit with a known talent for getting jaded hipsters on their feet.”

– Theatre Today

March 16 – 26, 2006
Opens Thursday, March 16
Wednesday-Saturday at 8:30 p.m.
Saturday and Sunday at 4:30 p.m.
$20($10 Members)

Sinner

SinnerSinner

Sinner

Sinner is a self-destructive “solo for two men” featuring sensational former DV8 performer, Liam Steel and Ben Wright, who originated the role of The Prince in Matthew Bourne’s Swan Lake. Designed to shatter the limits of physical and emotional endurance, the U.S. premiere of Sinner begins with the events surrounding ‘the Soho Bomber’, and pulls no punches as a nervous pub flirtation becomes a suffocating psychological thriller. Interwoven dance and text indict a society that desperately constructs icons of good and evil but lacks the ability to tell them apart.

Directed by Rob Tannion and Liam Steel.

Opening Night Party: Join us at Via Delle Zoccolette for complimentary wine &bruschetta after the show. Upstairs Lounge. 95 Avenue A, Corner of 6th Street.

March 15 – 19, 2006
Wednesday – Saturday 8 p.m.
Saturday and Sunday 5 p.m.
$20($10 Members)

No Direction Homo

Schoolhouse RoxxSchoolhouse Roxx

Schoolhouse Roxx

presents
NO DIRECTION HOMO

Raunchy performance artist, sensitive singer-songwriter, rock-n-roll nincompoop: Dan Fishback is the quintessential Renaissance Queer, with more disguises than Madonna and more projects than Harlem. NO DIRECTION HOMO celebrates the chaotic life of this up-and-coming anti-diva, in all his exhausted, over-extended glory. Join PS122 for this three-night long extravanganza of downtown performance!

Night One, JAMZ FROM THE JESTER’S KITCHEN, showcases Fishback’s childlike, anti-folk power-pop band, Cheese On Bread, along with dance-rock BFFs The Bloodsugars , and downtown puberty-freaks The O’Debra Twins.

Night Two, STORIES FROM THE PRINCE’S TOILET, presents a performance art mix-tape, with highlights from Fishback’s brief but prolific career as a playwright and monologist. Underscored by the music of Dibson Hoffweiler and Preston Spurlock, Fishback weaves together a dozen stories of desire, distress, and bodily functions to create a portrait of queer confusion at the dawn of the apocalypse.

Night Three, SONGS FROM THE QUEEN’S TERRACE, closes the festival with Fishback at his most intense, as a focused, feisty queer troubadour, armed with an acoustic guitar and a collection of songs from both his debut album, Sweet Chastity, and his upcoming release, Mammal. The evening begins with surrealist balladeers The Tri-Lambs, and a special, miraculous appearance by legendary feminist performance artist and playwright Deb Margolin.

March 9-11, 2006
9 p.m.
$15

Thousand Years Waiting

Thousand Years Waiting

Three simultaneous realities converge in the world premiere of Chiori Miyagawa’s Thousand Years Waiting. Intricately weaving together the history of storytelling like a spider’s web, a woman from present-day New York City steps in and out of real and fictional worlds from the past: Japan circa 1000 A.D. and The Tale of Genji, the world’s first novel.

This unique Trans-Pacific collaboration, conceived and directed by Sonoko Kawahara, features Otome Bunraku Puppet Master Masaya Kiritake, one of only three women in the world who professionally perform this rare 17th century traditional Japanese art form and marks the first time a Master will perform in an American play.

Original music by Bruce Odland.

Approximate running time: 1 hour 15 minutes.

February 23 – March 12, 2006

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