Sibyl Kempson | Performance Space New York

Ich, Kürbisgeist

Big Dance Theater & Sibyl Kempson
Ich, Kürbisgeist

A harsh, quasi-medieval locale facing destruction is populated by a community speaking a rigorous, specific, and completely invented language. Five absurdly fearful and doomed characters sing, dance,and harvest pumpkin seeds. Every word is semi-recognizable: an amalgam of English, Swedish, German – and Sid Ceasar. The language is as tough and unforgiving as the windswept, uncultivated landscape. At its heart Ich, Kürbisgeist is an olde-tyme agricultural vengeance play installed in a crypt-like basement for just 30 people a night.

“It’s hard to do justice to the freewheeling brilliance of Big Dance Theater’s combination of dance, theater, video and idiosyncratic imagination; suffice it to say you should see the work of Annie-B Parson and Paul Lazar whenever possible.” – The New York Times

Co-commissioned & presented by Performance Space 122
& The Chocolate Factory

Oct 25 – 27 at 8pm

Oct 31 – Nov 3 at 8pm

Nov 7 – 10 at 8pm

Added Late Nights:

Nov 2, 3, 10 at 10pm

at The Chocolate Factory, 5-49 49th Avenue, Long Island City, Queens

@PS122 #Kurbisgeist

 

 

 

 

 

 

Big Dance Theater is an OBIE and Bessie award winning company known for its inspired use of dance, music, text and visual design to expand and refract literary texts, weaving disparate sources and forms into seamless theatrical wholes. Under the co-direction of Annie-B Parson & Paul Lazar, BDT has created 15 dance/theater works, generating each piece over months of collaboration with a long-standing, ever-evolving group of actors, dancers, composers and designers.

 

Sibyl Kempson (at PS122: Crime or Emergency)
“… one of the most radical, transgressive, and hilarious playwright/performers out there. She has a singular theatrical imagination, a searing stage presence, a ferocious intellect …” – BOMB Magazine

 

“Anarchic talent …” “… a playwright of terrifying gifts … frighteningly in command of devastating linguistic weapons” – Time Out New York

The Chocolate Factory is Long Island City based incubator for new developments in experimental performance. The work of founding artists Brian Rogers & Sheila Lewandowski emphasizes collaboration combining movement, music, video and text to devise a means of storytelling that is immediate, collage-like, highly visual, and dependent on new technologies. These curatorial values tend to lead to work that is not easily categorized and requires new methods, more time, and a new kind of audience.

 

“It feels a little bit like the first New York I knew in the ’70s and ’80s. Not in a retro way at all, but art and residence and commerce were in a more balanced relationship than they are now. It’s not a reference to that time, just a little place where that is occurring again.” – Tere O’Connor, in a New York Times profile of the Chocolate Factory

 


The Chocolate Factory is located in Long Island City, at the first stop on both the 7 and G trains into Queens. L.I.C. is a waterfront neighborhood which in recent years has become known for its thriving arts community, and has among the highest concentration of art galleries, art institutions (among them MOMA’s PS1, the Institute of the Moving Image, Socrates Sculpture Park, Isamu Noguchi Museum) and studio space of any neighborhood in New York City.

 

Director Paul Lazar
Co-director / choreographer Annie-B Parson
Writer Sibyl Kempson
Performers Tymberly Canale, Eric Dyer, Molly Hickok, Paul Lazar, Kourtney Rutherford
Set Joanne Howard
Video Josh Higgason, Karinne Keithley, Jeff Larson
Music Karinne Keithley, Ben Williams
Lights Joe Levasseur
Sound Jamie McElhinney
Costumes Suzanne Bocanegra
Production Manager Brendan Regimbal
Produced by Aaron Rosenblum


Ich, Kürbisgeist was made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Additional support was provided by the Starry Night Fund, The Andrew W. Mellon Foundation New York Theater Program, the Distracted Globe Foundation and King’s Fountain. Production design support was provided by The Edith Lutyens and Norman Bel Geddes Design Enhancement Fund, a program of the Alliance of Resident Theatres/New York (A.R.T./New York). General operating support was made possible by the New England Foundation for the Arts with funding from the Doris Duke Charitable Foundation. Ich, Kürbisgeist was developed, in part, through generous space grants from the Abron Arts Center’s AIRspace residency program, and the Process Space Residency at Building 110: LMCC’s Arts Center at Governors Island.

Crime or Emergency

Prima


“…my favorite, favorite thing that I have encountered in the last few years…
I froze into that enchanted immobility that only the most spectacular shows provoke…
I would actually buy your ticket to this show. I want you to see it that much.
See you at PS!” – Helen Shaw via Claudia La Rocco’s Performance Club Blog Post “The A-List” on WNYC.org (9/19/09)

“Nervy, bewitching performance” – John Del Signore, Gothamist

Two iconoclastic downtown performers entertain, tantalize, beguile, and finally threaten to break the elbows of our Aristotelian/Stanislavskian conceptions of contemporary American theatre and identity as we safely understand them in a new play by Sibyl Kempson. In other words:

Mike Iveson, with his demonic arrangements of the indigenous music of their native New Jersey, joins Kempson in a rapturous and obsessive melodrama of consciousness. Together they distill this 11-person play into a desperate and harried duet.

Part cabaret fiasco, part aesthetic holocaust, their dual dueling performance pits them in a life-or-death struggle for the right to devour the soul of the play.

BONUS EDITIONS:
PLUS Exclusive Late Night Edition: “Emergency or Crime”

Please note that at the Late Shows, the part played by Ms. Kempson will be played by Mr. Iveson; and the part and piano played by Mr. Iveson will be played or appear to be played by Ms. Kempson.
In this compulsory late night companion piece to “Crime or Emergency”, a fifth dimension of dementia ensues. Recommended for those who have already seen Crime and Emergency or who do not get out of bed until 930 PM (wake up Spaniards!) Warning: Ears and eyes may bleed.
Single Tickets: $20 or get The Package: see both for $30.

PLUS Exclusive Holiday Bonus Edition: “Lost Acts of Crime or Emergency”
Ms. Kempson & Mr. Iveson take past performers involved in the evolution and development of “Crime or Emergency” and hold them hostage, forcing them to relive their parts in a weird and festive Stockholm Syndrome-inspired atmosphere surrounded by the infamous debauchery of the PS122 Annual Red & White Party, downtown’s definitive holiday bash. Drinking helmets recommended. Star Hostages: Kate Benson, Kourtney Rutherford, Jason Schuler, Andrew Dinwiddie, Eben Moore, Eleanor Hutchins, Susie Sokol, Jim Fletcher, Johanna S. Meyer, and more to come.
Note: tickets to the 12/15 one-night-only OFF SITE extravaganza are included with admission to PS122 Red and White Party

Developed at Dixon Place, Soho Rep, Fusebox festival, Austin TX. , Supported by a Commission Grant from the Jerome Foundation.

WORLD PREMIERE
Fri, Dec 4 – Sun, Dec 20
BONUS EDITION “Emergency or Crime”
Sat, Dec 12 and Sat, Dec 19 at 10pm
Single Tickets $20, $15 (students/seniors)

Help PS122 Go Green by viewing your Crime or Emergency Program online!

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