Experiential | Performance Space New York

too shy to stare


Davis Freeman (Belgium)
Too shy to stare (US Premiere)

“The most intimate and liberating performance experience I have ever encountered.”
– Rachel Zeharin, Live Art Development Agency

“Starts there where most performances end…The peep show of your dreams”
– Elke Van Campenhout

A carousel of identity and illusion, Too shy to stare breaks the barrier between performer and audience through highly original and entirely unrepeatable means. Davis Freeman creates an intensely intimate environment where you sit down, relax, and discover who is left confronting you at the end of the day.

Please note: Audience is limited to 10 people per performance and ticket buyers must make an appointment to have their photograph taken at least 48 hours in advance of attending the performance. Why? It’s a secret.

Musicians:
Brian McCorkle, Ed RosenBerg, Hahn Rowe

Performers:
Maya Orchin, Nora Petroliunas, Lauren Garson, Andrew Broaddus, Matthew Morris, Hope Davis, Megan Harrold, Winnie Ho, Laura Hicks and Paul Singh

Co-produced by Random Scream. Made possible with support from Mertz Gilmore Foundation, Koen Kwanten, Kaai theatre, Damaged goods, and the VGC. Created in part at the Arts Collaboration Lab, a partnership between Columbia University School of the Arts and Performance Space 122 in July 2011.

randomscream.be

Presented as part of the
7th Annual COIL Festival
The Old School
233 Mott St.
January 6 – 14, 2012
Jan 6, 7, 9-11, 13, 14 at 5pm and 9pm
2 hr 30 min
All performances of Too shy to stare are sold out.

Anger at the Movies


David Levine (NY, Berlin)
ANGER AT THE MOVIES (World Premiere)

“Enraging, engaging.. Levine a savvy rascal who makes theater pieces that bleed into Conceptual art”
– Time Out

A follow up to Levine’s acclaimed Venice Saved: A Seminar, this seminar masquerading as theatre masquerading as film screening asks the audience, “Why is it so frustrating to see your profession represented on film?” You provide a YouTube clip, we provide the spectacle.

Collaborators for ANGER AT THE MOVIES:

Rob Cohen, Lawyer (Partner at Kirkland & Ellis, LLP)

Cate Schappert, Photographer

Gideon Lewis-Kraus, Writer

Jo Walker, Architectural Designer

Kyoung H. Park, Playwright
Christianna Nelson, Actor


Created in part at the Arts Collaboration Lab, a partnership between Columbia University School of the Arts and Performance Space 122 in July 2011.

Presented as part of the
7th Annual COIL Festival
Mabou Mines

January 10 – 12, 2012

For this show, please provide a clip to the creative team for the
night of the performance.

You can either:
1) bring a physical DVD with chapter/timecode noted to the night of
the performance
2) find a clip online and copy/paste the url into an email, sent to
angeratthemovies@ps122.org by 12pm the day of performance. If you
can’t find a clip, we suggest looking on youtube, movieclips.com, or
vimeo

3) Upload a digital version of a clip to your favorite cloud storage
site (i.e. dropbox or yousendit). Copy and paste the url and send to
angeratthemovies@ps122.org

4) Bring a clip with you on a flash drive.

If you can’t find a clip that (mis)represents your profession, you’re
welcome to bring clips depicting, inaccurately, a hobby, location,
activity or state of mind you’re familiar with.

If you can only find clips that depict your profession extraordinarily
well, feel free to bring that.

ZEE

Zee


ZEE is a rigorous mindscape; a hallucinatory architecture of light; a dream machine.

An enclosed space is filled with a dense, odorless fog that completely obscures the walls, floor and ceiling. Individuals freely roam this environment, while flickering light filters through the haze, inducing hallucinations and sensory distortions within each viewer. A droning soundscape intensifies this full-immersion experience, shifting dynamically according to changes in the color, frequency and intensity of the light.

Exhilarating and meditative, Hentschläger’s pulsing, stroboscopic and mind-altering ZEE pushes the boundaries of human perception and creates an intensely riveting audiovisual journey.

“Hentschläger’s piece delivered literally on the hackneyed promise that art will refashion one’s way of seeing the world.” – Kenneth Baker, Art Critic, San Francisco Chronicle, November 2008

ZEE was originally commissioned by OK-Center Linz, and Wood Street Galleries, Pittsburgh in 2008.

Kurt Hentschläger is Managed and Represented by Richard Castelli / Epidemic

Supported by: BMUKK -Austrian Ministry for Education, Art & Culture and MEDA(TM) – vision beyond

Production Assistance: Shane Mecklenburger / Technical Assistance Touring: Alexander Boehmler, Ian Brill

Important information: Anybody with the following conditions should not attend ZEE: photosensitive epilepsy; asthma, breathing and heart problems; abnormal blood pressure; migraine & headaches; all kinds of eye & ear diseases; claustrophobia or anxiety. Pregnant women are also advised to refrain from attending. Please note: The artificial fog being used is proven, even in extreme intensities, not to be of any health risk; the stroboscopes used in the show are standard theatrical units.

Kurt Hentschläger

A constant innovator and one of the most influential figures in the field of contemporary art and technology, Hentschläger merges conceptual art, sound, video, performance,and technologyin his large-scale installations. Since launching his career in 1983, his work has been commissioned worldwide, including: NoiseGate 2000 for Creative Time’s Art in the Anchorage as part of the Austrian duo Granular-Synthesis, representing Austria at the 2001 Venice Biennale, and his most recent installations ZEE, RANGE and KARMA/X are currently touring. www.kurthentschlager.com

About FuturePerfect

ZEE is the inaugural event of FuturePerfect, a new initiative that researches and presents hybrid performance practices, media forms, and artistic ideas that continue to emerge as computer technologies and electronic networks mature and become inseparable from contemporary culture. In particular focus is the future of live performance and related visual culture. FuturePerfect 2011, a performance festival and exhibition, is slated for New York City during Spring 2011. Wayne Ashley is FuturePerfect’s founding artistic director, the former Director of Arts in Multimedia at Brooklyn Academy of Music, BAM. Contact: Wayne Ashley at waynewayneashley.net. More info: www.futureperfectfestival.org

New York Premiere

October 28 – November 15, 2009

3LD Art & Technology Center, 80 Greenwich Street, near Rector St., Lower Manhattan

Time: Wednesday, Thursday, Friday 5-9pm; Saturday, Sunday 2pm-9pm

Project begins on the hour and the half hour; approximately 20 minutes.

Kurt Hentschläger’s ZEE is now previewing BY INVITATION ONLY for individual visits by the press, curators, and professionals in the art and performance community. Due to limited capacity, entrance is by confirmed RSVP only -please contact rsvp@futureperfectfestival.org and include your phone number.


Panel Discussion: Performance, Installation and Immersion–Free

Presented by FuturePerfect and CPR–Center for Performance Research

Venue: CPR–Center for Performance Research

361 Manhattan Avenue, Unit 1, Williamsburg, Brooklyn

Sunday, October 25, 2009

1:30pm – 3:30pm

In conjunction with the opening of ZEE, FuturePerfect, CPR–Center for Performance Research, 3LD Art & Technology Center, and PS122 invite you a panel on Performance, Installation, and Immersion. Panelists include: Kevin Cunningham (Director, 3-Legged Dog Media and Theater Group), Kurt Hentschläger (Artist, Austria/US), Kora Van den Bulcke and Thomas Soetens (Workspace Unlimited, Artist Collective Belgium/Canada), Allen Feldman (Associate Professor, Anthropology, NYU). Discussants include: Vallejo Gantner (PS122), Morgan von Prelle Pecelli (PS122), Wayne Ashley (FuturePerfect), Jonah Bokaer (CPR–Center for Performance Research), Dr. Frank Hentschker (Martin E. Segal Theatre Center, CUNY), and others to be announced. https://www.cprnyc.org

Dark Horse Black Forest

darkhorse

darkhorse

Dark Horse/Black Forest at The Gershwin Hotel
Presented by Performance Space 122 and Neke Carson

A special Dance Installation: Space is Limited, Book in Advance

What is DARK HORSE/BLACK FOREST?

It’s an intense love story presented in the most intimate of spaces: the bathroom.

It’s designed to be bought and owned for an evening in the privacy of your own bathroom in your home or special event venue.

It’s dance. It’s art. It’s interior design.

It’s critically acclaimed and causing quite a stir.

And… It’s currently being performed in an exclusive engagement in the lobby bathroom of The Gershwin Hotel NOW through Sunday, June 28.

Buy tickets to this special event Click here to purchase tickets online
Act fast – space is limited – only seven spaces are available per night.

If event appears to be sold out, you can come to The Gershwin Hotel one hour before the performance you wish to see and add your name to a waiting list.
The wait list is accessible in person at The Gershwin Hotel Lobby only and must be signed up for on the same day you wish to attend.

Inquire about booking Dark Horse / Black Forest as a private event in your home or selected venue.
Prices begin at $1650 for private home installations and begin at $2500 for corporate events.
Private bookings are available worldwide and include fully edited archival digital documentation of the event for continued enjoyment.

To find out more about private home bookings of Dark Horse / Black Forest, please email darkhorse@ps122.org
These privately booked performances are made available exclusively through Performance Space 122 and for a limited time only.

More about the limited run at The Gershwin…
The W.C. at The Gershwin Hotel in New York City has been transformed by flourescents, mirrors, and video screens. The audience is privy to an emotional and private exchange between a couple that evolves into a formal, sensual dance. There are two casts that rotate bi-weekly: a man and a woman (Heather Olson & Joseph Poulson), and two men (Luke Miller & Darrin Wright).

” as much an installation artist as a choreographer” – Gia Kourlas, The New York Times

“Castro’s smart, kooky shenanigans captivate…” – Chris Dohse, The Village Voice

“Castro’s upcoming duet takes voyeurism to a precipice… it doesn’t happen on a stage but in a bathroom like yours.” – Lori Ortiz

Photos courtesy of Charles Houghton, Brett Crocitto and Yanira Castro

2010 Bessie Award

Heather Olson & Joseph Poulson:
June 5-7, 12-14
Luke Miller & Darrin Wright:
June 19-21, 26-28

June 5 – 28, 2009
FOLLOW THIS PROJECT ON TWITTER:
twitter.com/doghebitedme
twitter.com/darkbloom8

C’est Duckie!

C'est Duckie!

“C’est delightful, C’est divine, C’est trés magnifique!”
The Guardian

“Delicious bite sized burlesque”
Time Out London

The perfect show and nightclub for a swanky holiday night out!
Patrons please note: A dress code of suitably swanky evening wear is encouraged!

Performance Space 122 imports London-based performance troupe Duckie and their smash hit, C’est Duckie!, the Olivier award-winning, interactive nightclub performance experience, for a wild and absolutely outrageous alternative to traditional holiday fare.

Following sold-out seasons in London, Sydney, Berlin, and Tokyo, C’est Duckie!, “London’s Table Top Christmas Performance Palais,” serves up a menu of daring, delectable and devious entertainments that result in tailor-made, table-top shows from a top class talent troupe of soubrettes, hoofers, and starlets from the London performance scene as well as special guest artists from New York City including: Taylor Mac, Jessica Delfino, the Wau Wau Sisters, and Dynasty Handbag!

Armed with Duckie dollars upon entering, guests at each table can order from a show menu of craftily titled “acts” at will. Shows include a variety of theatrical fare – vaudeville, ventriloquism, balloon modelling, broken down burlesque – with over 30 kunst-cabaret turns from the suggestive to the transgressive to the downright offensive.

Pitching popular commercial entertainment against contemporary performance provocation, Duckie prove that Performance Art is the new table dancing in this all-singing, all-dancing shameless crowd-pleaser. At last, whether they’ve been naughty or nice, New Yorkers can experience this swanky showbiz spectacular for themselves.

Patrons please note a dress code of swanky evening wear is requested.
Recommended for ages 18 and over; 21+ to drink alcohol.

Presented in association with Foster Entertainment.

Supported by the British Council.
British Council Logo

Running time: 2 hours

Photos by Hugo Glendinning.

OFF SITE LOCATION: CSV Cultural Center
107 Suffolk Street (map)
between Rivington and Delancey

Thursday, December 20 –
Saturday, January 19, 2008

All rights reserved by Performance Space New York
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