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CLUB

The Lower East Side in the early 1980s teemed with live performance, happening within a vibrant network of clubs. For CLUB, Philadelphia-based artist and curator Tiona Nekkia McClodden creates a performative installation that references distinct elements of present and past LES clubs, activated by a dense schedule of sound installations, performances, talks, and dance parties. McClodden, who will be present during opening hours, is interested in the liminal potential of night clubs, i.e. their ability to temporarily dissolve rules that govern our everyday lives and allow people from different backgrounds to interact more freely. In that respect, CLUB is less nostalgia for an irrecoverable era than it is a blueprint for Performance Space New York’s future.
 
Organized by Tiona Nekkia McClodden
Featuring Hassan Rahim & Jeremy Toussaint-Baptiste
 
Schedule

6 – 8pm

12 – 6pm
Open to everyone

Memberships are priced at $15 and come with a limited edition card along with access to special events, drinks, and more. Members will be able to buy and pick-up their membership card for the duration of the day. Limited to 300.

3 – 6pm
Free for Members | $5

Tiona Nekkia McClodden engages in a discussion with DJ Justin Strauss on the conceptual framework around the creation of his DJ sets. Followed by a 60-90 min. set by the DJ.

6 – 8pm
Free for Members | $3

Tiona Nekkia McClodden in conversation with drag historian, Joe E. Jeffreys, about his significant collection of Club ephemera focusing on Drag Clubs from the 1950s onward. A special presentation of these archival selections and flyers are highlighted within CLUB.

6 – 8pm
Free for Members | $3

Tiona Nekkia McClodden will be in discussion with Frankie Decaiza Hutchinson (co-founder of Discwoman) on her efforts alongside the Dance Liberation Network which she co-founded to lead the fight in the repeal of The Cabaret Law last fall of 2017. The Cabaret Law was originally used to target black jazz clubs and musicians in New York City and also led to the closure of many frequented LES nightclubs in the early 80s. Featuring a multimedia presentation of ephemera documenting Hutchinson’s efforts that will take takes over the CLUB projectors.

3 – 6pm
Free for Members | $5

Tiona Nekkia McClodden will have a discussion with DJ SHYBOI on how she thinks about the construction of a DJ Set. This discussion will be followed by a 60-90 min. set by DJ SHYBOI.

6 – 8pm
Free for Members | $5

Tiona Nekkia McClodden in conversation with the team behind Papi Juice, an art collective composed of DJ/producers Oscar Nñ and Adam Rhodes, and illustrator Mohammed Fayaz that aims to celebrate the lives of queer and trans people of color. A special presentation of ephemera from past parties takesover the CLUB projectors.

12 – 8pm
Members rate| $5 | $7 – $10 for general public

Haute Sauce is a Brooklyn-based female collective celebrating black and brown culture by creating spaces that support cultural and creative inclusivity. Tiona Nekkia McClodden engages in a 45min discussion with the ladies behind Haute Sauce about their beginnings as a party, their current mission and where they hope they can take their party in the future.

12 – 6pm
Members rate | $5 | $7 – $10 for general public
21+

Tiona Nekkia McClodden invites BDSM educator/practitioner/ritualist and sex work activist Yin Q to screen their web series Mercy Mistress and to take over the space with their BDSM party KINK OUT. Strict social media ban during this takeover.

8pm

CLUB welcomes BRUJAS to take over the space as they host their third annual Anti-Prom, as part of Red Bull Music Festival New York. No social media and 18+. Line-up announced soon

12 – 3pm | 4 – 6pm | Open to everyone

Tiona Nekkia McClodden invite a select group of DJs who play exclusively on vinyl to provide the music for the day.

3pm | Open to everyone

Artist Talk with Tiona Nekkia McClodden, Hassan Rahim, and Jeremy Toussaint Baptiste.

CLUB was made possible with support from the Rockefeller Brothers Fund, Howard Gilman Foundation, Lambent Foundation Fund of Tides Foundation, The Andrew W. Mellon Foundation; and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

May2018/\

Sarah Michelson has been a defining presence at Performance Space 122 through the years, first as a dancer in the 1990s, then showing her own early work in peer-curated programs like Hothouse, followed by the evening-length pieces Group Experience (2001), Shadowmann Part II (2003), and Daylight (2005), which established her as one of the most original voices of her generation. After a 13-year hiatus, Michelson returns to Performance Space New York with a new piece that considers her own history with the organization, the building, and the community from which her work emanates.
 
Photo by Dona Ann McAdams.
 

May2018/\ was commissioned by Performance Space New York and made possible with support from the Jerome Robbins Foundation, Mertz Gilmore Foundation, Harkness Foundation for Dance, Howard Gilman Foundation, Lambent Foundation Fund of Tides Foundation, The Andrew W. Mellon Foundation; and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Schrei 27

Hailed as the “high priestess of vocal apocalypse,” legendary avant-garde musician Diamanda Galás presents the U.S. Premiere of her collaboration with video artist Davide Pepe, Schrei 27. The film is based on a work Galás first developed for radio and turned into a quadraphonic performance, Schrei X—a sequence of Beckettian monologues alternately sung, shrieked, whispered, or cried—that Galás gave in complete darkness at Performance Space 122 in 1996. Schrei 27 confronts the audience with an unrelenting visual and sonic portrait of a body enduring torture in the physical confinements of a mental health facility. To Galás, whose work often evokes the suffering of the powerless, “the object of this kind of torture is complete demoralization—and the erasure of all that the captive has ever known—including the fact that he was ever a human being.”
 

Schrei 27 was made possible with support from the Howard Gilman Foundation, Lambent Foundation Fund of Tides Foundation, The Andrew W. Mellon Foundation; and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Collection 005: Calico Svetlana

Harnessing a combination of thrift store finds and individual customizations, the DIY look that originated from downtown NYC was first broadcast by MTV in 1981, and quickly influenced how young people were dressing all around the world. As youth culture is now instantly co-opted as marketable fashion, the idiosyncratic designs of multifarious fashion-oriented project, Women’s History Museum, present a counter cultural form of self-expression that resists mainstreaming. Founded by Amanda K McGowan and Mattie Rivkah Barringer in 2014, the collective stages an extended theatrical runway presentation of their latest collection.
 
The show will include musical performances by Riichpsycho and Just The Right Height
 

Collection 005: Calico Svetlana was made possible with support from the Howard Gilman Foundation, Lambent Foundation Fund of Tides Foundation, The Andrew W. Mellon Foundation; and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Blood and Guts In High School

Organized by Sarah Schulman
 
“When you look in the mirror and see a smart, angry girl who wants to be free, you’re seeing a paradigm Kathy helped bring into the realm of the recognizable,” writes Sarah Schulman in The Gentrification of the Mind. Schulman, who has lived across from Performance Space New York for the last forty years, invites more than seventy artists—including many of Acker’s peers, friends, mentees, and cultural descendants—for a marathon reading of the notorious 1978 novel Blood and Guts in High School. Its plot, partly situated in the East Village, spins the all-American coming-of-age story into a girl riot.
 

Nuar Alsadir, Emily Apter, Penny Arcade, Charles Bernstein, Nayland Blake Jennifer Blowdryer, Justin Vivian Bond, Wendy Bowers, Kaucyila Brooke, Teresa Carmody, Cynthia Carr, Stuart Comer, Peter Cramer, Ruth Curry, Maria Damon, Leslie Dick, Zackary Drucker, Johanna Fateman, Melissa Febos, Karen Finley, Richard Foreman, Kay Gabriel, John Godfrey, Ariel Goldberg, Johnny Golding, Rigoberto Gonzales, Veronica Gonzalez, Bette Gordon, Jessica Hagedorn, Michelle Handelman, Carla Harryman, Pooh Kaye, Elisabeth Koke, Phoebe Legere, Rachel Levitsky, Catherine Lord, Sara Mameni, Jaime Manrique, Aline Mare, Shelley Marlow, Douglas Martin, Jason McBride, Tracie Morris, Laura Parnes, Julie Patton, Dale Peck, Tommy Pico, Q Lee, Ariana Reines, Avital Ronell, Aida Ruilova, Carl Hancock Rux, David Salle, Connie Samaras, Harris Schi, Carolee Schneemann, Bina Sharif, Ana Simo, Pamela Sneed, Anna Joy Springer Max Steele, Sara Jane Stoner, Sur Rodney Sur, Betsy Sussler, Stacy Szymaszek Lynne Tillman, Masha Tupitsyn, Jeanne Thornton, Aldrin Valdez, Stephanie Vella Sarah Wang, Mckenzie Wark, Jack Waters, Zoe Whittall, & Chavisa Woods

This event was made possible with support from the Howard Gilman Foundation, Lambent Foundation Fund of Tides Foundation, The Andrew W. Mellon Foundation; and in part by public funds from New York City Department of Cultural Affairs in partnership with the City Council and New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
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