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Fantastic Voyage w/ Lyrics HD

Organized by American Artist.

With American Artist, NIC Kay, Raúl De Nieves, Jackie Wang, NUNATS NEN-TUK NUTAKS DIPA (THE WRONG VOICE IS COMING OUT OF YOU)
 
In conjunction with the installation A Wild Ass Beyond: ApocalypseRN, American Artist invites writers and performers whose works embody radical imagination. As the exhibition speculates on survival strategies of the people who have always been surviving, in the face of an apocalypse, Artist is drawn to music for its legacy within liberation struggles as well as a means of meaning-making in another (non)world. Rather than being purely musical, the performances are often interdisciplinary in nature, and share a genesis in writing and radical pedagogy.
 
Co-presented with Eyebeam.
 

This event is supported by the Doris Duke Charitable Foundation.

Man Machine

Related Event

A special workshop for experienced DJ’s led by John Collins and Mark Flash.

October 20 | 3-5pm

 

For the last thirty years the Detroit label, Underground Resistance (UR), has been producing techno music aiming at “electrifying the inner city with hi-tech, sci-fi thoughts.” Equipped with radical politics UR’s collective practice aligns itself with the African American working class experience combating the so-called “programming by mediocre mainstream music and public institutions. Simultaneously, a complex mythology invents a sonic future beyond fixed identities which cannot be racialized and stereotyped anymore. The idea of man and technology merging appears all over the UR universemachines are being manipulated and experimented with to create the distinct extraterrestrial UR sound and explore humans’ potential to make and remake themselves.

 
The program includes conversation and music.
 

A Wild Ass Beyond: ApocalypseRN

Related Event

Fantastic Voyage w/ Lyrics HD  – Organized by American Artist | December 14.

A night of performances in conjunction with the installation A Wild Ass Beyond: ApocalypseRN.
 
“Everyone contains a history of contamination; purity is not an option.” 1
 
In the event of disaster, we, the people who have always been surviving, will simply continue to survive. We have learned skills you wouldn’t believe, enduring under police states. We refine trauma into gold and use exile as jet propellant.
 
Yet we lack a vision of our lives past survival. What will we do when we head “back to the land” that was never ours? We do not see ourselves in the paranoiac manuals of preppers, in minimalist lifestyle retreats, in the nativist isolationism of militiamen.
 
We do not want to repeat these dreams of being the center, forever tyrants over little kingdoms. In this beyond, we will contaminate one another. We first learn from the past, building lookouts to keep our homes from burning.
 
We then seek an unruly communion. New languages, icons, guides, rituals, spun and fired beneath a twilight canopy of fungi. We claim a gorgeous, baroque maximalism, a future that sounds, looks, and feels like our innermost thoughts.

 

Our heartfelt thanks to an anonymous individual donor from Fort Worth, Texas who helped to make this installation possible.

 Anna Lowenhaupt Tsing, The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton: Princeton University Press, 2015. 31.

 

Story Telling for Earthly Survival

Organized by Fabrizio Terranova, featuring Kim TallBear and a special live stream appearance by Donna Haraway.

 

Since her groundbreaking A Cyborg Manifesto (1984) Donna Haraway has been the preeminent scholar on rethinking relations between humans and technology as well as humans and animals. Her joyful and life-affirming multispecies feminism rejects any form of human exceptionalism and instead recognizes the entanglement and interrelatedness of all life forms. Neither giving in to apocalyptic end of the world scenarios nor the temptation of a magical technology fix, Haraway addresses the big ecological challenges of our time by mobilizing new practices of making kin across species and inventing new stories that allow us to imagine a more livable future.

 
The afternoon commences with a screening of Fabrizio Terranova’s feature-length film, Donna Haraway: Story Telling for Earthly Survival (2016), an intimate portrait of Haraway as a captivating thinker and enthusiastic storyteller. It is followed by a book launch of her latest publication, Making Kin Not Population (2018), an anthology of essays calling for new practices of making kin beyond biological family structures in the face of unsustainable overpopulation.

 

DEAD THOROUGHBRED

Post-show talk on Friday, October 26 with NIC Kay.
 
DEAD THOROUGHBRED is a collaboration that includes at least keyon gaskin and sidony o’neal. DEAD THOROUGHBRED feels ambivalent about the posthuman future. Rather than the post-human, DEAD THOROUGHBRED feels the ante-human (ante = before in Latin), i.e. the dead and other non-human living and non-living forms, in an effort to complicate the idea that living human consciousness is the central or sole indicator of subjective relation. DEAD THOROUGHBRED acknowledges the inherent exclusion and limitations of posthuman theory. DEAD THOROUGHBRED’s presentation in the Posthuman Series fucks with the generativity of death and hopelessness as a critical antithesis to DEAD THOROUGHBRED’s interest in posthuman ideas of enhanced living, futurity, and occult possibility.
 
DT is peri-conceptual, dis-experimental, and a-nihilist.

DT is a blackened performance that is never not happening.

DT is après-queer and post-ratchet.

DT is anti anti-capital capital.

DT is heavy evasion– worthless.

DT is useless currency devoid of value and wide in circulation.

DT has null intension and null extension.

DT is dead frivolous af.

DT is detrital presence; an exhaustion of lack.

DT is at least sidony o’neal and keyon gaskin.
 

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