Shows | Page 13 of 52 | Performance Space New York

Open Movement

As we approach our 100th Open Movement workshop, we continue our tradition of providing an open platform for movement exploration and artistic expression. Curated and organized by Monica Mirabile, Open Movement is a free program open to all ages, abilities, and levels of experience that offers both space for self-guided movement practice and artist-led workshops.

Every Sunday from noon to 4pm, we welcome you to the Performance Space New York theaters where Open Movement is held. Here, participants are invited to move in whatever way feels comfortable to them—stretching, drawing, dancing, rehearsing, and observing if they don’t feel called to move. Many in the Open Movement community describe this environment as a sacred space for self-discovery, connection, and feeling present in their bodies.

At 4pm, our program shifts to feature workshops guided by artists and practitioners. Each week, these sessions offer a unique opportunity for participants to engage in two hours of participatory practice, exploring a range of themes from movement techniques, to performance philosophies, wellness practices and beyond. Open Movement workshop facilitators are a part of our extended Performance Space network: many of these artists have been regular participants in Open Movement and have created or hosted programs in our theaters. This season will feature workshops by Elliot Reed (who presented a performance commission, You can hear footsteps, as a part of our 2023-2024 season), BE HEINTZMAN HOPE, Alexandra Tatarsky, Sigrid Lauren, Samer Ghadry, Zion the 83rd Lion, Morgan Bobrown-Williams, Reed Rushes, Danyela June Brown, and Whitney Mallett who will also participate in this season’s performance program.

As part of our commitment to process-focused initiatives, throughout the year we also host WIP Feedback Front, a showcase of works in progress from emerging artists, many of whom are part of the Open Movement community. Artists present their projects in a casual, supportive atmosphere to get feedback while the works are still being developed. Audience members are invited to share their responses anonymously, creating open exchange between creators and observers.

At Open Movement, performance is for everyone, whether you’re experienced or a newcomer. Our mission is to provide a welcoming space for curious-minds to reconnect, ground themselves, and expand their perspectives, wherever they may be on their journey.

Free with RSVP

Alex Tatarsky, a clown by trade, is interested in all the ways we can fall apart on stage, break down, break things down, be in the brokenness, decay, decompose, and uncivilize ourselves. Let’s stop workshopping. Let’s stop working. Let’s stop shopping. No more development. Time to undevelop. What might that look like? Sound like? Feel like? In this class we will embrace the rude child and the elemental: hydrogen, oxygen, nitrogen, carbon. And especially where and how these elements encounter and transform one another. Water meets earth and becomes mud. Now duet with the mud. Speak from the mud. An attempt to seek pleasure in impossible circumstances. Take delight in the dirt. Turn our shit into gold.

Free with RSVP

A workshop for sluts and goblins who wanna get a little messy, in the name of making dances!
With a playful approach this workshop explores socialized notions of sexiness, while referencing the concept of the ‘hungry ghost’. In eastern philosophy the hungry ghost represents the insatiable hunger alive in people often associated with craving and addiction. It is represented most popularly by the spirit character ‘no face’ in the Hayao Miyazaki movie Spirited Away and is a focal point in Gabor Maté’s book In the Realm of Hungry Ghosts: Close Encounters with Addiction. The hungry ghost can also be found in the Gollum/Sméagul character of J.R.R. Tolkein’s novel, The Hobbit and its sequel The Lord of the Rings.

 

Impressions – i press on you, you press on me. we press on it and it on us.

This workshop uses daydreams, visualizations and image making to generate free movement and embodied experiences that challenge what we experience as inside and outside, internal and external.

Using impressions – how we impress on each other and are impressed on by the textures, architecture, objects, sounds of the room and how we in turn impress on them – this workshop will explore and undo the edges of things. Undoing and moving through the edges between walls and space, bodies and thoughts, emotions and objects, messing up any natural order of “things.”

Maybe we will reach a collective feeling of boundless interconnectedness or maybe we’ll hit an edge thats just too hard to budge..

For the session the room is a room that we move through. For the session the body is a room that moves through us.
Inside us are rooms of multitude.

Free with RSVP!

A 2-hour expansive sound journey to incite creative exploration between waking and dreaming

This practice combines meditation, sound bathing, and psychedelics-informed experiencing, using sound as the medium. Learning to incorporate the entire soundscape into our daily practice, and taking this into a darkened room as a group exercise to amplify the acoustics and become sensitive to group energetic synchronization via shared audible experience. Ideally we will craft a “waking up ” segment at the end to bring light back in slowly, or have a tea and humming moment in the cafe afterwards to further reinforce the quietude and simplicity of the state of being after 2 hours of sound meditation.

 

Free with RSVP

We’ll be workshopping ensemble scores, playing with ways to quickly assemble group choreography.

 

Free with RSVP

The Power of First Thought: Lessons only intuition can teach.

The Untapped Power of You: Cellular Regeneration, Healing the UnHealable.

(Includes healing foods The West will never teach, healing techniques for your teeth and healing movements for the Spine)

Free with RSVP

A series of somatic and relational exercises exploring the relationship between movement and language.

Free with RSVP

Zero point energy is the past present future. It is endless possibility. Initiation. Endless resource. Endless potential. Maximum capacity. Fullness of being. Freedom and play. Multi dimensional sensation. Fluctuation. Being.

Zero point energy is everything and everywhere.

Free with RSVP

In this workshop we delve into Sigrid’s four principles of performance. The performance of the everyday and the performance on the stage. We explore concepts and techniques to activate collaboration of our inner organs to the exhibition of 5,6,7,8’s. This workshop includes breathwork, duet exercises, moving meditations and choreographic phrases. All levels of movement experience are welcome.

*16 years old+

 

Free with RSVP

PUMPDABEAT extends our heartfelt gratitude to everyone who has supported us over the years—through every click, listen and dip! This program is a tribute to the vibrant community of musicians, dancers, commentators, and sponsors who have contributed to the preservation of PUMPDABEAT artists and productions since our inception in 1999.

Join us for an unforgettable afternoon starting with a panel discussion unpacking the evolution of ballroom music production and vogue femme; followed by a ballroom mixer connecting artists, writers, and supporters; and culminating with live participatory performances in which you will experience the incredible talent represented by PUMPDABEAT including exclusive sets masterfully mixed by Capital K’aos, VJtheDJ and DJ Delish. 

We are excited to see you there as we look forward to many more years of nurturing the spirit of ballroom!

PUMPDABEAT

*Preserving the Vogue Beat*

Co-curated by VJtheDJ and Danyela June Brown

LIBRARY

 
LIBRARY is a four act performance program that celebrates the library as a space for communal gathering in an expansive reconception of a traditional reading that includes poetry, dialogues, and live performance. Whitney Mallett is the curator and organizer of LIBRARY and the founding editor of The Whitney Review—a new publication that features reviews and criticism of new writing and interviews with writers.
 
Mallett found inspiration in Jorge Luis Borges’s 1941 story The Library of Babel, which conceives of the universe as an infinite library, reimagining its “labyrinthine…hexagonal galleries, corridors, staircases, mirrors, and reflections” as a strip club, casino, and convention center. The program features a performance by Kellian Delice engaging choreographies of processing; a conversation between Esmé Naumes-Givens, contributing writer to The Whitney Review, and their father David Givens, writer and librarian; a demonstration of poet and painter Whitney Claflin’s language-based card game, its hyper-mediated presentation inspired by televised poker tournaments; and a performance by poet and performer, Maya Martinez, and writer and deputy editor of The Whitney Review, Mani Mekala, combining dance and spoken word.
 
The Whitney Review creates community around the printed word and LIBRARY embodies the communal function of the library, inspired by the many contributors to The Whitney Review. As the program unfolds, audience members are invited to participate in the ongoing narrative, the infinite act, where the spirit of the library lives on.

¡Cuidado!

Installation

The Neilma Sidney Theatre

Exhibition Hours
November 8 – 24 | Tuesday – Sunday | 12 – 6pm
Free

Opening Performance
Friday, November 8, 2024
7:00pm

Closing Performance
Thursday, November 21, 2024
7:00pm

 

Tickets

 

Adán Vallecillo has been at the forefront of Central American creative and political praxis for decades working in sculpture, installation, and video, with roots in performance and sociology. Vallecillo’s installation and performance, ¡Cuidado!, marks his debut performance in New York. This title holds dual meaning in Spanish: both caution and care. Vallecillo explores this duality through performance and video installation, showcasing the honest experiences of Honduran migrants working as home care aides in New York City. Inspired by and dedicated to Vallecillo’s sister, Mabel Vallecillo, an immigrant who has worked for over two decades caring for the elderly in the United States, this project illuminates the essential but undervalued nature of care work. Vallecillo emphasizes the beauty of caregiving in the midst of a culture that considers mortality to be taboo and generates panic and shame around aging. This framework highlights the political and social relationships between the United States and Honduras. Care also frames Vallecillo’s interpersonal relationships with his community and forms the foundation of his methodologies of working with home care aids who often face issues such as racism, xenophobia, and labor exploitation.

Central to Vallecillo’s approach is extensive on-the-ground research, engaging intimately with communities to create site-specific and locally relevant exhibitions. ¡Cuidado! is informed by a series of interviews with home care aides of different backgrounds, ages, and experiences in Central American neighborhoods such as the South Bronx and Bushwick, as well as conversations with unions that center health care workers’ rights. This research forms the foundation of ¡Cuidado!, conveying the nuances and poetics of care work and giving the audience an intimate yet abstracted view of migrants’ daily lives. The installation will include video work that documents private performances that have taken place in various locations throughout the city. These video works will be displayed in the installation alongside other sculptural, visual, and audio works exploring different modalities of care work. The opening of the exhibition will feature live performances.

¡Cuidado! is the culmination of the inaugural Keith Haring Curatorial Fellowship, curated and co-produced by X Arriaga Cuellar.

 

Edición en Español

Adán Vallecillo ha estado a la vanguardia en la praxis creativa y política centroamericana durante décadas a través de su trabajo en escultura, instalación, con raíces en performance y sociología. La instalación y performance de Vallecillo, ¡Cuidado!, marca su debut de performance en Nueva York. El título carga doble significado: tanto precaución como cuidado. Vallecillo nos muestra esta dualidad a través de las experiencias vividas por los migrantes hondureños que trabajan como cuidadores de personas de la tercera edad en la ciudad de Nueva York. Inspirado por su hermana Mabel Vallecillo, una inmigrante que ha dedicado más de veinte años al cuidado de ancianos en Estados Unidos, este proyecto ilustra la naturaleza esencial y a su vez subestimada del trabajo de cuidado. Vallecillo destaca la belleza del cuidado dentro de una cultura que considera tabú la mortalidad y genera temor y vergüenza en torno al envejecimiento. A la vez este cuadro resalta las relaciones políticas y sociales entre Estados Unidos y Honduras. El concepto del cuidado también enmarca las relaciones interpersonales de Vallecillo con su comunidad y forma la base para sus metodologías de trabajo con cuidadores de personas envejecidas, quienes a menudo enfrentan problemas tales como el racismo, la xenofobia y la explotación laboral.

La práctica de Vallecillo está centrada en una investigación contínua sobre el terreno, interactuando íntimamente con las comunidades para crear exhibiciones específicas al lugar y localmente relevantes. ¡Cuidado! consiste de una serie de entrevistas con cuidadores de diferentes orígenes, edades y trasfondos, en barrios con grandes poblaciones centroamericanas como el Sur del Bronx y Bushwick, así como en conversaciones con sindicatos que defienden los derechos de los trabajadores de la salud. Esta investigación constituye la base de ¡Cuidado!, transmitiendo los matices y la poesía del trabajo de cuidado y ofreciendo al público una perspectiva íntima y abstracta de la vida diaria de los migrantes. La instalación incluirá obras de video dirigidas por Vallecillo que documentan acciones privadas realizadas en varios lugares de la ciudad. Estas obras de video se exhibirán junto con otras obras escultóricas, visuales y auditivas que exploran diferentes modalidades del trabajo de cuidado. La inauguración de la exposición incluirá performances en vivo.

¡Cuidado! es la culminación del becario curatorial inaugural Keith Haring de Performance Space New York, curada y coproducida por X Arriaga Cuellar.

Nasty & Full

Exhibition

The Keith Haring Theatre
Opening Reception: October 5 | 6:30pm
October 5 – 31 | Tuesday – Sunday | 12 – 6pm
Free

Performance

The Keith Haring Theatre
October 31 | 8pm
Tickets

 

Materials + Checklist

 

Keioui Keijaun Thomas: Nasty & Full presents the New York debut of a body of work four years in the making, site-specifically installed for the Keith Haring Theater at Performance Space New York. Through a fusion of voice, video installation, sculpture, and performance, Thomas seeks new pathways to understand and express the foundationally transient nature of being and becoming a doll—a trans femme so flawless and unbound she is no longer considered real.

 

Thomas’s artwork emerges from an iterative process informed by her writing and performance; her practice is linguistic as much as it is bodily. With latex, paper bags, pillars and bricks of repurposed materials, Thomas thoughtfully builds a fluid space, black and blue, all imbued with elements signifying care that build upon and depart from past bodies of work throughout her career. 

 

A series of sculptures aptly titled Waterbodies mark the gallery floor in two portal-like ripples of blue nitrile gloves that surround the blackened, resilient figures of tree stumps; carbonized fuel for the new world. Although stationary, each Waterbody holds movement, caught between buoyancy and wading.

 

Stationed throughout the perimeter of Nasty & Full are a selection of twelve Paper Bag Soldiers, made by Thomas between 2022-2024. Some shown for the first time, these sculptures are vessels of compact time, loosely packed with material such as fast food baskets, used latex glove packaging, and other remnants from Thomas’s past exhibitions, installations, and performances that now become elements of the artist’s archive.

 

Contained within the world of Nasty & Full is the video trilogy Come Hell or High Femmes made between 2020-2023. The videos are projected to life size proportions on three custom-made screens, and suspended from the ceiling with manila rope typically used on large ships and in the boating industry. The video trilogy is presented in three “Acts” which appear and disappear in three sequences of moving image and audio. This process of layering and overlapping image and sound—that also appears in Thomas’s live performances—is central to Thomas’s practice. It is one way her work continues to build upon itself and create new worlds and experience–ever expanding.

 

This timeless world is for us, offering moments to acknowledge, reflect on, and move through realities that can feel oppressive and untenable, with self-fulfillment always in sight. Transfiguration for the artist is not a destination, but a tool that can act as a shield and life force, allowing dolls to move through worlds and show up wholeheartedly in our truth. Unique and unified, she will meet you there.

 

Keioui Keijaun Thomas: Nasty & Full culminates with the one and only New York premiere of the live performance from which this body of work originated, Come Hell or High Femmes: The Dolls Rise, on Halloween night (October 31).

 

Keioui Keijaun Thomas: Nasty & Full is curated by Isis Awad as Executive Care*.

 

*Please Note: This production contains strobe lighting and haze effects which may be disruptive to people who are sensitive.

Funding: Keioui Keijaun Thomas: Nasty & Full is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.

Photo: Keioui Keijaun Thomas, Come Hell or High Femmes: The Era of the Dolls, Abrons Art Center, 2023. Photo by Christopher Sonny Martinez. Come Hell or High Femmes was made possible with funding from The MAP Fund, supported by the Doris Duke Charitable Foundation, Howard Gilman Foundation, and Mellon Foundation.

Production Credits:
Lighting Designer: Beaudau Karel Banks
Video Engineer: Matthew Deinhart
Audio Engineer: Jonah Rosenberg
Production Manager: Andy Sowers
Screen Stretcher: Žilvinas Jonuśas

Install / Fabrication Crew:
Adrienne Swan
Noah Mourra
Kali Van Horn
Ansel Combs
Robin Ediger-Seto
Joe Pegorsch
Sergey Sutt
Rodney Perez

Collina’s Horse Girl Season

Aligning with her presentation for New York Fashion Week, Hillary Taymour, designer and founder of cult-favorite fashion label, Collina Strada, offers a glimpse into her childhood as a self-proclaimed “horse girl.” Reimagining the all-American state fair as a night-long, multi-room performance program and party, models gallop on hobby horses and leap over hurdles, guests are invited to play games, eat carnival food, as country music plays from the speakers all night amongst stacked bales of hay. Encapsulating the essence of horse girl culture, our theaters transform into Collina Land for one night only, where chaos and absurdity reign.

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