Drawing from her training in theatre and drama therapy, Autumn Knight’s performances create spaces for intimacy between audience and performer. Her latest work, NOTHING#122: a bar, a bed, a bluff, is a three part investigation into the Italian concept of “dolce far niente,” the sweetness of nothingness. Part one, NOTHING#122: a bar, is a social experiment transforming the Keith Haring Theatre into a host club in which a multitude of performers undertake the task of provoking desire and attraction within audience members.

The succeeding two works in this suite of three, NOTHING#122: a bed and NOTHING#122: a bluff, take place over the following two weeks.