Show Category: Performance

 
With Geo Wyeth, Bully Fae Collins, Cornelius (fka Mica Sigourney), and Dia Dear
 
Tip the Ivy is the latest multidisciplinary opera by Colin Self. In keeping with the artist’s previous works, it foregrounds its own making as a collaborative group process. Originating from a manuscript, the work mutates through collective authorship by the five collaborators and at points even extends to the public joining XOIR, Self’s experimental methodology for group singing. Tip the Ivy relies on Polari – an underground, queer language created in the UK at a time in which homosexuality was punishable by law. The encrypted language embraces illegibility and opacity as unique forms of queer creativity, community, and survival. The opera echoes an aesthetic embodied by the story of travesti performer Vera De Vienne, who has performed in Europe for the last 50 years as a gender illusionist. Equal parts cacophony and symphony, call and response, catharsis and rehearsal Tip the Ivy’s energy is both deviant and joyful.
 

 
Watching Storyboard P dance feels like glimpsing into another world. His dancing reminds us that our conventional understandings of what a human body is, what it can do, and where it starts and ends, are insufficient. As an acclaimed street dancer Storyboard’s lineage is Flex, but as an artist he might be more of an Afrofuturist. Using an otherworldly combination of skill, beauty, poetry, and emotion his dancing collapses space and time into an alternative universe.
 
When Storyboard talks about dance, he becomes a visionary poet—speech is a vessel for body language, dance a way to speak without speaking, a slang of movement that can carry vibrations like the animation of a stop motion film. “My style is Mutant. As a mutant my power is to project a sequence of images through my body that tells an elaborate story to music. The power to storyboard / ballet / jazz / African / contemporary / bruk up / flex / boogaloo.”
 

 
“For an entire generation of queer artists working in the experimental theater world—including me—Tim Miller led the way. His imagination, daring and vision continue to inspire us.”—Moisés Kaufman, author of The Laramie Project
 
Climb along with performer Tim Miller inside the giant O of the Hollywood sign – or as Shakespeare conjured it “the wooden O” of all theatre and performance–where we try to take on the big themes of our time. Miller performs a new work created from his brand new book of performances and stories A BODY IN THE O. 40 years on from when Tim Miller co-founded Performance Space 122 and was then co-director for the first three years of Performance Space, Miller now returns to a most crucial performance “O” of Performance Space New York!
 
Jumping off from a day in 1984 when Miller scrambled up inside of the O of the Hollywood sign and imagined the performance space tree house of his dreams (Performance Space New York and Highways Performance Space in L.A.), A BODY IN THE O journeys through the hoops of the Department of Homeland Security, a queer boy’s truth-telling, a performance at Performance Space 122 in 1980 and finally a wedding day in NYC in 2013 as Miller imagines the full possibility of performance that changes the world inside these wooden Os!
 

 
In conjunction with Slipping Into Darkness by Julie Tolentino.
 
bury.me.fiercely. is a meditation on sex and the aging body. Tracing the weight of touch and blood, Tolentino and Fila evoke an empathetic landscape, a fractured web, and a reflection of a vexed yet vital archive of tethered lives.