Uncategorized | Performance Space New York Spring Gala
Menu
  • About
  • Past
  • Visit
  • Calendar!
  • Contact
  • Donate
  • Newsletter ))
  • Shop
  • Social
    • Instagram
    • Facebook
    • Twitter
  • Search
Performance Space New York Spring Gala

Category: Uncategorized

Our New Board President, Roxane Gay

 
Performance Space New York announces influential best-selling author, professor, editor, and public intellectual Roxane Gay as Board President. Earlier this year, the organization made strides in placing its artist-centric model at the very core of its institutional structure, bringing artists including Gay, Nicole Eisenman, as well 02020 cohort members Jonathan González and Jackson Polys onto the board and nearing a stated goal of building a board made up of at least 50% artists. Gay’s new position at the board’s helm represents a further step towards ensuring Performance Space New York’s capacity to put artists’ need for risk-taking and community first.
 
Gay, a lover of performance with years of experience in theater tech, with a robust legacy of supporting underrepresented and groundbreaking voices (through her Book Club and Substack), first stepped onto the board after having been connected with the organization by her wife, board member Debbie Millman. Together, they attended Performance Space’s Spring 2019 gala, where Gay was inspired by the gathering of “so many interesting people who all love experimental theater and experimental art in one place, with the common goal of making sure that this sort of work is continuing to be nurtured.”
 
Gay says, “My vision as board president is to continue supporting great experimental art and to make sure that a diversity of aesthetics is brought to Performance Space. But I’m also interested in diversifying the board and making sure we continue to ensure that it’s not only people with money who get to sit on the board and make decisions—because that’s not a reflection of our actual community. I want us to make sure we are connected to the East Village community where our space is located; to support as many artists as possible; to say yes to as much as possible in ways that are interesting and innovative, and to stay as nimble as possible and remain open to ideas that are maybe uncomfortable but are ultimately going to best serve Performance Space and best foster art.”
 
Performance Space New York Executive Artistic Director Jenny Schlenzka describes Gay’s first 1.5 years on the board in a way that would certainly resonate with fans of her work and voice as a cultural commentator: as “opinionated and practical…someone who would rather make change than endlessly talk about making change.” She recalls the board retreat that Gay led—where the board ended up voting for her for the role of President—as being “like a breath of fresh air, in the way she leads the group, how matter-of-factly she talks, how people are drawn to her.”
 
Schlenzka adds, “It was always a dream that an artist would lead the board—and on top of that to have someone with her politics and her ethical compass is really exciting. Her opinions are realistic and they’re sound: she wants a more equitable and accessible culture and sees how we can be part of creating this culture. She understands and engages budget conversations as fundamental to an organization’s visionary aims. Most importantly, as an artist herself, she believes in giving artists the space and support they need to take risks.”
 
Gay takes on the role as President of the Board, Suzanne Geiss, steps down and becomes Vice President to help with the transition—ultimately continuing her tenure on the board as Chair of the Development Committee. Geiss has been vastly influential to changes at Performance Space across her many years on the board: she was first hired to sit on the Search Committee for a new Executive Artistic Director, which culminated in Jenny Schlenzka’s appointment and devisement of a transformative era for the historic institution. As President of the Board, Geiss, who has a deep connection to Keith Haring’s work and estate, initiated and energized a momentous partnership between Performance Space and the Keith Haring Foundation, which included a $1,000,000 award from the foundation.
 

About Roxane Gay

Roxane Gay is a writer, professor, editor, and social commentator, among others. Her writing appears in Best American Mystery Stories 2014, Best American Short Stories 2012, Best Sex Writing 2012, A Public Space, McSweeney’s, Tin House, Oxford American, American Short Fiction, Virginia Quarterly Review, and many others. She is a contributing opinion writer for the New York Times. She is the author of the books Ayiti, An Untamed State, the New York Times bestselling Bad Feminist, the nationally bestselling Difficult Women and the New York Times bestselling Hunger. She is also the author of World of Wakanda for Marvel. She has several books forthcoming and is also at work on television and film projects.

AFROFEMONONOMY // WORK THE ROOTS

 
 
 
 

Last night, I dreamt I danced in the image of God.

Created by Lileana Blain-Cruz

A space for dance, rest, and sustenance made for and in appreciation of black women

Featuring:
DJ Belinda Becker, May 15
DJ Reborn, May 16
DJ Kamala Muse, May 22
DJ Jennifly, May 23

Installation Design: Lileana Blain-Cruz
Wall Art: Xavier Blain-Cruz
Food Offering: Sekai Abení
Talisman Button: Anire Amoda
Installation Attendant: Aaliyah Stewart

The Reading

by Kathleen Collins

A live offering created by Lileana Blain-Cruz, Amelia Workman, Kara Young, Jennifer Harrison Newman and Shasta Geaux Pop

Stage Manager: Morgan Johnson
Sound Design: Rucyl Frison
Producing Team: Eisa Davis, Deadria Harrington, Nzinga Williams & Anire Amoda

Special Thanks

Gabby Beans, Nina Collins, Seret Scott, Susan Bernfield, Annie Dorsen, Keith Josef Adkins, The New Black Fest at The Lark, Denise Burse, Jennifer Gibbs, Alex Hurt, Griffin Matthews

Support In Part by Grants from

The National Endowment for the Arts, National Performance Network, and the Mertz Gilmore Foundation. Co-production support provided by Deadria Harrington and New Georges.

Artist Bios

Lileana Blain-Cruz is a director from New York City and Miami. Recent projects include: Anatomy of a Suicide (Atlantic Theater Company), Fefu and Her Friends (TFANA); Girls (Yale Repertory Theater); Marys Seacole (LCT3, Obie Award); Faust (Opera Omaha); Fabulation, Or the Reeducation of Undine (Signature Theatre) ; Thunderbodies and Revolt. She Said. Revolt Again (Soho Rep.); The House That Will Not Stand and Red Speedo (New York Theatre Workshop); Water by the Spoonful (Mark Taper Forum/CTG); Pipeline (Lincoln Center); The Death of the Last Black Man in the Whole Entire World (Signature Theatre, Obie Award); Henry IV, Part One and Much Ado About Nothing (Oregon Shakespeare Festival); The Bluest Eye (The Guthrie); War (LCT3/Lincoln Center Theater and Yale Rep.); Salome (JACK); Hollow Roots (the Under the Radar Festival at The Public Theater); She was recently named a 2018 United States Artists Fellow and a 2020 Lincoln Center Emerging Artist. She is currently the resident director of Lincoln Center Theater. Upcoming projects include Dreaming Zenzile and the opera The Listeners at Opera Norway.
 
Amelia Workman has appeared on Succession, Elementary, Bull and Blindspot and played a small role opposite Michelle Williams in After The Wedding. Her work onstage has afforded her the opportunity to work with Pulitzer winning playwrights Susan Lori Parks and Lynn Nottage, and allowed her to develop and/or premiere award winning work like Young Jean Lee’s The Shipment and Dave Malloy’s Natasha, Pierre and the Great Comet of 1812 (selected). She’s performed for audiences in over a dozen countries and understudied Kerry Washington on Broadway. Additionally, she played the titular role in the lauded 2019 revival Fornez’s Fefu and her Friends. For more information visit ameliaworkman.com
 
Kara Young Harlem born and raised. Film/TV: Chemical Hearts (Amazon, dir. Richard Tanne), After Yang (A24, dir. Kogonada), The lead in Hair Wolf, winner of Sundance 2018 Short film Jury Award:US fiction, Random Acts of Flyness (HBO), The Punisher (Netflix). Theater: All The Natalie Portmans (dir. Kate Whoriskey, MCC) Halfway Bitches Go Straight to Heaven (dir. John Ortiz, Atlantic), New Englanders (dir Saheem Ali, MTC), Revolving Cycles Truly and Steadily Roll’d (dir. Awoye Timpo, The Duke), Syncing Ink (dir. Niegel Smith, Alley Theatre, The Flea), Pretty Hunger (dir. Martha Banta, The Public). Labyrinth Theater Company Member. 2020 Lucille Lortel Nominee for Outstanding lead actress in a Play, Antonyo Award Nominee for Best Actor in a play, Recipient of Audelco’s 2020 Special Achievement Award. Live Voice Over Announcer for 2018, 2019, & 2020 MTV Video Music Awards, MTV’s Girl Code (4 seasons).
 
Jennifer Harrison Newman is an artistic director, producer, educator, choreographer, and performance artist with over twenty-five years in the visual and performing arts. Working collaboratively across disciplines with emerging and established artists alike, Jennifer pushes the boundaries of music, dance, opera, and theater. From Broadway to Bushwick and from Boston to Beijing, Jennifer engages deeply with the process of making performance. Jennifer has been an artist in residence at The Juilliard School, Princeton University, Yale University, Central Connecticut State University, The Field, Mabou Mines, Baryshnikov Arts Center, 651 Arts, and Sisters Academy Inkost and has led workshops across the United States, and in Sweden, South Africa, and Mexico. Her work has been presented at Yale University, Central Arts Festival in Seoul, Korea, JACK NYC, and Bronx Academy of Art and Dance (BAAD!).
 
Ayesha Jordan “Shasta Geaux Pop” is a multidisciplinary performance artist based between Oslo, Norway and New York City. She often uses characters and stories to create indelible moments for cerebral and visceral experiences. She and her collaborators have been making art together for several years, producing innovative theater and music events in NYC and beyond described as edgy, dynamic, and hilarious. Most recently, she presented the work Shasta Geaux Pop: Blended Therapy as part of The Shed’s Up Close and as a commissioned artist for their Open Call 2020. Called a “Glamazon Hip-Hop Icon” (The New Yorker), Shasta Geaux Pop has appeared at the Public Theater/Under the Radar Festival, the High Line, Wow Festival, Off Center Festival, Contemporary Arts Center, the Bushwick Starr, and the Right About Now Festival (Amsterdam), among other spaces. Other works include Come See My Double D’s (JACK NY), Social Studies (Danspace NYC), Enter & Exit: Playing House, and Enter & Exit: Family Reunion. Some of her video projects include Living Room Dance Breaks, Drunk & Famous, and Shasta Geaux Pop for President 2020.

COVID-19 Safety Guidelines

We’re happy to welcome back the public to our theater spaces. In an effort to keep our audience safe, we ask you to read carefully and follow our safety guidelines in preparation for your visit:

 

⁠—Performance Space encourages its visitors to wear masks inside its spaces but does not require it unless explicitly pre-communicated.

 

⁠—If you are feeling sick, exhibiting any COVID-19 related symptoms, or have been in contact with someone who is confirmed or suspected of having COVID-19, please stay home and take care of yourself.

 

—In keeping with city, state, and federal guidelines, proof of vaccination against COVID-19 is no longer required to visit Performance Space.

 

—Performance Space reserves the right to request proof of a negative COVID-19 test ( a PCR test taken within 72 hours of the day of your visit OR a Rapid Antigen test taken the day of the event) for some events.

 

—Our guidelines are subject to change depending on current COVID statistics.

 

If you have any questions or concerns, please email us at boxoffice@performancespacenewyork.org.

 

progress


 

 

I am text block. Click edit button to change this text. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo.

Bronx Gothic Documentary

We at PS122 are are looking forward to a new documentary called Bronx Gothic, based on a piece we commissioned in 2014. Okwui Okpokwasili’s Bronx Gothic was part of our COIL Festival and was presented at Danspace Project to sold out houses. The documentary, by Andrew Rossi, who Made “The First Monday in May,” focuses on Okpokwasili’s artistic process, and follows her as she completes a final tour of the piece. The documentary itself has been on the festival circuit and will premiere at Film Forum on July 12 and then run for two weeks. We hope to see you there!

Posts navigation

Older posts
All rights reserved by Performance Space New York
Skip to content
Open toolbar Accessibility Tool

Accessibility Tool

  • High ContrastHigh Contrast
  • Negative ContrastNegative Contrast
  • Light BackgroundLight Background
  • Links UnderlineLinks Underline
  • Readable FontReadable Font
  • Reset Reset
  • SitemapSitemap
  • Accessibility InfoAccessibility Info