Performance | Performance Space New York

yessified

yessified

yessified

“One of the most beloved of downtown choreographers.”
– Joan Acocella,, The New Yorker

” Bewitching … One of today’s most alive, sensitive performers.”
– Claudia LaRocca, New York Times, 2008

Iconoclassical choreographer Sally Silvers returns to Performance Space 122 with her first new group dance since 2005’s Puppy Skills.

Whiteness is on the hook and down for the hybrid. Silvers answers the seductive call of a stable/single racial life by outing and othering it. Whiteness as symbiotic, open face Blackness. Sudden turns and shocks, bleed-throughs and angularity, pivoting centers, conflict embrace — a new world is ever unexplored and the night’s secret is to make the day swing blue. Jutting and swerving, Yessified is a hyperactivating dance of quirky, fun wired physicality and imagery, a provocative text by Bruce Andrews, electronica star-crossed with sweet soul music and 10 duper super dancers: Javier Cardona, Alan Good, Sara Beth Higgins, Takemi Kitamura, Alejandra Martorell, Miriam Parker, Julia Planine-Troiani, Keith Sabado, and Sally Silvers

Sally Silvers & Dancers has performed nationally and internationally in South Korea, Puerto Rico, Mexico, Europe, the American Dance Festival, and many other locations. Artistic Director Sally Silvers has an on-going fascination with the poetic as well as the social meanings of movement — to offer a no-holds-barred exploration of movement possibilities often wittily tilted toward the eccentric, awkward, and unexpected. Resonating from the movement are the motifs of risk, vulnerability, playfulness, and extremity. Often operating in areas between idiomatic dance and unconventional movement, the work keep its focus on clearly defined, if unusual structures for the articulated body. Her meticulously madcap dances engage experimentation at the edges of drama, fierceness and hope.

Photo by Jenny Woodward

Sun, Mar 22 – Sun, Mar 29, 2009
Tuesday – Saturday 8pm
Sunday 6:30pm
Tickets from $20

Venice Saved

venice

venice

A performance piece that takes theater as its topic. Truly interactive theater (ugh). Performance as education. A performance about the nature of performance (ugh). Potential topics include: theater,performance art, torture, outsourcing, anorexia, Israel, Palestine, Blackwater, the TCG, Charismatic Leadership, the Shock Doctrine, theater vs. performance, the exhibition as school, theanyspacewhatever, learning vs. “learning,” talking vs. “talking”, performing vs. acting, democracy vs. Authenticity. Totally Bitchen. Simone Weil (100 years). Seminar format. Participatory. On the 100th anniversary of Simone Weil’s birth, CiNE takes the philosopher’s unfinished play and asks American Theater, “What were you thinking?”

Adaptor: Gordon Dahlquist. Performers: Jeff Biehl, James Hannaham, Jon Krupp, Gideon Lewis-Kraus, Christianna Nelson, Colleen Werthmann, and David Levine.

David Levine’s work fuses performance, theater, and visual art. His performance work has appeared in Europe and the USA at Documenta XII, Galerie Magnus Muller (Berlin), Gavin Brown@Passerby (New York), HAU2 (Berlin), and Galerie Feinkost Berlin), Prelude ’07, as well as appearing in Cabinet Magazine, the New York Times, Art Review, BOMB Theater, and Theater der Zeit. He is the recipient of a Kulturstiftung Des Bundes grant for BAUERNTHEATER, and a NYFA award for Cross- Disciplinary/Performative work. He lives in New York and Berlin, where he is the Director of
Performing Arts at the European College of Liberal Arts.

CiNE is an interdisciplinary collective dedicated to examining the conditions of spectacle and spectatorship across a range of media. Previous initiatives include BABYLON IS EVERYWHERE; RE-PUBLIC (design portfolio, Theater 34:2); ACTORS AT WORK (Cabinet Magazine), and Messalina (SPF Festival)

Image courtesy of Annerose Schulze

Made possible with the support of Etant Donnés,the French-American Fund for the Performing Arts

Sat, Mar 21 – Sun, Apr 5, 2009
Wednesday – Saturday 7:30pm
Sunday 6pm
Tickets from $20
$15 (students/seniors)
$10 (P.S. 122 members)

You can follow live blogging for the show at www.venicesaved.wordpress.com. Every night is different – see what people are talking about the nights you can’t be there. For you Twitterers out there, you can post about the show using the group name #venicesaved and read any postings about the show by searching venicesaved at twitter.com.

CHAUTAUQUA

ntusa

ntusa

“One of the most exciting and eccentric young theater companies in town.”

-The New York Times

“The National Theater of the United States of America left me stunned and breathless and completely in awe.”
-Malcolm Gladwell (author)

“…an underground theatrical coup…a triumph of style and stagecraft.”
-Time Out New York

Winners of the 2007 Spalding Gray award honoring innovative theatrical vision, the National Theater of the United States of America explore the hotly debated relationship between High Culture and the Mass Mind. Channeling the form and style of the original Chautauqua Lectures through their own inimitable aesthetic and theatrical rhythm, NTUSA combines lecture, debate, scientific demonstration and tales of explorers with more traditional forms of entertainment such as dance, dramatic recital, feats of strength, and joke telling. The company examines their own role as “entertainers” as well as “artists” and question whether or not the convergence of art and commerce is possible, sustainable, or even good for either party.

Firmly establishing themselves in the New York theatre scene in 2000 with their launch of ‘Garvey and Superpant$: Episode #23, the NTUSA made their Performance Space 122 debut in 2006 with the premiere of Abacus Black Strikes Now: The Rampant Justic of Abacus Black and won a Village Voice OBIE for the production. The NTUSA was awarded Arts International’s DNA Project Grant in 2002 and remounted Episode #23 at the ESB – Dublin Fringe Festival. The NTUSA also offered a one night only special presentation of Jack Russell’s Superconfidence Seminar! at Galapagos in Brooklyn.

Special Nightly Guests (2009 Run):

  • Fri 2/27/09: Robert Zukerman, Sat 2/28/09 Rollo Romig, Sun 3/1/09: Samantha Hunt

  • Wed, 3/4/09 The Spalding Gray Award with Vallejo Gantner and Kathleen Russo: This evening’s ticket includes post-performance celebrations and libations
  • Thu, 3/5/09 Robert Zukerman, Fri 3/6/09 Rollo Romig (+ Claudia La Rocco’s performance club will be in the house); Sat 3/7/09: Greta Byrum
  • Sun 3/8/09 the NTUSA benefit; Wed, 3/11/09: Zoe Rosenfeld; Thurs 3/12/09 Greta Byrum; Fri, 3/13/09: Samantha Hunt; Sat 3/14/09: Juliana Francis Kelly
  • Sun 3/15/09: THE SECRET GUEST

Sunday, March 8 2009: Benefit performance + party for NTUSA.
Tickets are available for this date exclusively through the company via this link

Under The Radar Festival 2010 is a program of the Association of Performing Arts Presenters, and is held in conjunction with APAP Conference NYC 2010. Major funding is provided by the Andrew W. Mellon Foundation and the Ford Foundation. The Festival is produced by Mark Russell and The Public Theater. www.undertheradarfestival.com

Presented as part of COIL 2010

In association with Under the Radar

Thu, Jan 7 -17, 2010
*Offsite – Tickets available through The Public Theater as part of the Under The Radar Festival
CHAUTAUQUA was originally presented by PS122 as part of the ROOM project Feb 21-Mar 15, 2009

Whatever, Heaven Allows


WINNER OF THE 2009 SPALDING GRAY AWARD
NY PREMIERE | THEATRE

“INSPIRED” – NY Times
“OUTRAGEOUS” – The New Yorker
“MARVELOUS” – Voice
“BOISTEROUS” – Flavorpill

Excerpts from Ben Brantley’s review in The New York Times:
I enjoyed it“… “‘Whatever’ includes some funny video sequences (love that chain-smoking deer!), clunky karaoke-style musical numbers (the Jane Wyman stand-in sings ‘I Am Woman’) and one inspired routine involving haka, a traditional Maori dance form…

But you have to admit that Radiohole is a great leveler. It makes Milton sound like a Brill Building songwriter, and Sirk seem as on-the-surface as ‘Melrose Place.’ Culture don’t get no respect from Radiohole, which may not be enlightening, but for a generation that’s so over postmodernism, it is kind of liberating.”
Enjoy the full review

” turns out effervescent, anarchic work… cultivates an eccentric acting style and makes familiar text creepily bizarre.” -Time Out

Known for its radical and reckless theatricality, avant-garde New York troupe Radiohole’s newest work is a star-spangled American meta-melodrama inspired by film director Douglas Sirk’s 1950s potboilers and Milton’s epic Paradise Lost. Our heroine is an all- American “Eve” who must save her home from an evil-doer while struggling to find fulfillment in a lasting relationship with a supposedly good man who looks like god. Radiohole’s newest synthesis of cultural flotsam is sure to be bawdy, silly, possibly transcendent, and a touch disturbed.

The Spalding Gray Award supports gifted writer/performers who fully realize both aspects of Spalding’s legacy, who are fearless innovators of theatrical form, who reach into daily experience and create resonant, transcendent work that makes us all bigger, wider, wiser and, somehow, more than we were when we entered the theater. The award is a special commission created in Spalding Gray’s honor by Performance Space 122 in New York , UCLA Live, University of California, Los Angeles’ public performing arts program,The Walker Art Center in Minneapolis and The Andy Warhol Museum in Pittsburgh.

This performance was supported by a Commission Grant from the Jerome Foundation

RADIOHOLE EXTENDED! Added shows!

Saturday, February 20 – Sunday, March 21
Thu – Sat at 8PM, Sun at 6PM
Late Shows: Saturdays at 10:30PM:
Feb 27/Mar 6/Mar 13/Mar 20
Spalding Gray Award Celebration + Thursday Night Social: Feb 25

Help PS122 Go Green by viewing your Whatever, Heaven Allows Program online!

Half Life

guruguru

Artist of the Year 2007, Minneapolis-St.Paul City Pages

“The pleasure of viewing is so intense here, so fun as to be nearly guilty.” – Lightsey Darst, MSP magazine 2008

“We are treated to unobstructed views of a cast of extraordinary movers.” – Mary Hodges, Brooklyn Rail, 2009

“Visually stunning, intricately choreographed…scenes of tense calm and silent impact.” – Justin Schell, mnartists.org, 2008

“A concentrated sense of emotional truth.” – Roslyn Suclas, New York Times 2009

1/2 Life investigates the survival of the body amidst a world of scientific research, data, and control. The performance hovers geographically at the edges of the Pacific Ocean – connecting nuclear super power USA, atomic survivor Japan and nuclear free New Zealand. A contemporary ritual to address our dormant nuclear nightmares. Dance and video artists Olive Bieringa and Otto Ramstad bring together an extraordinary collaborative team including composer and harpist Zeena Parkins, visual artist Emmett Ramstad, physicist Bryce Beverlin II, performer Takemi Kitamura and a critical mass of twelve including Sinan Goknur, Becky Olson, Taja Will, Jennifer Arave, Kimberly Lesik, Emma Rainwater, Melissa Birch, Laressa Dickey, Melissa Guerrero, Sharon Mansur, Laura Grant and Nick LeMere.

1/2 Life was made possible with support from the Rockefeller MAP Fund, the Jerome Foundation, the Metropolitan Regional Arts Council, the Archibald Bush Foundation, Arts International, Minnesota State Arts Board, and the Moore Family Fund

More about 1/2 Life can be found at https://www.bodycartography.org/

NY PREMIERE
February 10 – 14, 2009

Wed – Sat at 8PM, Sun 6PM
Thursday Night Social Feb 11
Talkback with Clarinda Mac Low
Friday February 12

70 minutes

$20, $15 (students/seniors)

Help PS122 Go Green by viewing your 1/2 Life Program online!

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