Performance | Performance Space New York

Solo and SoloShow

maria hassabi


“Gazing at this exquisitely designed living sculpture, you also feel your own body straining with Hassabi, and in the slow friction between these two views, mysterious emotions ignite.”
– Deborah Jowitt, The Village Voice

“The boundaries between dance, artwork, installation and performance are subtly blurred…every sculptural position suggests unverifiable meaning…The quality of the darkening light is as beautiful as a painting, but the effect – the music, the spatial emptiness – is pure theater.” – Roslyn Sulcas, The New York Times (on GLORIA)

A diptych of two autonomous evening-long solos that play between opposing orientations. The performer moves from a solitary contemplation in Solo, to a devotion to ‘show-culture’ in SoloShow. Hassabi continues her rigorous exploration of representations of the female body – embedded within art history, pop culture, and the performance of daily life – dissolving into the physicality of contemporary dance.

Performed alternately by Hassabi and Hristoula Harakas;
Thu, Fri, Sat at 8 – Maria Hassabi
Fri, Sat at 10 / Sun at 6 – Hristoula Harakas
Lighting by Joe Levasseur, clothing by ThreeAsFour, dramaturgy by Marcos Rosales, sound score by James Lo, and set design by Scott Lyall and Hassabi.

Crossing the Line (September 12 – October 3, 2009) is FIAF’s fall festival, conceived as a platform to present vibrant new works by a diverse range of transdisciplinary artists working in France and New York City. Initiated, conceived, and produced by FIAF in partnership with leading New York cultural institutions, the 3rd annual edition of this inter-disciplinary contemporary arts festival further develops its focus on artists who are transforming cultural practices on both sides of the Atlantic. www.fiaf.org

Performa 09 (November 1 – 22, 2009) is the third edition of the internationally acclaimed biennial of new visual art performance presented by Performa, a non-profit multidisciplinary arts organization dedicated to exploring the critical role of live performance in the history of twentieth century art and to encouraging new directions in performance for the twenty-first century. www.performa-arts.org

With funding from the National Performance Network, MCAF supported by the N.Y.C. Department of Cultural Affairs, administered by LMCC and The Brown Foundation, Inc. of Houston and a Commission Grant from the Jerome Foundation.. Co-produced and presented by Performance Space 122, Portland Institute for Contemporary Art, the French Institute Alliance Francaise (FIAF) as part of the Crossing the Line Festival, and the 2009 Visual Art Performance Biennial, Performa 09.
Photo by Marcelo Krasilcic

WORLD PREMIERE
Presented as part of COIL 2010

SoloShow
Jan 11 at 4:30pm
Jan 12 at 4:30pm
Jan 12 at 9:30pm
SOLD OUT: Jan 11th at 9:30am

Offsite at a private studio
West 27th btwn 6th & 7th


Fall 09 Run:
Solo
In association with Crossing the Line
Tue, Sept 29 – Sun, Oct 4


SoloShow

In association with Performa 09
Thu, Nov 12 – Sun, Nov 15

Help PS122 Go Green by viewing your Solo Program and SoloShow Program online!

Way Out West, The Sea Whispered Me

cupola bobber


“…this pair of Chicago-based 30-year-olds can lay claim to a special talent for alternative performance-making of disarmingly odd, cosmic charm.” – Donald Hutera, The Times of London

“What Samuel Beckett doing standup would be.” – trailerpilot.com

A vast internal adventure of miniscule proportions that explores The Sea, both as mythology and as awesome presence. Using Cupola Bobber’s home-spun minimal aesthetic and poker-faced absurdist charm, Stephen Fiehn and Tyler B. Myers – like Laurel & Hardy channeling Gilbert & George – visit The Sea and watch a town slide in.

Founded in 1999, Cupola Bobber is a collaboration between Stephen Fiehn and Tyler B. Myers. They have created four evening length performances by working slowly out of their studio on the west side of Chicago. They have performed in multiple venues in Chicago, Austin, Portland, and New York, and toured internationally. They were International Artists in Residence at the Nuffield Theatre Lancaster in 2008. Alongside evening-length performances, they have made video, durational performance, and published writing.

Way Out West, the Sea Whispered Me is a National Performance Network Creation Fund Project co-commissioned by Links Hall and PS122 in partnership with the National Performance Network. Photo by Jennifer Korff

N.Y. PREMIERE
Thu, Sept 24 – Sun, Sept 27, 2009
Thu – Sat 8pm, Sun 6pm
Late show: Sat, Sept 26 10:30pm

$20, $15 (students/seniors)

Help PS122 Go Green by viewing your program online!


Don’t miss the show’s ornate reading companion.

AGA Fall 09

avant garde arama

“Orchestrated mayhem and the excitement that ensues are the only predictable variables…Try as it may to maintain theatrical composure, always ends up degenerating, or exploding, into an all-out party.” – Flavorpill

PS122’s longest-running series, this multidisciplinary mini-festival features an exuberant and eclectic line-up of the wildest experimental performance shorts to be found in N.Y.C.

FRIDAY:

  • Performances by: Karen Therese & Lizzie Thomson, Joey Arias, M. Lamar, Maria Hassabi, Carmelita Tropicana and Maureen Angelos, Carol Lipnik and Spookarama
  • Band: GoonSquad
  • Video:OBSCENITY, from Sex Crimes Cabaret, By L. Gabrielle Penabaz, with special guest star Nicole Blackman
  • Installation by: Andrew Schneider
  • Party music by: DJ Scott Ewalt

SATURDAY

  • Performances by: Karen Therese + Lizzie Thomson, Jackie Hoffman, Beadz on Nude Illusion, enemyResearch, Adrienne Truscott, Reggie Watts, Andrew Schneider
  • Band: GoonSquad
  • Installation by: Andrew Schneider
  • Party music by: DJ Joro-Boro

*line up subject to change

Fri, Sept 18 + Sat, Sept 19 8pm

Help PS122 Go Green by viewing your program online!

PS122 at Bumbershoot


Presented in association with Bumbershoot

This Labor Day weekend, Performance Space 122 delivers a live bento box teeming with a delectable assortment of technology-infused multimedia, mind-bending dance, inflammatory theatre and addictive live art to Bumbershoot, Seattle’s premiere music and performing arts festival.

Sample bites from five of NYC’s vanguard of genre-defying artists. Come hungry.

Witness Relocation
The Panic Show


“A dance-theater anarchist’s Utopia” – Performing Arts
Journal

Witness Relocation combines dance & theater with the energy
of a rock-show.
The Panic Show attacks mass hysteria, hyper-ventilation,
stress, fight or flight, self help techniques, not to mention “Panic Room”,
that mess of a film starring Jodie Foster.
This wild ride includes dances,
dark confessions, confetti, and real time performance tasks that will whip both
the audience and performers into a lather.
Co-commissioned by
Dance New Amsterdam.

Reggie Watts / Tommy Smith – RADIO PLAY

“Nakedly entertaining! Wouldn’t it be strange if this is what the
future of theatre looks like?”- Variety

“Sharp, wry and elusive … moves seamlessly from skits to songs to
off-kilter stand-up.” – New York Times

Join sonic auteurs REGGIE WATTS & TOMMY
SMITH for RADIO PLAY.
Modelled after radio programs of yesteryear, RADIO PLAY
gathers a group of actors, musicians and sound-effects artists to create a
surreal sonic entertainment.
Songs, stories and soundscapes collide in a
comedic mash-up of non-temporal quasi-political pop-cultural tropes.
Performed in the dark!

REGGIE WATTS (performer) and TOMMY SMITH
(director) create absurd experimental comedic theatricals for modern
performance spaces.

LeeSaar The Company – GEISHA

“LeeSaar’s dances always require
unwavering attention, they are powerful.”
– The New York Times

“This is the kind of work that could awaken a love
for modern dance.” Oregon Arts & Culture

A feminine woman and a virile man are locked in a seething
and sensual duet interwoven with a surreal concert performance by an
over-the-top Celine Dion-esque diva .
Navigating a world that is alternately
disturbing and seductive, intimate and extroverted, ultimately Geisha opens the
door to an intensely voyeuristic and hypnotic experience.

31 Down radio theatre & JAPANTHER – THE
SCREAM CONTEST


Japanther is “A New York-based band whose music conveys what I would call springing life”- Art Forum

31 Down provides “mind-shattering spiritual enlightenment” – Time Out New York

A startlingly cathartic installation of alt-punk proportions: 31 Down challenges you to The Scream Contest, with music written by punk band Japanther and performed live by the duo Breelah (featuring members of TacocaT). Sign up to read a short radio theatre scene ending with a blood curdling scream provided by YOU. Like a sideshow at a county fair where people test their strength by pounding a hammer and ringing a bell, The Scream Contest rewards the best set of lungs. The winner of each day is decided by the SCREAM-o-METER and receives a mystery prize.

The 39th annual Bumbershoot: Seattle’s Music and Arts Festival, Presented by Samsung Mobile will showcase a wide range of arts over Labor Day Weekend (September 5 – 7). The Festival stretches across the 74-acre Seattle Center, located beneath the city’s iconic Space Needle, and programs 20 indoor and unique outdoor venues. This progressive Festival features a comprehensive arts program including live music, comedy, visual and literary arts, theatre, dance, film, and urban crafts.

Single day-specific and three-day Festival passes are available NOW at bumbershoot.org, and Ticketmaster outlets. Single day-specific tickets are $50; three-day passes are $120. For more ticket information visit bumbershoot.org/tickets.htm.

Photos by: Justin Bernhaut, Jules Hil, Rachel Roberts, Jay Ryan

Sept 5 and 6, 2009
Saturday and Sunday at 6pm
The Seattle Center

bumbershoot logo

Americana Kamikaze


“Go to the theatre to see death performed live to really test your limits.”

“Refracting a Japanese ghost story through an American experimental sensibility, Temporary Distortion, integrating mind-blowing video images and theatrical tension, has created a nightmarish pop aesthetic that deserves your attention.”
-Jason Zinoman, The New York Times (Read full review here)

“It’s an impressive achievement and pretty frightening” – Jason Fitzgerald, Backstage

Americana Kamikaze is a sleek translation of the unconscious mind into a postmodern theatrical experience that knows pictures tell a better story than live actors. You are not likely to see anything like it. And if you do you may very well be dreaming.” – Richard Hinojosa, NYTheater

Following sold-out runs at Performance Space 122 in 2008 and 2009 Temporary Distortion return and climb back inside one of their signature box structures to unspool a theatre-cinema hybrid so new it can only be called bleeding-edge as they delve into the world of Japanese ghost stories and J-Horror. Americana Kamikaze is haunted by vengeful spirits, impossible physical manipulations, elliptical storylines, creepy sound designs, equally creepy cinematography, and bizarrely happy endings.

American and Japanese performers are doubled by video doppelgangers in this East-meets-West psychological horror story that fractures reality and narrative beyond existence. Americana Kamikaze explores the fluidity of time and space, the thin line between madness and reason, and the capacity for acts of extreme violence to transform otherwise unremarkable lives.

Americana Kamikaze features Brian Geer, Yuki Kawahisa, Lorraine Mattox, and Ryosuke Yamada. Written & Directed by Kenneth Collins; Video Projections by William Cusick; Costumes by TaraFawn Marek; Music & Sound by John Sully; Motion Graphics by Jon Weiss; Set & Lighting Design by Kenneth Collins.

Co-producers: Maison des Arts de Créteil (Paris), Le Manége (Maubeuge), Performance Space 122 (New York). Additional support provided by The Greenwall Foundation, The MacDowell Colony, The Nancy Quinn Fund, a project of A.R.T./New York, a Commission Grant from the Jerome Foundation and the generous support of individual donors. Photo by Jon Weiss

Past praise for Temporary Distortion:
“I’ve never seen anything like this on the stage…so compelling, so haunting, so thoroughly absorbing.” – Nytheatre.com (on Welcome to Nowhere: Bullet Hole Road)

“Discover Temporary Distortion…intimate theater for our time.” – Le Monde

For more info visit Temporarydistortion.com

World Premiere
Presented as part of COIL 2010


SPECIAL MIDNIGHT SHOW: Fri, Jan 8
Sat, Jan 9 10pm
Sun, Jan 10 7:30pm
Mon, Jan 11 5pm
Fall 09 Premiere: Sat, Oct 24 – Sat, Nov 14

Help PS122 Go Green by viewing your Americana Kamikaze program online!

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