Archived Events | Page 52 of 96 | Performance Space New York Spring Gala

A Day in Dig Nation

dig nation

dig nation

“DIG NATION has impressive scope and flawless execution…A multi-media vaudeville extravaganza.” -Seattle Times

Produced by Flying Carpet Theatre, A DAY IN DIG NATION follows the company’s tradition of developing exciting emerging voices in the American Theater. After smash runs in Boston, Seattle, Edinburgh, and Prague, A DAY IN DIG NATION arrives at Performance Space 122 for two weeks in August. A mash-up of media, sound and live performance, this one-person adventure, performed by Michael McQuilken, features Rex, a man so consumed by technology that he forgets how to communicate with actual people.

Performed by Michael McQuilken; Written by Michael McQuilken and Tommy Smith; Directed by Adam Koplan; Animation by Gene Lange; Projections and Sound Design by Michael McQuilken

Flying Carpet Logo

August 13 – 23, 2008

Waves of Mu

waves
waves
“Just when you thought science geeks and art snobs had nothing in common, along comes Waves of Mu.”
– Sarah Henning, Anchorage Daily News.

“You don’t know what you’re in for. It’s a surprise that tells you something about yourself that you already know, but are not aware of. You experience what being human is all about.”

-Neuroscientist V.S. Ramachandran

“Kick off your shoes (literally) and step into a universe like none other. Informed by the monumental discovery of mirror neurons and created alongside world-renowned neuroscientists, (according to neuroscientist V.S. Ramachandran, “The discovery of mirror neurons is the most important unpublicized story of the decade,” doing for psychology what DNA has done for biology), Amy Caron’s beautifully complex two-room installation-performance drives multidisciplinary art headlong into new territory. Her warped lab/lecture/experiment gives a nod and a wink to hard science while cleverly activating her “test subjects” to cheer, cringe, and discover through experience, a new awareness of the profundity of our interpersonal world.

The Waves of Mu experience will offer a unique multidimensional education, demonstrating the scientific and empirical integrity of mirror neurons. It will also present thought-provoking connections between mirror neuron deficiencies and autism spectrum disorders, thereby challenging our cultural concept of normality and its effect on human evolution.

Photo courtesy of Trish Empey

Waves of Mu is co-presented with the PS122 Gallery as part of Room, a commissioning program created by Performance Space 122 to encourage artists to collaborate with experts outside the traditional performing disciplines. The exhibition has been made possible through the generous support of the New York State Council of the Arts, Painting Space 122, Inc. and the Friends of PS122 Gallery.

Fri, Oct 10 – Sun, Oct 19, 2008
Tue – Sat at 7:30,
Sun at 5:30

Special Events:
Thursday, Oct 9 6PM – 10PM: Free Opening Reception for the Installation, 6pm – 10pm*

Sunday, Oct 12:
Post-performance panel discussion featuring three prominent individuals in the field of neuroscience:
Lindsay Oberman PhD (Harvard): Mirror neuron researcher, co-author on many papers with V.S. Ramachandran;
Massimo Pigliucci PhD (SUNY Stoney Brook), Philosophy of Science, evolution, biology and representative for the Center for Inquiry;
Valentina Dilda PhD (Mount Sinai), cognitive psychology and motor systems specialist who was part of the Gallese/Rizolatti lab, where mirror neurons were discovered.

*The Installation is open to the public and free of charge at The PS122 Gallery (entrance on East 9th Street) Thurs – Sun, 12pm to curtain for the duration of the run. More about PS122 Gallery: https://ps122gallery.org

NEAL MEDLYN’S UNPRONOUNCEABLE SYMBOL

prince

prince

“A quirky and appealing performer”
-Charles Isherwood, The New York Times

“A performer of slinky, daring intensity!”
– Gia Kourlas, Time Out NY

“A Stream fo consciousness strip tease…like Jim Carrey on caffeine, being electrocuted”
– National Public Radio

NEAL MEDLYN’S UNPRONOUNCEABLE SYMBOL is Neal Medlyn’s fourth and largest to date pop song tragic-comedic extravaganza. Following the success of his Lionel Richie Opera, R. Kelly cabaret, and wild and bloody spin on Phil Collins, Medlyn takes on the purple, hyper-sexualized world of Prince.

Set to many of Prince’s biggest hits and infamous b-sides, all performed onstage by a live band, Neal plays out an evening of seduction and intense internal spiritual conflict between two characters: an engaged cab driver and a messianic libertine. Jealousy, band troubles, violence, death, a dream ballet, decent into hell and the eventual transubstantiation of body fluids and redemption all find their place in an operatic and overblown evening of androgynous musical entertainment.

With contributions from Kenny Mellman of Kiki and Herb, choreographer David Neumann, Carmine Covelli and Adrienne Truscott.

Check out Naked pictures of Neal on Nealmedlyn.com

Running time: 70 minutes

July 9 – 20, 2008
Wednesdays – Sundays at 8
Additional Late Shows on Saturdays at 11
Opening Night Party Wednesday, July 9

PURE

purepure

pure

PURE, a new dance theater work by Zsolt Palcza, is an excursion into the subterranean currents of the mind.

Three female dancers move through a metaphoric world in a three-sided, 16 x 20 foot white box. Memories slide down walls, emotions twist like oranges, figments jump and hang, thoughts drop like fruit, dreams gasp like mollusks in the sand. The box is bathed in aquatic imagery, giving viewers the feeling of leaving their bodies, suspended in space or floating in water.

July 17 – 20, 2008
Thursday – Sunday at 7:30 pm
Tickets from $20

Whisper

whisperwhisper

WHISPER is a visually decadent, aurally immersive performance that asks the audience to question ‘what is real’ in a world of increasing technological sophistication. Each audience member is given a set of headphones through which they hear the voices of three live performers narrating a fictional walk through a fictional city. Obscured behind a cinematic screen, the performers are seen as shadows, silhouettes or in stark clarity, creating a fully immersive sound environment to accompany their narration.

Directed and Written by Peter S. Petralia
Performed by Alice Booth, Gillian Lees, and Andrew Westerside
Music and Sound Design by Philip Reeder. Lighting by Rebecca M.K. Makus

www.proto-type.org
running time: 50 minutes

July 9 – 13, 2008
Wed – Sat at 8:00 pm
Sunday at 7:00 pm
$15 (students/seniors),
$10 (P.S. 122 members)

All rights reserved by Performance Space New York
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