Archived Events | Page 44 of 96 | Performance Space New York Spring Gala

Why Won’t You Let Me Be Great

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“It’s hard to justify seeking any other form of entertainment on your Saturday night.”-Claudia La Rocco , The New York Times

“Would you totally go out and see some of the underground artsy dancing and acting that New York offers so much of, if only you had an ironclad guarantee that the performance wasn’t going to be boring and sucky? Well, today is your lucky day.”
– Emily Gould, Gawker.com

Catch & the creators of Our Hit Parade meet Kanye West!

WHY WON’T YOU LET ME BE GREAT!!! is a group show inspired by Kanye West’s ground-breaking, “Thom Yorke in the Strip Club” crossover pop album 808s & Heartbreak. Conceived by Brendan Kennedy and presented by Neal Medlyn and Catch in association with Performance Space 122, the evening-length performance will feature work by a vast array of downtown superstars showing pieces inspired by each song from the album, much as the Joffrey Ballet’s (in)famous Billboards choreographed the songs of Prince.

Choreographer’s playlist

Overture (new material) Justin Jones and Elliott Durko Lynch

1. “Say You Will” Karinne Keithley
2. “Welcome to Heartbreak” Neal Medlyn
3. “Heartless” Christine Elmo
4. “Amazing” Jennifer Monson
5. “Love Lockdown” Ann Liv Young
6. “Paranoid” Myles Kane
7. “RoboCop” Varsity Interpretive Dance Squad
8. “Street Lights” Kenny Mellman
9. “Bad News” Dance Gang
10. “See You In My Nightmares” Asubtout (Katy Pyle and Eleanor Hullihan)
11. “Coldest Winter” Juliana F. May/May Dance
12. “Pinocchio Story” Neal Medlyn

July 30 – Aug 1, 2009
Thu – Sat 8pm
Plus added show: Sat Aug 1st 10pm
Tickets from $20, Students/Seniors $15

Darling

darling

title: darling

“Ms. Kim is a smart, analytical artist, creating works that challenge personal and cultural assumptions…
her choreography, often drawing on deeply personal experiences, relies on a gripping, dreamlike logic.”
– Claudia La Rocco, The New York Times

“Undoubtedly smart and talented.”
-Deborah Jowitt, The Village Voice

Darling is a black comedy disguised as a horror film disguised as a dance. Inspired by the genre subversion and dysfunctional family dynamics of the ‘The Texas Chainsaw Massacre,’ Darling exposes killers, cannibals, half-wits and the sexually demented for who they really are – monsters with extraordinary human qualities who must put up with the shaming and nagging of their insufferable families, just like everyone else. Darling answers the burning question, “What do butchers and cannibals do in their off-time? And, how do they do it?” Darling is essentially the story of family – necessary, painful, horrific, and ultimately laughable.
Performed by Jodi Bender, Sam Kim, Ryan McNamara, and Liz Santoro

SAM KIM makes dances that focus on the margins of culture and behavior, creating space for vulnerability while courting danger. Since 2002, Sam has created dumb dumb bunny (The Kitchen, 2007), Cult (Dance Theater Workshop, 2007), AVATAR (Mulberry St Theater, 2006), Nobody Understands Me (Dance Theater Workshop, 2004), Placid Baby (Performance Space 122, 2003) and Valentine (Danspace Project at St. Mark’s Church, 2002). She has created several shorter works since 1997.

Darling was created, in part, through the Artist in Residence Program at BAX/Brooklyn Arts Exchange with support, in part, with public funds from the New York State Council on the Arts and NYC Department of Cultural Affairs, and with private funds from the Mertz-Gilmore Foundation, and the Andrew W. Mellon Foundation. Darling was created, in part, with support from The Lucky Star Foundation.

Photo by: Ryan McNamara

Wed, June 24 – Sun, June 28, 2009
Wed – Sat 8p/Sun 6p
$20, $15 (students/seniors),
$10 (P.S. 122 members)

undergroundzero festival

undergroundzero festival

undergroundzero festival

The undergroundzero festival is an experimental theater festival curated by Paul Bargetto and produced by East River Commedia in association with Collective:Unconscious. Now in its third year, the undergroundzero festival has given producing artists a flying laboratory outside the usual curatorial system where risk is encouraged and innovation can flourish.

At the heart of the festival is a question asked of every artist: What would you make if you could make anything you wanted? Our mandate is to select artists, not projects. We trust the artist to make his or her own creative choices. In exchange for this trust we expect radical experimentation and the courage to risk everything. This year undergroundzero will present fifteen full productions and five staged readings on both stages of Performance Space 122.

UPSTAIRS AT PERFORMANCE SPACE 122:

The South Wing – AOI!

Wed, Jul 8 7p | Thu, Jul 9 9p | Fri, Jul 10 7p | Sat, Jul 11 9p | Sun, Jul 12 5p

“A remarkable young company determined to carve a niche for itself in 21st century avant-garde theater.” – Frank Episale, Off-off online (for DiVL!)
A tale of passion that survives the grave, when nothing is left but an
empty desire to possess and destroy. (60 Minutes)

East River Commedia – The Jamal Lullabies
Wed, Jul 8 9p | Thu, Jul 9 7p | Fri, Jul 10 9p | Sat, Jul 11 7p | Sun, Jul 12 2p
Four young, white women sing about Jamal, a beloved black student at their school who was killed at a gang shooting during a party. As the women unfold their stories it
becomes clear that each of them loved him in profound ways that altered the course of their lives. Scored by Emily Conbere and directed by Paul Bargetto. (50 Minutes)

Blessed Unrest – Nick
Wed, Jul 15 9:30p | Thu, Jul 16 7p | Fri, Jul 17 7p | Sat, Jul 18 7p | Sun, Jul 19 5p

“…emotional intensity…. sheer originality… delightful surprises.” – Pamela Newton, Time Out New York (For Doruntine)
Blessed Unrest, 2008 Innovative Theatre Award winner for Outstanding Play, presents an electrifying, contemporary adaptation of Chekhov’s Ivanov. (95 Minutes)

Pinchbottom Burlesque – Pretencion
Wed, Jul 15 7p | Thu, Jul 16 10p | Fri, Jul 17 10p | Sat, July 18 10p | Sun, Jul 19 7p

“The best burlesque show in town” -The Village Voice
Step into the world of Pinchbottom’s Pretencion: un cirque de burlesque, un burlesque de cirque — but be careful not to trip on the magic. (90 Minutes)

Dangerous Ground – 3!
Wed, Jul 22 9p | Thu, Jul 23 7p | Fri, Jul 24 9p | Sat, Jul 25 7p | Sun, Jul 26 5p

3! is a multimedia experiment inspired by Fassbinder’s 1979 film The Third Generation. Hybrid forms of performance subvert reality in an attempt to interrogate violence. (120 Minutes)

Jack Ferver – I Am Trying To Hear Myself and Vandam Goodbar
Wed Jul 22 7p | Fri Jul 24 7p | Sat Jul 25 9p | Sun Jul 26 2p

Two works about desire, longing, and humiliation. “I Am Trying To Hear Myself” concerns the elusive quality of romance and the disappointment of viewing one’s current life through the idealization of one’s past. “Vandam Goodbar” is a new piece about the humorous, disturbing, and unfortunate violent excursions that can happen in the restless search for a connection.

Richard Maxwell and The Reena Spaulings Band
Thu Jul 23 9p

The Reena Spaulings Band is a country music band, a rag-tag outfit, with ever-changing personnel exploring the ever-expanding kingdom of Country music. Imagine being alone, perusing the rows of your local library branch on a Friday night. Maybe you’re trying to better yourself, get cultured, when you happen upon a kind of music all but forgotten. This band provides a night of Country unlike any other-a musical template of possibilities, potential energy upon which you wander. Featuring: Bob Feldman (saxophone), Jim Fletcher (vocals, harmonica, recorder), Mike Iveson (vocals, piano), Rich Maxwell (vocals, guitar) and Brian Mendes (vocals, guitar, bass).

DOWNSTAIRS AT PERFORMANCE SPACE 122:

Thinking Person’s Theater – She of the Voice
Tue, Jul 7 7:30p | Wed, Jul 8 7:30p | Thu, Jul 9 7:30p | Fri, Jul 10 7:30p

“Delectable, sweeping… audaciously playful…Kunzru writes with wry certitude and cinematic precision.”-The New York Times
What’s the difference between a wise fool and crazy neighbor? Magda Mandela’s fellow citizens ponder this and more in an adaptation of award-winning author Hari Kunzru’s free-wheeling exploration of human fellowship. (60 Minutes)

WaxFactory & Eric Dean Scott – Tales from Bordertown (prologue)
Tue, Jul 7 9:30p | Wed, Jul 8 9:30p | Thu, Jul 9 9:30p | Fri, Jul 10 9:30p

Let’s get lost. Downtown performer Eric Dean Scott follows a trail of dreams, poetry, jazz recollection, lost roads, New Orleans and the razor’s edge…past shore, past time, past place….into bordertown. (90 Minutes)

Nora Woolley & Christine Witmer – Selling Splitsville
Sat, Jul 11 7 :30p | Sun, Jul 12 5:30p | Sat, Jul 18 5:30p | Sun, Jul 19 5:30p

TV shopping hosts Kath and Cheryl Marissa hawk speciality products for divorced families. Go from denial to acceptance in three easy instalments of $19.99. Directed by Raquel Cion. (75 Minutes)

Hoi Polloi – Winter Journey
Tue, Jul 14 7:30p | Wed, Jul 15 7:30p | Sat, Jul 18 7:30p | Sun, Jul 19 2:30p
“Pitch-perfect. . . this is a chance to watch an already impressive director as he modulates into a higher key.” – Time Out New York (The Less We Talk)
Hoi Polloi Artistic Director Alec Duffy explores his father’s lifelong obsession with Schubert’s late masterwork, the “Winterreise” song cycle. (55 minutes)

Wolf 359 – Evanston: A Rare Comedy
Tue, Jul 14 9:30p | Wed, Jul 15 9:30p | Thu, Jul 16 9:30p | Fri, Jul 17 7:30p

“A very gifted group of young artists” – Andy Horowitz, Culturebot
A teenage girl disappears in deepest suburbia, and a meeting of the Evanston Women’s Book Club ends in blood. (90 minutes)

Columbia University School of the Arts – The Misanthrope
An ensemble-created contemporary revisiting of Moliere’s classic social comedy told with austere passion and ecstatic frustration in music, movement, and verse.
Thu, Jul 16 7:30p | Fri, Jul 17 9:30p | Sat, Jul 18 9:30p | Sun, Jul 19 7:30p

NU Classic Theater – Apocalypsis Cum Figuris and The Constant Prince
Tue, Jul 21 7:30p | Wed, Jul 22 7:30p | Wed, Jul 22 9:30p | Thu, Jul 23 9:30p | Fri, Jul 24 7:30p NU Classic Theater presents Apocalypsis Cum Figuris and The Constant Prince, to commemorate Grotowski and his actors work; with poetry, a state of crisis, a biomechanics etude, and intense physicality. (60 minutes)

Coffee Cup (a theatre co.) – We Are Being Held
Thu, Jul 23 7:30p | Fri, Jul 24 9:30p | Sat, Jul 25 5:30p | Sat, Jul 25 7:30p | Sun, Jul 26 7:30p
A highly physical original show rooted in the minute and momentary connections that pass between us on the subway. (75 minutes)

playgroundzero (staged readings) created/curated by Saviana Stanescu
playgroundzero aims to offer a chance to exposure to plays that are highly original, risk-taking, innovative, bold and provocative.

  • Me You Us Them by Andrea Lepcio Sat, Jul 11 3:30p
  • Incomplete and Beautiful by Nathaniel Kressen Sun, Jul 12 2:30p The hilarious coming-of-age story of a group of artists in the gentrified East Village of NYC. (90 Minutes)
  • For a Barbarian Woman by Saviana Stanescu Sat, Jul 18 2:30p
  • Vattago by Ian Cohen Sat, Jul 25 2:30p The demon, Vattago, infiltrates the home and workplace of Matt Ross, resulting in chaos and death. A comedy.
  • Torrents by Robert Attenweiler Sun, Jul 26 3:30p

    The story of two sisters battling the divide of one’s rural militia agenda and the other’s fundamentalist religious hope. (75 Minutes)

July 7 – 26, 2009

Dark Horse Black Forest

darkhorse

darkhorse

Dark Horse/Black Forest at The Gershwin Hotel
Presented by Performance Space 122 and Neke Carson

A special Dance Installation: Space is Limited, Book in Advance

What is DARK HORSE/BLACK FOREST?

It’s an intense love story presented in the most intimate of spaces: the bathroom.

It’s designed to be bought and owned for an evening in the privacy of your own bathroom in your home or special event venue.

It’s dance. It’s art. It’s interior design.

It’s critically acclaimed and causing quite a stir.

And… It’s currently being performed in an exclusive engagement in the lobby bathroom of The Gershwin Hotel NOW through Sunday, June 28.

Buy tickets to this special event Click here to purchase tickets online
Act fast – space is limited – only seven spaces are available per night.

If event appears to be sold out, you can come to The Gershwin Hotel one hour before the performance you wish to see and add your name to a waiting list.
The wait list is accessible in person at The Gershwin Hotel Lobby only and must be signed up for on the same day you wish to attend.

Inquire about booking Dark Horse / Black Forest as a private event in your home or selected venue.
Prices begin at $1650 for private home installations and begin at $2500 for corporate events.
Private bookings are available worldwide and include fully edited archival digital documentation of the event for continued enjoyment.

To find out more about private home bookings of Dark Horse / Black Forest, please email darkhorse@ps122.org
These privately booked performances are made available exclusively through Performance Space 122 and for a limited time only.

More about the limited run at The Gershwin…
The W.C. at The Gershwin Hotel in New York City has been transformed by flourescents, mirrors, and video screens. The audience is privy to an emotional and private exchange between a couple that evolves into a formal, sensual dance. There are two casts that rotate bi-weekly: a man and a woman (Heather Olson & Joseph Poulson), and two men (Luke Miller & Darrin Wright).

” as much an installation artist as a choreographer” – Gia Kourlas, The New York Times

“Castro’s smart, kooky shenanigans captivate…” – Chris Dohse, The Village Voice

“Castro’s upcoming duet takes voyeurism to a precipice… it doesn’t happen on a stage but in a bathroom like yours.” – Lori Ortiz

Photos courtesy of Charles Houghton, Brett Crocitto and Yanira Castro

2010 Bessie Award

Heather Olson & Joseph Poulson:
June 5-7, 12-14
Luke Miller & Darrin Wright:
June 19-21, 26-28

June 5 – 28, 2009
FOLLOW THIS PROJECT ON TWITTER:
twitter.com/doghebitedme
twitter.com/darkbloom8

Human Company

companycompany

human company

“Bold, disturbing and richly imaginative, a vision of otherworldly reckoning that careens with impressive fluidity between heaven and hell. A dense and dreamily luminous meditation.” – Hedy Weiss, Chicago Sun-Times. (In reference to HereAfter, created and directed by Royd Climenahaga)

Human Company presents a trio of one-woman shows exploring the shifting ground of identity and the social, personal and bodily creation of self.

I. Is It True What they Say About Dixie, created by Kelly Hanson and Beth Bradford, explores the meaning of truth in a wold of polite silence.
II. Fugue States: The 7 Successful Secrets to Cultivating an Unshakable Character, developed by Connor Kalista, Cara Francis and Susanna Gellert, carries us on an incantatory journney through media swamplands. Bring your boots.
III. Forceps Delivery, developed by Royd Climenhaga and Danielle Fink, follows a woman’s inner monolgue as she labors to deliver an impossible birth.

Human Company is a group of artists challenging the boundaries of performance experience, blurring the distinctions between theatre, dance, image, language, and sound to create a new theatre of engagement. Our pieces are developed in the rehearsal room through process and exploration to create work that is energetic, passionate and playful. We hope to stimulate a dialogue in the performance community about what theatre is and what it can be and make work that evokes what is unique and vital about the theatrical art form: its inherent demand that we bear witness through risk, investment and vulnerability. Human Company was founded in 2006 and has presented work at Chashama, HERE Arts Center, BAX and the Kitchen.
https://www.humancompany.org/

Running time: 75 minutes.

Thu, May 28 – Sun, May 31, 2009
Thursday – Saturday 7:30pm
Saturday – Sunday 4pm
Tickets from $20
$15 (students/seniors)
$10 (P.S. 122 members)

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