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The Octoroon

octoroon

Branden Jacobs-Jenkins tackles Dion Boucicault’s infamous melodrama about Americans. (And slavery.) A bombastic, super-theatrical, full-scale investigation of that classic intersection of theatre and identity politics, this play with “real” actors, “real” sets, “real” costumes – and what might turn out to be a “real” slave auction – seeks to get to the bottom of why New York audiences can’t seem to get enough of plays about and racism and America.

Written and Directed by Branden Jacobs-Jenkins, in collaboration with Johnson Henshaw and Allison Lyman; Producer: Johnson Henshaw; Dramaturg: Allison Lyman; Costume Design: Abigail Hahn; Sound Design: Jesse Rudoy; Make Up Design: John Carter; Light Design: Kevin Hardy; Assistant Director: Lacy Warner

Featuring: Travis York*, Chris Manley, Gabe Levey*, Jake Hart*, Margaret Flanagan*, Amber Gray*, Mary Wiseman, LaToya Lewis, Kim Gainer*, Sasheer Zamata

Branden Jacobs-Jenkins is a former playwriting fellow at the New York Theatre Workshop, an alum of the Soho Rep Writer/Director Lab and the Public Theater’s Emerging Writing Group, and a member of the ArsNova Playgroup. He is the recipient of the 2009 Princess Grace Award for Playwriting and the 2009 Dorothy Strelsin Playwriting Fellowship. His full-length plays include Appropriate, The Change, and Neighbors, which was presented in Feb 2010 as apart of the Public Theater’s PublicLab.

More about Boucicault’s The Octoroon: After immigrating to the United States, Boucicault’s The Octoroon premiered at one of New York City’s premier theaters in 1859, while the country was on the brink of the Civil War. The Octoroon became immensely popular and created one of the earliest occurrences in American popular theatre where the use of a popular entertainment such as the melodrama, created dialogue and controversy about contemporary societal issues; abolition, African Americans, and slavery in America.

Support for THE OCTOROON: AN ADAPTATION OF THE OCTOROON BASED ON THE OCTOROON has been provided by a Commission Grant from the Jerome Foundation and the Axe-Houghton Foundation.
*Appears courtesy of Actors’ Equity Association. “The Octoroon: An Adaptation of The Octoroon Based on the Octoroon” is an AEA Approved Showcase.

Photo: © Liz Liguori

World Premiere
Theater

Updated Schedule:
Saturday, June 26 – Saturday, July 3, 2010
Wed – Sat at 8, Sun at 6
Thursday Night Social: July 1st
$18, $15 (students/seniors)

Gala 2010 Gallery

Honorary Chairs CLAIRE DANES & BAZ LUHRMANN
and the Board of Directors of Performance Space 122 thank you for supporting

The Spring Gala 2010 Honoring John Leguizamo

Tuesday, May 4, 2010 at The Abrons Arts Center

Many thanks to our 2010 Gala Sponsors
Barbadillo, Brooklyn Brewery, Flavorpill, Lucid Absinthe, Monsieur Touton, New Age Imports, Phoenix Partners Group, and Theatermania. Printing by Morrison Foerster. Sweets by Veselka and Butter Lane.

For more information on how to become a sponsor of Performance Space 122, please contact Carleigh Welsh, Director of Marketing and Communications, at 212-477-5829 x. 309.

Strange Action

lewis forever


“Isabel Lewis is a fierce and fiercely smart choreographer and dancer.” – Claudia La Rocco, The New York Times

“Lewis’s Untitled Solo (Sweet Exorcist) contains poetic, powerful imagery and energy.” – Eva Yaa Asantewaa

This piece is about the peculiar act of performing.
This piece is about the possibility of making a solo that is not a dead end to autobiography and identity politics.
This piece is about Mr. T, headbanging, and Nicole Kidman.

STRANGE ACTION: a solo in three seemingly unrelated parts

In Isabel Lewis’ premiere evening-length solo show she resurrects her depiction of Mr. T, using him and a few other icons as the unexpected reference points of a discussion by way of performance about the strange act of performing itself. Making minimal use of stage design and media elements Lewis tightens the focus around the presence of the performer in an anti-gesamtkunstwerk, using language and movement to frame her interplay of associations and disassociations. Drawing on a range of references from B.A. Baracus to Beckett, Lewis weaves a circuitous narrative about altered states, imagination, connectivity, process, and fiction.

Concept and Performance by Isabel Lewis
Dramaturgy and Performance by Josep Maynou

Isabel Lewis is a Brooklyn and Berlin-based dance artist and curator from the Dominican Republic. She is a graduate of Hollins University (USA) where she majored in both Dance and Literary Criticism. In 2004 Isabel formed The Labor Union along with Erika Hand and presented work at the Cunningham Studios, Dance New Amsterdam, Dance Theater Workshop, Danspace Project at St. Mark’s Church, Dixon Place, Movement Research at Judson Church, PS 122, and The Kitchen amongst other venues in Manhattan and the outer boroughs. Isabel now creates solo work, performs with her family art collective LEWIS FOREVER and with Ann Liv Young. She has also had the honor of working with Miguel Gutierrez, David Neumann, Levi Gonzalez, and Crystal Brown. Isabel was a Movement Research Artist in Residence and a Fresh Tracks Residency Recipient in 2005-2006 and was selected to take part in the Meeting Points Artist Exchange in Budapest in the summer of 2008. She has worked as an editor and writer for the Movement Research Performance Journal and was the curator for the dance series, Body Blend, at Dixon Place from 2005-2009. As a curator Isabel has also worked on the Movement Research Festival 2004: Improvisation is Hard and the Movement Research Festival Spring 2007: Reverence (Irreverence) as well as Re-Imagining Utopia, an Austrian and NYC artist exchange, a project of Movement Research (NYC), the Austrian Cultural Forum (NYC), and Tanzquartier Wien (Austria).

Josep Maynou studied Fine Arts in Barcelona (UB), Porto (Facultade Belas Artes Porto) and London (Middlesex University). Maynou has shown his work all over Europe highlighting Getxo Arte in Bilbao, Strip Art and Sala Pares in Barcelona, Galerie Eva Bracke in Berlin and Maoshabitos in Oporto among others. He has been working in different artistic fields and is now focused on media art often collaborating with Berlin-based media artist Arturo Steele. Reusing images and giving them new meanings, he creates visual collages which function as a continuous whole, as complete films unto themselves. The visual and rhythmic coherence of his films, achieved through a process of careful editing, makes reference to the manipulative power of audio-visual media. This process of recycling also leads to installing his work in different contexts such as TV repair shops, warehouses, abandoned spaces and second-hand stores.

Photo by Arturo Martinez Steele

This performance was supported by a Commission Grant from the Jerome Foundation

World Premiere
June 3 – 6, 2010
Thu – Sat at 8PM, Sun at 6PM
Late Show: Sat, June 5 at 10PM
Thursday Night Social: June 3
$20, $15 (students/seniors)
ONLY $11 with a PS122 Passport
Find out more

Speaking from the Diaphragm



WINNER OF THE 2009 ETHYL EICHELBERGER AWARD

“A performance artist of underground legend.” – Guy Trebay, New York Times

A performance piece that re-examines the heyday of 1970s American daytime television chat and variety programs. Taking the format of legendary talk shows like The Mike Douglas Show and Dinah!, which starred lesbian icon Dinah Shore. Ms Davis isn’t interested in assimilating into the mainstream entertainment complex, but instead wishes to dissect a kind of TV staple and reconfigure it by presenting an array of live and Skype guests from the various worlds of literature, dance, theatre, film and art she has intersected in her over 30 year career as a performance and live artist, writer and cultural raconteur. With guest hosts, Downtown treasure Carmelita Tropicana, and Jennifer Miller the famed bearded lady of Circus Amok expect ten days of the unexpected, the unusual and the sublime.

Nightly Guest Stars*:
Saturday, May 15 8PM

  • KEMBRA PFAHLER
  • RICK OWENS & MICHELLE LAMY
  • MICHAEL VELAZQUEZ
  • JAMIE STEWART
  • JACKIE RAYNAL

Sunday, May 16 6PM

  • GLENN BELVERIO & BRUCE BENDERSON
  • PIERROT
  • CAROL POPE
  • GIO BLACK PETER

Wednesday, May 19 8PM

  • JUSTIN BOND
  • GLEN MEADMORE
  • DERRICK ADAMS
  • ED HALTER
  • DANCENOISE

Thursday, May 20 8PM – The Ethyl Eichelberger Award Celebration

  • BLACK EYED SUSAN
  • JOHN E. HEYS
  • JOE E. JEFFREYS
  • JOAN MOOSSY & AGOSTO MACHADO
  • JENNIFER MILLER
  • SALLEY MAY

Friday, May 21 8PM

  • BRUCE LA BRUCE
  • BILLY MILLER
  • ANNIE SPRINKLE & BETH STEPHENS
  • SLAVA MOGUTIN & BRIAN KENNY

Saturday, May 22 8PM

  • MARC ARTHUR
  • JULIE ATLAS MUZ
  • KATE BORNSTEIN
  • MASHINKA FIRUNTS & JEREMY J F THOMPSON
  • NAO BUSTAMANTE

Saturday, May 22 10PM

  • JOSEPH KECKLER
  • MAX STEELE
  • MICHAEL LUCID & AMANDA BARRETT
  • CLAUDIA GONSON
  • JULIE TOLENTINO
  • ELA TROYANO & UZI PARNES

Sunday, May 23 6 PM

  • JD SAMPSON + MEN
  • MARC SIEGEL
  • JOSE MUNOZ
  • SHERRY MILNER + ERNIE LARSEN
  • MARK SIMPSON
  • MICKEY BOARDMAN
  • CASEY SPOONER

Wednesday, May 26 8 PM

  • DYNASTY HANDBAG
  • JOEL GIBB
  • LIA GANGITANO & MICHEL AUDER
  • ROSS and INDIA MENUEZ
  • CARLO MCCORMICK
  • SPENCER SWEENY
  • JAMES RASIN
  • BIBBE HANSEN, ADAM GREEN

Thursday, May 27 8 PM

  • JOHANNA FATEMAN
  • MARCUS PONTELLO
  • MIHO HATORI
  • SUSAN SACHSSE

Thursday, May 27 10 PM

  • SLAVA MOGUTIN & BRIAN KENNY
  • SCARLETT ROUGE
  • GENESIS (and LADY JAYE) BREYER P-ORRIDGE
  • DAN HERSCHLEIN & MARIE CATALANO
  • MICHAEL LUCID & AMANDA BARRETT
  • PENNY ARCADE

*Stay tuned for additional guest announcements – line up is subject to change. Guests will be appearing live or via skype

Design and Production by Jonathan Berger in collaboration with Sarah Marcy Maurer, Joshua Lubin-Levy, Alexander Hollenbach, and Julia Rexon
Sound Design by Jason Martin
Video Design by Jean Kim
Textile Design by Ross Menuez/SALVOR
Garment Design by Nikko Lencek-Inagaki and Arjuna Balaranjan
Couture by Rick Owens

Vaginal Davis was born and raised in Los Angeles, but now lives in Berlin. She is an accomplished experimental filmmaker, visual artist and writer, who Hilton Als of The New Yorker has called “the poet laureate of Santa Monica Blvd.” She has curated programs for many film festivals including Berlin and Sundance. She teaches performance at Lund University’s Malmö Art Academy (Sweden). She is also the subject of academic elucidation by Jose Muñoz in Disidentifications: Queers of Color and the Performance of Politics and Jennifer Doyle in Sex Objects: Art and the Dialectics of Desire.

www.vaginaldavis.com

The Ethyl Eichelberger Award was created by Performance Space 122 and made possible with generous support from The Gesso Foundation in honor of seminal performer, landmark and legend Ethyl Eichelberger. The award is given to an artist or group that exemplifies Ethyl’s larger-than-life style and generosity of spirit; who embodies Ethyl’s multi-talented artistic virtuosity, bridging worlds and vitalizing those around them.

Photo copyright Albert Sanchez

World Premiere
Performance Art
Saturday, May 15 – Thursday, May 27, 2010
Wed – Sat at 8pm, Sun at 6pm
Late Shows at 10pm: Saturday, May 22 + Thursday, May 27

Thursday Night Social + Ethyl Eichelberger Award Celebration*
Thursday, May 20

Tickets to Thursday, May 20 include pre-show reception and post-show party celebrating the Ethyl Eichelberger Award and the announcement of next year’s winner!

*The Ethyl Eichelberger Award Celebration is co-hosted by Housing Works, Fourth Arts Block “Pride Goes East”, and the AIDS Service Center NYC

Ticket proceeds to this special performance and event support the Ethyl Eichelberger Award. The evening also features a Designer Dress Drive to benefit Housing Works AND A Canned Goods & Toiletries Drive to benefit ASC’s Pantry program. Meanwhile, Fourth Arts Block will be on hand to stir up enthusiasm for their upcoming Pride Goes East festival in June.

 

Help PS122 Go Green by viewing your Vaginal Davis Is Speaking From The Diaphragm program online!

SoloNova Festival 2010

soloNOVA ARTS FESTIVAL celebrates innovative individuals who push the boundaries of what it means to be an artist, aims to redefine the solo form and uniquely invigorates the audience through the time-honored tradition of storytelling. This year’s festival features comedy, dance theatre, storytelling, music, multi-character thrillers, musical comedies, bilingual cabaret, animation, multimedia, and puppetry.


terraNOVA Collective honors NILAJA SUN
soloNOVA ARTIST OF THE YEAR
MAY 21 at 8
$30

terraNOVA Collective honors Nilaja Sun as the 2010 soloNOVA Artist of the Year on May 21 at 8pm in the Downstairs Theater at Performance Space 122 as part of the 7th Annual soloNOVA Arts Festival. Join us as we celebrate the career of Nilaja Sun as a performer and arts educator, featuring performances by Desmond Child (songwriter and producer of such hits as Bon Jovi’s “Living on a Prayer” and Aerosmith’s “Angel”), Daniel Banks (Hip Hop Theater Initiative, DNAWorks), students inspired by her Obie Award winning solo play, No Child…, remarks by the Executive Director of Epic Theatre Ensemble, Theatre Development Fund’s Education Director, David Rothenberg (WBAI), Scott Morfee (Barrow Street Theater), Hal Brooks (director of No Child… and Thom Paine, based on nothing), Quiara Hudes (Tony nominee for book writing, In the Heights) and excerpts of scenes from playwrights Eduardo Machado (INTAR), Carmen Rivera (La Gringa, Under the Mango Tree) and Candido Tirado (Mama’s Boyz). The evening will be directed by Steven Dimenna (MCC Youth Program), followed by a post-show reception sponsored by Brooklyn Brewery & Monsieur Touton Wine.


MAINSTAGE FESTIVAL SHOWS



WANTED
storytelling and song
MAY 5, 7, 12, 15 at 7PM
MAY 8 at 2PM
Written and Performed by Shontina Vernon
Directed by Kamilah Forbes

70 minutes

Arrested and locked up for writing hot checks, a ten-year-old Texan girl loses her way in a reality where even the adults themselves are lost. Shontina Vernon merges childhood stories with searing songs of fear and juvenile justice.

Shontina Vernon’s voice is “Blood chilling.”- The Oregonian



BINDING

dance theatre

MAY 5, 7, 12, 15 at 9:15
MAY 8 at 4:15
EXTENDED: See extension page for more dates

Conceived and Performed by Jesse Zaritt
Directed by Basmat Hazan
Produced by Theatre C

45 minutes

Violent. Tender. Erotic. Submissive. Abandoned. The worlds of pop music, myth and video collide in Jesse Zaritt’s movement-based quest for love, connection and the self.



REMISSION

verse storytelling

MAY 6, 8, 10, 18 at 7
MAY 15 at 2

Written by Kirk Wood Bromley
Performed by Daniel Berkley

Remission: 75 minutes w. a 15 minute Q & A

For 45 years, Daniel Berkey suffered the ravages of schizophrenia with attendant addictions to sex, heroin and alcohol. At the age of 51, he experienced complete remission. This is his story.



MONSTER

multi-character thriller
MAY 6, 8, 10, 18 at 9
MAY 15 at 4
EXTENDED: See extension page for more dates

Written by Daniel MacIvor
Directed by Steve Cook
Performed by Avery Pearson
Produced by Really Sketchy

75 minutes

Daniel MacIvor’s celebrated chiller returns to the New York stage with Avery Pearson stepping into the skin of 16 characters. Peeling back psychological layers to reveal the heart of an individual experience, MONSTER dissects the true nature of evil.

“Monster is Mr. MacIvor’s suggestion that the dark side is as intrinsic to our natures as consciousness itself. It not only aspires to creeping you out, it also wants you to examine your own voyeuristic impulse to keep staring after the ax falls”- The New York Times



IT OR HER

a dark comedy

MAY 13, 17, 19, 22 at 7
MAY 16 at 2
*Tickets for IT OR HER $18

Written by Alena Smith
Directed by Jessi D. Hill
Featuring Brian McManamon

45 minutes

Somewhere between Pee-Wee’s Big Adventure and The Tell-Tale Heart,
Alena Smith’s provocative dark comedy IT OR HER explores the
basement of a suburban home where Andrew (Brian McManamon) has devoted himself
unconditionally to his incredible collection of figurines. Suffering
the loss of The Red One, he seeks to uncover The Ultimate Arrangement
before his hideout is invaded, and his dark secret is revealed.

Selected by soloNOVA as the Best Solo Performance of FRIGID NY Festival 2010
Winner of the Audience Choice Award, FRIGID NY Festival 2010



ROOTLESS: La No-Nostalgia

bi-lingual theatrical cabaret

MAY 11, 14, 16, 20 at 7
MAY 22 at 2

Written and Performed by Karina Casiano
60 minutes

Sexy. Bold. Bilingual. Take a journey through the emotional life of migrants with songs ranging from tango to rock. Unraveling the psychological toll of displacement, Casiano ferociously and personally criticizes the role of newcomers and probes their responsibility toward their own countries.



THE W. KAMAU BELL CURVE: ENDING RACISM IN ABOUT AN HOUR

comedy

MAY 11, 14, 16, 20 at 9
MAY 22 at 4
EXTENDED: See extension page for more dates

Written & Performed by W. Kamau Bell
Directed by Paul Stein

75 minutes

Black President or not, racism continues to make a comeback. And W. Kamau Bell is here to make (non)sense of it all. Irreverent and thoughtful, The W. Kamau Bell Curve skewers pop culture, news pundits and the man himself, Barack Obama. According to Comedy Central, Kamau told the very first Obama joke way back in 2005

“Smart, stylish, and very much in the mold of politically outspoken comedians like Dave Chappelle and Margaret Cho.”- San Francisco Weekly (though he was more excited that they called him “handsome.”)

“W. Kamau Bell is the most important guy doing comedy right now. Do yourself a favor and go see him. He’s got the most astute, hilarious and completely righteous material going and he’s going to be a legend in his own lifetime like Richard Pryor and Lenny Bruce. Think Bill Hicks but slightly taller.” – Margaret Cho



PUPPY LOVE: A STRIPPER’S TAIL

musical multi-character comedy

MAY 13, 17, 19, 22 at 9
MAY 16 at 4
EXTENDED: See extension page for more dates

Written and Performed by Erin Markey

60 minutes

Attempting to enter the “real world,” new college graduate Bridget is rejected from employment at Chuck E. Cheese and hired as a stripper at DejaVu in Ypsilanti, MI. Everything seems trashy, unfair and exciting until she falls for a co-stripper named Sky. The irreverent and poetically charged Bridget learns to sell her body while buying what her irresistibly midwestern competitors have to offer. And there’s pole dancing.

“Bizarre, character-shifting performance artist Erin Markey is so totally out there that she fits in perfectly with the OHP (Our Hit Parade) aesthetic. Key song: A funny-creepy version of Jeremiah’s ‘Birthday Sex,’ performed in the diaper, bonnet, bib and voice of a newborn baby.” – Adam Feldman, Time Out NY

May 5-22, 2010

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