Archived Events | Page 30 of 96 | Performance Space New York Spring Gala

UK Festival

UK Festival
The UK Comes to the EV

With support from the British Council, Performance Space 122 brings 3 companies across the pond for a taste of the UK’s hottest contemporary performance experiences.”Each of these 3 companies represent different generations of English performance and all exemplify the very essence of live art.”
– Vallejo Gantner, PS122 Artistic Director


Action Hero – Watch Me Fall

June 1 – 2, 2011

“An ecstatic atmosphere.” – Metro

We’re going over a barrel, hitting the ramp at 90mph and clearing 10 double-decker buses, and we’re not stopping until every last sonofabitch in the place is cheering us on.

Drawing on footage of Evel Knievel jumps, interviews with Niagara Falls daredevils, the speeches of American presidents and transcripts from Chuck Yeager’s supersonic flights, Watch Me Fall questions the obsession with those who attempt the impossible, the futility of their attempts and their inevitable fall from grace. With language taken from Mexican wrestling matches, drag races, 100,000 seater stadiums, human cannonballs and daredevil stunts, it is both an epic and intimate piece that explores the relationship between audience and event, the nature of risk and the complicity of the audience in increasingly violent and questionable acts in the name of entertainment.


Curious – The Moment I Saw You I Knew I Could Love You

June 4 – 5, 2011

4 STARS: “Film and live performance, soundscape and installation combine in this love story to offer glimpses of an endless horizon as well as intimate close-ups… There is something immensely wistful about a piece that demonstrates that we are merely chemical compounds, and yet also shows us how to discover equilibrium.” – The Guardian

This is how I dream it. This is how it feels. And I am not a sailor. I cannot steer a craft. I cannot tie a reef knot. I cannot swim. But still this is how it ends. I am out here with the lost mariners, the castaways, the ship wrecked and the sea swallowed.

Designed for life-raft sized groups of audience members, “The Moment I Saw You…” plunges at your gut feelings, your fight/flight and freeze reactions, your impulses, love and undefended moments.


Helen Cole – We See Fireworks

June 4 – 11, 2011

An installation and a performance archive of audience voices, We See Fireworks is a curated collection of memories of past performances or performative moments whispered softly into the darkness. They talk of religious ceremonies, accidents, lovers’ meetings, loss, homesickness, adolescence, fairgrounds, car parks, fetish clubs and school halls. Articulated by strangers, these words are viral, searing into the consciousness, until the deepest memories become yours.


The installation is open Saturday, June 4 – Saturday, June 11, 2011
From the hours of
2 – 9pm on Saturday / Sunday
4:30 – 9pm Tuesday – Friday

The installation is closed on Monday, June 6, 2011

If you would like to add your voice to this growing collection,
opportunities for individual recordings are available June 4, 5, 7, 8, 2011
between 4:30 – 6:30pm & 7 – 9pm.

Your ticket is valid for the entire day, but please note that entry is based on a first come first served basis.
Free, reservations required.

Produced by Inbetween Time Productions. Funded by Arts Council England. Commissioned by New Theatre Architects. Technical Consultation and production Alex Bradley.


Long Table on Live Art vs Performance Art. UK vs America. A Special or Essential Relationship. Discuss.
Saturday, June 4, 2011 at 2pm

The Long Table is an experimental public forum originally developed by performance artist Lois Weaver. The Long Table experiments with participation and public engagement by re-appropriating a dinner table atmosphere as a public forum, and encouraging informal conversations on serious topics. It is literally a very long table set up with chairs, microphones and refreshments where anyone and everyone is welcome to come to the table, ask questions, make statements, leave comments, or simply sit, listen and watch.

Lois Weaver is a lecturer in Contemporary Performance at Queen Mary University London. Her work included live art, solo performances, feminist and lesbian theatre, performance and human rights. She is founding member of splitbritches with Peggy Shaw. www.splitbritches.com.

Watch Me Fall
Wednesday, June 1 – Thursday, June 2, 2011
8PM
$20, $15 (students / seniors)


The Moment I Saw You I Knew I Could Love You

Saturday, June 4 – Sunday, June 5, 2011
5, 6:15, 7:30, 8:45PM
$20, $15 (students / seniors)

We See Fireworks

Saturday June 4 – Saturday June 11, 2011
Free, reservations required

Long Table Discussion
Saturday, June 4, 2011 at 2pm
Free and open to the public.

Tim Miller Mentor Performances

Tim Miller Mentees

Performances by Tim Miller, Kamelle Mills, Brigham Mosley & Katie O

Performance Space 122 with support from the National Performance Network Community Fund created a seven month mentorship for three emerging queer performers to work with internationally acclaimed performer and PS122 co-founder Tim Miller.
On Saturday, June 11 see Tim Miller and the artists perform as the culmination of this project.

Tim Miller
Irregular Forms of the Verb To Be

Tim Miller charts the way lives grow and change in most irregular ways with help from outside. As is so often the case, Lederhosen may be involved.

Kamelle Mills
To Bloom

Kamelle Mills takes a look at a set of characters surrounding an adolescent homosexual boy on the verge of discovering who he is.

Kamelle received his BFA in Theatre with an emphasis in Playwrighting at SMU. His first full length play, “Where Pride Rides”, was workshopped in the festivals New Visions, New Voices in Dallas. Kamelle is committed to both Playwrighting and Acting.


Katie O
Whore!

An elegy about sex and sexuality. A fantastical look at a real girl.
The secrets and true stories of a sex worker, a lover, a survivor and an all around whore.

Katie O is a queer sex worker and performance artist originally from San Francisco. She has performed in Radio City Music Hall, subway cars, New York Theatre Experiment, out of third story windows, PS122, bathrooms, HiChristina! Gallery, basements, BDSM clubs and stairwells
all over the fine state of New York. She likes Lady Gaga, cheese and being sentimental. Follow her on www.feticheantoinette.tumblr.com


Brigham Mosley
Oh Whatta Beautiful Mornin’

Young, glittery Brigham must return to his dusty Oklahoma roots after the death of his grandfather. A funny, grief-filled examination of ancestry and hierarchy for the queer prodigal son. Dream ballets included.

Brigham Mosley is a young performer/playwright from southwest Oklahoma. His work has been produced in New York, Chicago, and Dallas. For more information and to contact Brigham go to www.brighammosley.com

Supported in part by the National Performance Network

Saturday, June 11 at 7:30pm
with post-performance talk-back

Tickets: $20 / $15 (Students / Seniors)

The Green Surround

Heather Kravas
The Green Surround
Heather Kravas upends the effortful, immodest, non-sequential physicality of 9 women and the practice of perfection. Through repetition and the endless rhythmic possibilities of classical and anti-classical movement, text, and atmospheric sound, individuality oozes from the cracks of a stoic mass as the facade of idealised beauty is broken.

Performed by: Laurie Berg, Milka Djordjevich, Cecilia E., Carolyn Hall, Lyndsey Karr, Sarah Beth Percival, Liz Santoro, Antonietta Vicario, Elizabeth Ward

Choreography & Direction: Heather Kravas
Performance Advisor & Eye: Rebecca Brooks
Composer & Sound Design: Vorhees aka Dana Wachs
Scenography: Jason Starkie
Lighting Design: Madeline Best
Costume Constructor: Maria Garcia

Heather Kravas grew up in Pullman, WA where, under the tutelage of Deirdre Wilson, she studied classical ballet and the experimental theater exercises of Jerzy Grotowski. In the early 90’s, she moved to Seattle, incorporating modern and improvisation techniques with teachers Joan Skinner, Hannah Wiley and Stephanie Skura. As a young performer, she co-founded the repertory company D-9 and danced with Amii LeGendre. Also in Seattle, she created her first dances in collaborations with Maureen Whiting, Karn Junkinsmith and Jack Magai. An independent artist working, and working to work in New York City since 1998, she has performed for Marion Ballester, Jennifer Allen, Amy Cox, Yvonne Meier, and most significantly, DD Dorvillier, whose work she continues to tour. In Spring 2010 she was part of MoMA’s retrospective, Marina Abramovic: The Artist is Present. In 1999, as the nono twins, Kravas and cellist Okkyung Lee began an investigation of emotionally charged, repetitive improvisations that they performed frequently at experimental music venues in NYC. From 2003-2008, Kravas collaborated with Canadian/European artist, Antonija Livingstone, generating several works, including two, multi-evening performance events,XXXXXXXXXXXXXXXXXXXX – a situation for dancing. And (no more village), both exhibited at international theaters and festivals throughout the US, Canada and Europe. Her work has been presented at MR @ Judson Church, the Kitchen, DTW, Tonic, On the Boards, Kaaistudios (Brussels), City of Women (Ljubljana), Springdance (Moscow), Festival TransAmerique (Montreal), Festival Antipodes (Brest) and Chez Bushwick and awarded support from Washington State Arts Commission, Bossak-Heilbron Charitable Foundation, the Yard, f.u.s.e.d., and the CCN de Franche-Comte a Belfort. Heather lives and works between New York, Seattle, and Montesquieu-Volvestre, France.

Madeline Best (Light Design)Madeline Best designs dances, installations, lighting and video and is the Production Manager at the Chocolate Factory Theater. Best graduated from Bennington College, grew up in Durham NC and currently lives in Brooklyn NY. She has designed lights for Luciana Achugar’s Bessie award winning PURO DESEO, Neal Nedlyn, Milka Djordjevich/Chris
Peck and Len Jenkin. Performance experience includes work on The Chocolate Factory Theater’s 2010 Resident Project Selective Memory (with Brian Rogers) as well as work with Choreographer Juliana
May/MayDance.

Vorhees (Sound Design) Vorhees is the nom de guerre of Dana Wachs, an audio engineer, musician, and sound designer, based in New York City. Vorhees began as a recording project in 2005, focusing on creating analogue textures and soundscapes for extended ambient listening sessions based on memories of childhood and teenage excursions to the Pine Barrens of South Jersey. Recordings, and now live performance, has evolved into more contemporary song structures while retaining her original ambient experiments, rejecting any assistance from a laptop. Ms. Wachs has applied her skill and artistry in music and audio production to world tours of Internationally acclaimed musicians such as Cat Power, MGMT, M.I.A., Lykke Li, and St. Vincent to name but a few, as well as in Greene Street Recording Studios, (now defunct birthplace of classic albums by Public Enemy, Run-DMC, Sonic Youth, and New Order). She has also acted as a consultant for Visionaire Magazine’s SOUND issue, sound design for NY Fashion Week designers Rachel Comey, Imitation of Christ, Y + Kei, Wink, Sebastian Pons and Jess Holzworth, and her composition “Condensor” featured in a short film by the SOMNUS collective for their 2008 F/W presentation. Vorhees continues to record and perform with recordings planned for release the summer of 2011.

Rebecca Brooks is a dance artist and Alexander Technique teacher based in NYC. Recent performance work includes projects with Marina Abramovic, Amanda Loulaki, Jillian Pena, Katy Pyle, robbinschilds, and Kathy Westwater, and next month she will be performing in a work by Susan Rethorst at Danspace Project. Her own performance works have been presented throughout NYC. Rebecca has taught classes in the Alexander Technique at Balance Arts Center, CLASSCLASSCLASS, Movement Research, the Fieldston School and the American Dance Festival, and she also teaches privately. BA, Sarah Lawrence College; Co-founder, AUNTS; co-curator, Movement Research Festival Spring 2007: Reverence (Irreverence); Program and Event Manager, Movement Research; Artistic Director, Rockbridge Artist Exchange. www.rebeccakelleybrooks.com

Jason Starkie, visual artist, studied painting in the late 80’s in San Francisco at the Art Institute and has had studios in Chicago, Seattle, New York, Montreal and Leipzig. He is currently developing a new body of work in DUMBO.

This performance was supported in part by TestPerformanceTest & made possible with commissioning support from Performance Space 122 and the Jerome Foundation.

US PREMIERE | DANCE
Wednesday, May 4 – Saturday, May 7, 2011
Wednesday – Friday at 7:30PM,
Saturday at 7:30 & 9:30PM
ALSO performed during COIL 2012: Jan 7-11, 2012

Help PS122 Go Green by viewing your The Green Surround program online!

Festival of Ideas for a New City

festival of ideas
Festival of Ideas For A New City
Rhythm and Repetition:
Reconfiguring Performance Practice Across Genres

May 7, 4pm

A Conversation with Reggie Watts and Heather Kravas as part of Festival of Ideas for a New City.
Working in dance and technologically-enabled comedic performance, Reggie Watts and Heather Kravas are hailed as multidisciplinary innovators in their respective spheres. RadioPlay, Watts’s current collaboration with Tommy Smith, remixes historical radio dramas of yesteryear to produce a contemporary sonic hybrid. Kravas’s The Green Surround emulates traditional balletic forms in an endeavor to transform them, offering a critical commentary on the language of classicism. Rhythm and Repetition: Reconfiguring Performance Practice Across Genres brings together Watts and Kravas to discuss the intersections in their most recent work, and their respective methods for envisioning new models of practice. Moderated by Jenn Joy.

Jenn Joy teaches seminars in critical theory and writing at Rhode Island School of Design and is a PhD Candidate in Performance Studies at Tisch School of the Arts/NYU. She edited Planes of Composition: Dance, Theory and the Global with André Lepecki (Seagull Press, 2009) and has recently published essays on Danspace Project blog for Platform 2010, Movement Research Performance Journal, Studies in Gender and Sexuality, Dance Theatre Journal and Women and Performance. She founded and directed jennjoygallery in San Francisco from 1997-2000.

Publishing Networked Performance:
Live Art Almanac Vol. 2 NYC Launch

May 8, 5pm

A panel discussion and conversation as part of Festival of Ideas for a New City Published as a collaboration between Live Art Development Agency, Live Art UK, Performance Space 122 (NYC), and Performance Space (Sydney, Australia), The Live Art Almanac Vol. 2 represents a critical sampling of texts on performance in the 21st-century. Its contributors comprise the luminary scholars, professionals, and artists in the field from Guillermo Gomez-Pena to Rabih Mroue.

In this discussion celebrating its launch, PS122 Artistic Director Vallejo Gantner and aesthetic anthropologist, Morgan von Prelle Pecelli, PhD, will be joined on Skype by representatives from the Live Art Development Agency, London and Performance Space Sydney. Their transcontinental conversation will explore publishing as a strategy for engendering dialogue between an internationally networked community of performance practitioners.

 


The Festival of Ideas for the New City, May 4-8, 2011, is a major new collaborative initiative in New York involving scores of Downtown organizations, from universities to arts institutions and community groups, working together to affect change. A first for New York, the Festival will harness the power of the creative community to imagine the future city and explore the ideas destined to shape it. It will take place in multiple venues Downtown and is organized around three central programs: a three-day slate of symposia; an innovative StreetFest along the Bowery; and over eighty independent projects and public events. The Festival will serve as a platform for artists, writers, architects, engineers, designers, urban farmers, planners, and thought leaders to exchange ideas, propose solutions, and invite the public to participate. For more information, visit festivalofideasnyc.com.

Rhythm and Repetition
Saturday May 7, 2011 4pm

Publishing Networked Performance
Sunday May 8, 2011 5pm

Gala 2011

Gala Chairs Jane Friedman and East Village Community Coalition join Honorary Chairs Mark Russell, Eric Bogosian, and John Leguizamo as well as the Board of Directors of Performance Space 122 invite you to celebrate 30 Years of Now at

The 30th Anniversary Season Gala

Honoring Justin Bond, Danny Hoch, and Carmelita Tropicana

Shining Star Award recipient: Performance Space 122’s Founders & Board Pioneers
Charles Dennis, Tim Miller, Charles Moulton, Peter Rose
Joe Donohue, Chet Kerr, Timothy J. McClimon, Pepon Osorio, Peggy Pettitt, Kathy Spahn

Hosted by: John Kelly & Lisa Kron
Live Performances by: Rufus Wainwright, Nilaja Sun, Ann Carlson*, Moe Angelos, Peggy Shaw, Lois Weaver, (*with Chet Kerr, Tom Moore, Scott Rosenberg, and John Sloss)
Award Presentations by: Jo Bonney, Kate Bornstein, NYC Councilmember Rosie Mendez, Mark Russell
Performance installation by: Pat Oleszko
Ethyl Eichelberger Award presentation by: Julie Atlas-Muz, Justin Bond, John Kelly, Jennifer Miller

Evening Overview:

    6PM Exclusive pre-performance cocktail & hours d’oeuvres reception
    7:30PM Live performances, Award presentations & Live auction
    9PM Dessert, Silent auction & Post-show party
    9:30PM Ethyl Eichelberger Award presentation & Exclusive screening of STUNT; A Musical Motion Picture, Larry Fessenden’s documentary featuring David Leslie’s death defying leap off the roof of PS122 circa 1987. (In Maria von Trapp drag no less.)

Attire: Festive

Platinum Sponsors: The Friedman Foundation, Heather Thomas & Chet Kerr, East Village Community Coalition

Gold Sponsors: Nathan Gill, Patty Adams Martinez & Ivan Martinez, Scott Rudin, Howard Spector, Jason C. Tsou, American Express, Deborah Berke & Partners Architects, Continuum Health, Creative Artists Agency, The Jeffrey A. Altman Foundation, Morrison & Foerster LLP, TheaterMania

Silver Sponsors: Mary Beth & Joe Donohue, Olivia Georgia & Steve Oakes, Michelle Kim, Wendy & Neil McDonald, Blue Man Group, Chromocell Corporation, Hip-Hop Theater Festival, Westside Fragrances

Artist Ticket Sponsors: Veronique & Robert Pittman

30th Anniversary Gala Committee Winsome Brown, Patti Costello, Earl Dax, Logan Gray, Lisa Applebaum & George Haddad, Bobby Hernreich & Holly Horvath, John Issendorf, Maitland Jones, Aron Katz, Christian Kopfli, Justine Leguizamo, Joshua Lubin-Levy, Carrie MacFadden, Patty Adams Martinez, Salley May, Wendy & Neil McDonald, Paul D. Miller Aka DJ Spooky, Tom Murrin, David & Natalie Johnsonius Neubert, Adam Whitney Nichols, Thomas Benjamin Snapp Pryor, Joseph & Jasmine Robinson, Cassandra Rosenthal, Steven Schardt, Eli Scheier, Tanya Selvaratnam Scheib, Kambiz Shekdar, Patrick Tully, Jay Wegman & Stephen Facey, Dr. Reed Zaroff, Elevator Repair Service, Westside Fragrances, and Chromocell Corporation.


Tickets & Sponsorships

$25,000 30 Years of Now Sponsorship

  • 12 premium orchestra seats
  • Entry to the pre-show reception & post-show party
  • Full-page advertisement or acknowledgment in the PS122 Gala program, a contribution listing in Gala invitation, program and on PS122 website
  • Backstage meet and greet with the performers
  • Listing as a 30th Anniversary RetroFutureSpective Festival Sponsor on all festival materials and 4 VIP passes the June events.

$10,000 Platinum Sponsorship

  • 12 premium orchestra seats
  • Entry to the pre-show reception & post-show party
  • Full-page advertisement or acknowledgment in the PS122 Gala program, a contribution listing in Gala invitation, program and on PS122 website
  • Backstage meet and greet with the performers

$5,000 Gold Sponsorship

  • 10 premium orchestra seats
  • Entry to the pre-show reception & post-show party
  • Half-page advertisement or acknowledgment in the PS122 Gala program, a contribution listing in Gala invitation, program and on PS122 website

$1,500 Silver Sponsorship

  • 4 premium orchestra seats
  • Entry to the pre-show reception & post-show party
  • Business card size advertisement or acknowledgment in the PS122 Gala program, and a contribution listing in Gala invitation, program and on PS122 website

$325 Single Premium Seat

  • 1 premium orchestra seat
  • Entry to the pre-show reception & post-show party
  • Contribution listing in Gala program and on PS122 website

$30 Post-show party

  • 9PM Entry includes Dessert & open bar, Ethyl Eichelberger Award Presentation, Exclusive screening & Dancing


graysonmaine.jpg

PHOTO: LIZ LIGUORI

Date:
Monday, April 25, 2011

Location:
The Abrons Arts Center
466 Grand Street (at Pitt Street), Lower Manhattan

Tickets:
Sponsorships from $25,000 – $1,500
Single tickets from $325
9PM Entry / Post-show Party tickets: $30
RSVP by Friday, April 15 Seating is limited.

For ticket information or assistance please contact Friends Manager Lori Vroegindewey through e-mail at lori@ps122.org or phone at 212.477.5829 ext. 302

Be a part of the 30th Anniversary Spring Gala even if you are unable to attend the event:

Preview the 2011 Auction Gallery

All rights reserved by Performance Space New York
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