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MEETING


Antony Hamilton and Alisdair Macindoe (Australia)
MEETING

Two performers share space with 64 robotic instruments. A relentless stream of activity unfolds, where the bodies enter states of heightened physical and mental agency, with all actions carried by the meditative pulse of the machine beat.

MEETING reveals a fascination with the articulation of the body and mind in motion. A choreographic study stripped to the bare essentials, the work pairs Hamilton’s compulsive choreography and unique physical grammar with Macindoe’s obsessive machine-making practice.

MEETING composes the body, space and robots into a riveting choreographic soundscape flooding your eyes and ears with technical mastery at its finest.

MEETING is a quietly rich encounter between man, machine, motion and sound that rewards your attention with mesmeric human feats and meditative sonic patterns.” – Ian Abbott, Writing about Dance

Co-presented with La MaMa

Jan 4 – 9pm
Jan 6 – 9pm
Jan 7 – 1pm, 4pm
Jan 8 – 5pm
50 minutes

at La MaMa, Ellen Stewart Theatre
66 East 4th Street, Manhattan

$20
 
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Choreographer, Director and Performer: Antony Hamilton
Instrument Design & Construction, Composer, Performer: Alisdair Macindoe
Lighting Designer: Bosco Shaw
Costume Designer: Paula Levis
Producer: Freya Waterson

Antony Hamilton is an independent choreographer. His award winning creations involve a sophisticated melding of movement, sound and visual design. His major works include the seminal Black Project 1 (2012), for which he won the prestigious Helpmann Award, critically acclaimed MEETING (2015) and NYX, a commission for the 2015 Melbourne Festival. He has created numerous national and international commissions including for The Lyon Opera Ballet (Black Project 3) and most recently for Skanes Dansteater (Sentinel). Antony was the inaugural recipient of the Russell Page Fellowship in 2004, Tanja Liedtke Fellowship in 2009, Australia Council for the Arts Fellowship in 2012, and Sidney Myer Creative Fellowship in 2014. He was guest dance curator at The National Gallery of Victoria in 2013-14, honorary Resident Director at Lucy Guerin Inc. in 2014 and inaugural Resident Artist at Arts House in 2015. He is currently a resident artist with Canada’s Dancemakers. In 2008 Antony formed Antony Hamilton Projects to create contemporary dance work informed by an interest in multi-disciplinary practices. Combining experimental movement, visual, sound and video art, his original and unpredictable choreographic voice is a driving catalyst for bold experimentation. www.antonyhamiltonprojects.com
 
Alisdair Macindoe is a New York based Australian dancer, choreographer and sound artist who trained in dance at the Victorian College of the Arts. He has performed with Lucy Guerin Inc, Chunky Move, Antony Hamilton Projects, Stephanie Lake Company, and Leigh Warren and Dancers. Other performance highlights include his own works, Bromance (2010), 525600LOVE (2009), and Pay No Attention to the Man Behind the Curtain (2008). Alisdair was the recipient of the 2013 Helpmann award for best male dancer in a dance or physical theater work for Stephanie Lake’s DUALM, the recipient of the 2012 Green Room’s best male dancer award for his year’s work, and was nominated for the 2008 and 2013 Green Room award for best male dancer. Alisdair is a self-taught sound designer, composer, and instrument builder and has created sound design for some of Australia’s leading dance companies and choreographers. He has won 3 consecutive Green Room Awards for Dance Composition for Black Project 2 (Antony Hamilton, 2014), Princess (Benjamin Hancock, 2015) and MEETING (Antony Hamilton, 2016).

La MaMa Experimental Theatre Club is dedicated to the artist and all aspects of the theatre. Founded in 1961 by Ellen Stewart, La MaMa is recognized as the seedbed of new work by artists of all nations and cultures. To date, La MaMa has presented more than 150,000 artists from over 70 nations. Each season, we offer more than 80 productions and receive 34,000 visits from people of all ages and all backgrounds who attend performances, exhibitions, educational activities and the Archives. We support the people who make art, and it is to them that we give $2 million of in-kind support including free theatre and rehearsal space, and audio/visual package, tech support, marketing support, and ticketing services. We enable artists explore their ideas and translate them into a theatrical language that can communicate to any person in any part of the world. La MaMa is the place where emerging artists learn from established artists and where artists from around the globe share work and ideas. Our East Village campus has grown to include four theatres, an art gallery, artist work and living space and an extensive Archive. For more information, visit lamama.org.

Featured image by Gregory Lorenzutti.

Antony Hamilton’s MEETING is supported by the Australian Government through the Australia Council, its arts funding and advisory body, and was co-curated by Performance Space 122 and the City of Melbourne’s Arts House.

Partners:
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La Medea


Yara Travieso (NYC)
La Medea

La Medea is a musical re-imagining of Euripides’ violent tragedy into a dance-theater performance and feature film á la Latin-disco-pop variety show. Directed, performed, filmed, edited and streamed in real time, the dark comedy comes to life not only as a live performance in Brooklyn but also as a feature film for audiences watching and interacting remotely around the world. Everyone becomes a performer, subject to the high-stakes immediacy and vulnerability of live TV, bringing theater to cinema and cinema to theater.

La Medea centers around the story’s protagonist in a live TV special tell-all. A wild mash-up of genres and storytelling tropes, Travieso seamlessly shifts between dance and music, talk show and telenovela melodrama, scripted on-camera action and unscripted behind-the-scenes plot twists. Embracing the complexity of conflicting cultural lenses, La Medea confronts the hysterical, dangerous, foreign woman, versus the revolutionary figure willing to destroy her own children in the name of justice. Chaos reigns under the skin of a classic myth. Through the music and libretto by composer Sam Crawford and Travieso’s other collaborating team members, like it’s namesake, La Medea is a spectacle that upends any attempt to pin it down.

“ intrinsic pursuit of storytelling manifests as stage performance, installation and video; it’s culturally inspired, and an amalgam of genre and influence – she puts the MULTI in multi-disciplinary, multi-media art.” – Kaitlyn Parks, 1985 Artists

Commissioned by PS122
Co-presented with BRIC and Dance Films Association

Jan 20, 21 – 8pm
Jan 22 – 2pm, 7pm
90 minutes

at BRIC House
647 Fulton Street, Brooklyn

$20
 
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Director, Choreographer, Producer: Yara Travieso
Composer, Librettist: Sam Crawford
Set Designer: Brookhart Jonquil
Lighting Designer: Tuce Yasak
Costume Designer: Sue Julien
Director of Photography, Camera Operator: Pamela Giaroli
Assistant Director, Camera Operator: Liz Charky
Illustrator: Ryan Hartley Smith
Dramaturge: Raquel Almazan
Creative Film Producer: Jonathan David Kane
Production Manager: Stacey Boggs
Project Manager: Belinda Adam
Production Assistant: Talia Moreta

FEATURING
Rena Butler
Shayla Vie Jenkins (Cast 2)
Catherine Correa
Erick Montes
Tiffany Mellard
Sol Koeraus

JASON AND THE ARGONAUTS (band):
Vocals, Guitar: Liz De Lise
Vocals, Guitar: Zeb Gould
Saxaphone: Jeff Hudgins
Percussion: Timothy Quigley
Trumpet, bass, Moog bass synth: Anthony Mascorro

Yara Travieso is a NYC-based director and choreographer creating hybrid works of film, dance installations, musicals and opera. She is a 2016 Creative Capital Awardee, a Performance Space 122 Ramp artist, BRIClab residency artist, and a 2015 National Association of Latino Arts and Cultures grantee through the Ford Foundation and the Surdna Foundation. Born in Miami FL, Travieso co-founded the Borscht Film Festival in 2005 and produced various award winning short films, all while attending and graduating from NYC’s Juilliard School (Dance BFA, 2009). Her films and live performances have been presented across national and international venues as well as various galleries, museums, and festivals. Outside of institutional support, Travieso has been commissioned to direct original short films for Hermes of Paris, Glamour, GQ and Elle, as well as music videos for female centric bands. Having been selected as a 2005 YoungArts award winner, Travieso will return to Miami in the spring of 2017 to create an original work for the YoungArts’ “Outside The Box” series, taking over their entire campus in a large scale outdoor production. www.yaratravieso.com

BRIC is the leading presenter of free cultural programming in Brooklyn, and one of the largest in New York City. We present and incubate work by artists and media-makers who reflect the diversity that surrounds us. BRIC programs reach hundreds of thousands of people each year. Our main venue, BRIC Arts | Media House, offers a public media center, a major contemporary art exhibition space, two performance spaces, a glass-walled TV studio, and artist work spaces. Some of BRIC’s most acclaimed programs include the BRIC Celebrate Brooklyn! Festival in Prospect Park, several path-breaking public access media initiatives, including BRIC TV, and a renowned contemporary art exhibition series. BRIC also offers education and other vital programs at BRIC House and throughout Brooklyn. In addition to making cultural programming genuinely accessible, BRIC is dedicated to providing substantial support to artists and media makers in their efforts to develop work and reach new audiences. BRIC is unusual in both presenting exceptional cultural experiences and nurturing individual expression. This dual commitment enables us to most effectively reflect New York City’s innate cultural richness and diversity.
www.bricartsmedia.org
 
Dance Films Association is the catalyst for the production, presentation, and preservation of dance on camera. We are dedicated to furthering the art of dance film by connecting artists and organizations, fostering new works for new audiences, and sharing essential resources. www.dancefilms.org

Featured Image by Maria Baranova.
 
Yara Travieso’s La Medea is commissioned by Performance Space 122 as part of its 2016 emerging artists program, Ramp, with support from the Jerome Foundation. La Medea is a project of Creative Capital. The film component of La Medea is produced by Dance Films Association, Paul Galando, and Galen Bremer. La Medea is a recipient of a National Association of Latino Arts and Cultures Fund for The Arts Grant through the Surdna Foundation and The Ford Foundation. Additional support from BRICLab Residency, BRIC Arts Media House and PS122 Ramp residency support provided by Ideal Glass Gallery.
 
Partners:
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CATCH COIL III


CATCH COIL III (NYC)

CATCH is “everyone’s favorite” Brooklyn-based, hydra-headed, trans-disciplinary, OBIE Award-winning, rough-and-ready series of performance events. Pouring equal portions of community, love, and free beer, CATCH takes PS122’s Coil Festival with a night of performance mayhem by the most exciting artists NYC has to offer.

CATCH is curated with delicate irreverence by Andrew Dinwiddie, Jeff Larson & Caleb Hammons

“A crash course in what performance looks like today.” – Claudia La Rocco, ARTFORUM


Co-presented with The Invisible Dog Art Center

Jan 15 – 7pm

at The Invisible Dog Art Center
51 Bergen Street, Brooklyn

$20
 
Coil Pass Holders:
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Featuring:

Jesse Bonnell / Poor Dog Group !
Chelsea & Magda !
Jennifer Kidwell & Thomas Graves !
Travis Laplante !
Sara Jane Stoner !
Jillian Sweeney and Jeffrey Cranor !
Emily Wexler !
Kristin Worrall !
more !

CATCH is curated with reckless delicacy by Jeff Larson, Andrew Dinwiddie and Caleb Hammons, and was awarded a prestigious Obie Award in 2015 for its contribution to the performing arts community in New York City. Conceived in a Williamsburg bar in 2003, CATCH has given stage to some of the most exciting emerging artists and avant luminaries, spreading our serious-art-in-a-serious-party vibe all over Brooklyn, Queens, Manhattan and, recently, in cities across the U.S. catchseries.org

The Invisible Dog Art Center is housed in a three-story former factory building in Boerum Hill, Brooklyn. Built in 1863, our 30,000 square foot facility has been the site of various industrial endeavors – most notably a belt factory that created the famous Walt Disney invisible dog party trick, from which they take their name. The building remained dormant from the mid 1990’s to 2009 when founder, Lucien Zayan, opened The Invisible Dog.
 
The Invisible Dog is dedicated to the integration of forward-thinking innovation with respect for the past. In 2009 the building was restored for safety, and has been maintained over the years, but otherwise preserved in tact from its original 1863 form. The rawness of the space is vital to the space’s cultural identity.
 
The ground floor is used for exhibitions, performances and public events, featuring artists and curators from round the world. This floor also includes a new pop-up shop, designed by artist-in-residence Anne Mourier, conceived as a new home for independent, commercial designers in various fields. The second floor and part of the third floor are divided into over 30 artists’ studios.The third floor, luminous and spacious is used for private events, exhibitions, performances and festivals. Finally, the Glass House is a brand new, seasonal exhibition space dedicated to featuring the work of female-identified artists.
www.theinvisibledog.org

Featured image by Arion Doerr.
 
Partners:
The Invisible Dog

Piece for Person and Ghetto Blaster


Nicola Gunn (Australia)
Piece for Person and Ghetto Blaster

Piece for Person and Ghetto Blaster is the story of a man, a woman and a duck.

The work is disarmingly simple — exploring in depth the moral conundrum of what one should do if one comes across a person throwing rocks at a sitting duck — but gradually becomes increasingly complex. Accompanying the text is a rhythmic electronic soundscape and intense physical choreography shifting from the unnecessary and incongruous to the comic and strangely affecting. 

Gunn calls into question the ethics of intervention with a confrontation on peace and conflict, moral relativism, and the very function of art.

“Gunn’s text is intricate and often brilliant, full of unpredictable digressions and curious factoids. It’s the verbal equivalent of skimming stones over water.” – Cameron Woodhead, The Age (AU)

Co-presented with La MaMa

Jan 11 – 8:30pm
Jan 12 – 8:30pm
Jan 13 – 7:30pm
Jan 14 – 5pm
70 minutes

at La MaMa, Ellen Stewart Theatre
66 East 4th Street, Manhattan

$20
 
Coil Pass Holders:
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Concept, Text, Direction and Performance: Nicola Gunn
Choreography: Jo Lloyd
Music: Kelly Ryall
Lighting Design: Niklas Pajanti
AV Design: Martyn Coutts
Costume Design: Shio Otani
Script Dramaturg: Jon Haynes
Lighting/AV Operator: Ben “Bosco” Shaw
Sound Operator: Nick Roux
Producer: Performing Lines

Nicola Gunn is a Melbourne-based performer, writer, director and dramaturge. Since 2002, she has been making works that blend performance, art and anthropology to explore the fragility of the human condition with subversive humor. Her artistic practice is committed to institutional critique, social engagement and generating works that activate the public sphere by questioning old ways of being or proposing new ones. She uses performance to reflect critically on its place in theatres, to examine power relations in existing organizations and to consider the relevance and social function of art itself. The starting process is often a written text or idea imagined responding to a self-generated impulse to tell a story or explore a form. She draws mainly from her experience to create autobiographical fiction. Nicola’s work has been presented widely in Australia and has toured to Canada, Ireland, the Netherlands, New Zealand, and the United States. www.nicolagunn.com

La MaMa Experimental Theatre Club is dedicated to the artist and all aspects of the theatre. Founded in 1961 by Ellen Stewart, La MaMa is recognized as the seedbed of new work by artists of all nations and cultures. To date, La MaMa has presented more than 150,000 artists from over 70 nations. Each season, we offer more than 80 productions and receive 34,000 visits from people of all ages and all backgrounds who attend performances, exhibitions, educational activities and the Archives. We support the people who make art, and it is to them that we give $2 million of in-kind support including free theatre and rehearsal space, and audio/visual package, tech support, marketing support, and ticketing services. We enable artists explore their ideas and translate them into a theatrical language that can communicate to any person in any part of the world. La MaMa is the place where emerging artists learn from established artists and where artists from around the globe share work and ideas. Our East Village campus has grown to include four theatres, an art gallery, artist work and living space and an extensive Archive. For more information, visit lamama.org.

Featured image by Gregory Lorenzutti.

Nicola Gunn’s Piece for Person and Ghetto Blaster is commissioned by Mobile States, produced by Performing Lines and is supported by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body, and was co-curated by Performance Space 122 and the City of Melbourne’s Arts House.
Partners:
La MaMa Logo

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