[siccer]
![<em>[siccer]</em>](https://performancespacenewyork.org/wp-content/uploads/2025/06/HEART-CROP-WILLRAWLS.png "<em>[siccer]</em>")
Performances
- November 20-22
- Keith Haring Theatre | 7pm
In the dance performance and video installation [siccer], Will Rawls experiments with stop-motion filmmaking techniques, wherein still photographs are strung together to produce a moving image, to consider how Black gestures are relentlessly documented, distorted, and circulated in lens-based media. Throughout ’s live performance, Holland Andrews, keyon gaskin, jess pretty, Katrina Reid, and Jeremy Toussaint-Baptiste are suspended in stop-motion film shoot. When the camera’s shutter closes momentarily between photographs, Rawls and collaborators play within the intervals, taking advantage of a gap in surveillance.
The project’s title is driven by the Latin adverb “sic” which indicates incorrect spelling within a quotation and which is often employed to contrast Black vernacular speech with standard English. Rawls turns this conflict on its head in order to illuminate the verbal and physical play of Black performance as something that eludes capture on screen and in language—and that speculates on the potential of strategies for narrating the world, uncorrected.
This presentation represents the long-awaited New York premiere of the work. Co-presented by Performance Space New York and L’Alliance New York, the live performances of [siccer] accompany the artist’s exhibition at The Kitchen, a book published by Wendy’s Subway, and an album published by the artist.
Concept, Choreography, and Direction: Will Rawls
Performance: Holland Andrews, keyon gaskin, jess pretty, Katrina Reid, Jeremy Toussaint-Baptiste
Sound Design and Vocals: Holland Andrews and Jeremy Toussaint-Baptiste
Technical Director: David Szlasa
Lighting and Scenic Designer: Maggie Heath
Costume Designer: Saša Kovačević, Dana Doughty
Dramaturg: Kemi Adeyemi
Studio Rawls Studio Director: Margaret Knowles
[siccer] Producer: Benedict Nguyễn
[siccer] was originally commissioned by The Kitchen in partnership with co-commissioners, The Momentary, Portland Institute for Contemporary Art, On the Boards, and the Museum of Contemporary Art Chicago. [siccer] was made possible, in part, by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Charitable Foundation and The Andrew W. Mellon Foundation, The MAP Fund, supported by the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation, and is a Creative Capital Project. [siccer] is also a National Performance Network (NPN) Creation & Development Fund Project which is supported by the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, and the National Endowment for the Arts (a federal agency). [siccer] also received substantial developmental support from THINKLARGE.US, a family run nonprofit created by Don Quinn Kelley and Sandra L. Burton to aid in the creation of new work. [siccer] is made possible, in part, by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature through the Media Arts Assistance Fund a regrant partnership of NYSCA and Wave Farm.
[siccer] was developed and supported, in part, by residencies at The Momentary and Portland Institute for Contemporary Arts, with additional support by On the Boards and The Kitchen; a creative residency at Petronio Residency Center, a program of the Stephen Petronio Company; with financial, administrative and residency support from Dance in Process at Gibney with support from The Andrew W. Mellon Foundation; Movement Research; the Department of World Arts and Cultures/Dance at the University of California Los Angeles and The Hammer Museum Residency; the Maggie Allesee National Center for Choreography at Florida State University; with production support and residency provided by EMPAC / Experimental Media and Performing Arts Center, Rensselaer Polytechnic Institute; Williams College and the Massachusetts Museum of Contemporary Art.
The forthcoming [siccer] album was made possible with support from the Barbara Streisand Center for the Study of Women at UCLA.
L’Alliance New York is an independent, not-for-profit organization committed to providing its audience and students with engaging French language classes and audacious multi-disciplinary programming that celebrates the diversity of francophone cultures and creativity around the world. A welcoming and inclusive community for all ages and all backgrounds, L’Alliance New York is a place where people can meet, learn, and explore the richness of our heritages and share discoveries. L’Alliance New York strives to amplify voices and build bridges from the entire francophone world to New York and beyond.
Crossing The Line is a citywide festival that engages international artists and New York City audiences in artistic discovery and critical dialogue to re-imagine the world around us. Crossing The Line is produced by L’Alliance New York in partnership with leading cultural institutions.