NOTHING#122: a bluff is the third and final part of Autumn Knights’s investigation into the Italian concept of “dolce far niente,” the sweetness of nothingness. This performance features Knight alone on stage responding improvisationally to the space, its architecture, its audience, and pointedly launching from the potentiality—both the sweetness and desolation—of nothingness.

Autumn Knight’s performances create space for intimacy between audience and performer. The accompanying two works in this suite of three include NOTHING#122: a bar and NOTHING#122: a bed.