FRAGMENTED BODY PERCEPTIONS AS HIGHER VIBRATION FREQUENCIES TO GOD
Installation
- March 20 - May 9
- Wednesday - Sunday | 12 - 6pm
Wet ash falls from the ceiling. It slowly empties into an algae filled stream surrounded by moss covered boulders and gravel. Responding to last year’s brutal mood of apocalypse and rapture, Precious Okoyomon’s installation creates an ecosystem that seeks to hold grief. Visitors are invited to sit or stand or lay down in the uncomfortable space of mourning that we so often avoid.
An important material here is the ash from the incinerated kudzu, grown for Okomoyon’s most recent exhibition, Earthseed, at the MMK in Frankfurt. The vine, originally from Japan, was used to prevent soil erosion resulting from the cultivation of cotton during slavery; a bandage intended to cover up the environmental tolls of slavery, it instead proliferated, and became known as “the vine that ate the south.”
With FRAGMENTED BODY PERCEPTIONS AS HIGHER VIBRATION FREQUENCIES TO GOD Okoyomon creates a new world in the Keith Haring Theatre, a wake for death allowing for catharsis, celebration, and closing: “2020 was the reckoning of death, and we’re still living in it. We have to face it and live in it and allow it to change us and be changed by it.”
Medium: moss, gravel, soil, ladybugs,crickets, mud, anoles, kudzu ash, wildflowers ❤️
Weather report
Today i wake up still the assemblage associated distortions bewilder me
IN THIS WORLD I AM A SHAPESHIFTER
FRAGMENTED BODY PERCEPTIONS AS HIGHER VIBRATION FREQUENCIES TO GOD
In the supernatural sky
I was restful as I had reached my place of salvation
The surface as a material structure neither heaven nor solace
Only the wind
Only quenched light
Lulled into covering until everything was the same
soul object well formed
the irreducible always already truth
Hidden in the trees
It is nothing i am here i am still here
desire dissolves away
glug glguhhh guhhhh i drink gulps of light
Putting myself back together
The rain pushes all the glyphosate
and
polycyclic aromatic hydrocarbons down into the ground
industrial operation rehearses suffering its moves the world with terrible momentum shift me into dimensional alienation
CONSTRUCT AN OBSTRUCTION ALREADY WEAPONIZED WITHIN
THE SURFACE IS THE LOSS OF WHAT IS ALREADY MISSING WITHIN
I look up at the sky bathed in pink
longing for a liberated psyche I could rinse of any meaning into light no former shape
Like the word, the world is dying in flames
Like rapacious gloom in the empires burning afterlife
Like looking out the window a hollow flower
Like falling into the wind
Like falling into the heavy air
Like falling to limitless love
Made into air returning into the membrane of the real high shit
Pathogenic pleasure
Like we gotta make a new world
Like fade up reform resound
Open association vacate
Reframe
Like the surprising sun is blossoming somewhere and here i am blown away into the paradox of smiling
Precious Okoyomon, FRAGMENTED BODY PERCEPTIONS AS HIGHER VIBRATION FREQUENCIES TO GOD is made possible in part by grant from the National Performance Network.
Sean-Kierre Lyons, Creative Consultant
Dion McKenzie (TYGAPAW), Sound Designer
Michael Hernandez, Sound Engineer
Jørgen Skjaervold, Lighting/Effects Engineer
Michael DeCaul, Alexander Setzko, Gabriel García, and Robin Ediger-Seto, Scenic Carpenters
Jørgen Skjaervold and Michael Hernández, Technical Sculptors
Scenic Rock Towers by Quinn Stone, StoneDog Studios
Clay, Mulch, Delaware River Rock provided by Landscape Materials Inc.
Installation Photography by Da Ping Luo