NOTHING#122: a bar

Replace:
Drawing from her training in theatre and drama therapy, Autumn Knight’s performances create space for intimacies within the relationship between audience and performer. Her latest work, NOTHING#122: a bar, a bed, a bluff, is a three part investigation into the Italian concept of “dolce far niente,” the sweetness of nothingness, and how the idea of nothingness relates to Black existence. The first part, NOTHING#122: a bar is a social experiment, transforming the Keith Haring Theatre into a host club in which a multitude of performers undertake the tasks of constructing desire and attraction within audience members.
&nbsp
In this three part performance Knight investigates the intimate relationship between audience and performer. The suite of works include NOTHING#122: a bar, NOTHING#122: a bed, NOTHING#122: a bluff and takes place over the course of three weeks.

All rights reserved by Performance Space New York
Skip to content