Bobbi Jene Smith in collaboration with Keir GoGwilt (NYC)
A Study on Effort
The effort of lifting. The effort of a pledge. The effort of not knowing. A Study on Effort is a collaboration between the incomparable dancer Bobbi Jene Smith and acclaimed violinist Keir GoGwilt, consisting of 10 tasks that question physical, emotional and metaphoric effort through a lens celebrating the connections between sound, body and duration.
Iowa-born Smith spent a decade as featured performer of Batsheva Dance Company (Tel Aviv). Her premiere solo project explores how we receive pleasure from effort, decoupling it from burden, mining it for meaning. Through movement and sound, Smith and GoGwilt uncover the dynamics of effort from passive to extreme and its pervasiveness, exploring its connection to our most basic desires.
“In a series of vignettes, Smith and GoGwilt explored the extremes of their bodies… created a visceral viewing experience for audience members who appeared to be glued to their seats in the shared experience of the exertion exhibited by both performers.” – Miya Schaffer, Dance Current
Presented by ArKtype / Thomas O Kriegsmann
and The Invisible Dog Art Center
in partnership with PS122
Jan 12 – 7pm
Jan 13 – 9pm
Jan 14 – 3pm, 7pm
at The Invisible Dog Art Center
51 Bergen Street, Brooklyn
Choreography and Performance: Bobbi Jene Smith
Composition and Performance: Keir GoGwilt
Bobbi Jene Smith was born in Centerville, Iowa and was she was a member of the Batsheva Dance Company under the artistic direction of Ohad Naharin from 2005-2014. She is an alumnus of the Juilliard School, North Carolina School of the Arts, and the Royal Winnipeg Ballet School. Her choreography and solo work has been presented by The Batsheva Dance Company, The Israel Museum, Luminato Festival, The Wild Project, Machol Shalem, Sacramento Ballet, The CCA, The San Francisco Conservatory of Dance, NYU, and The Juilliard School. Bobbi is the subject of the documentary directed by Elvira Lind which will premiere in 2017. Her film and video work include, “Annihilation” directed by Alex Garland, “MA” directed by Celia Rowlson-Hall, and “Yossi” directed by Eytan Fox. Bobbi is a certified GAGA teacher and has taught Ohad Naharin’s repertory in schools and universities around the world.
Keir GoGwilt, Violinist, was born in Edinburgh, Scotland, he has performed as a soloist with the Chinese National Symphony, the Orquesta Filarmonica de Santiago, the Bowdoin International Music Festival Orchestra, the Manhattan School of Music Chamber Sinfonia, members of A Far Cry, and has stepped in to workshop a new violin concerto by Anna Clyne with the Chicago Civic Orchestra. As a recitalist and chamber musician he has played at festivals including the Luminato Festival, the Spoleto Festival in Italy, Rockport Chamber Music, Yellow Barn, and Taos. He is also active as a poet, scholar, and improviser. GoGwilt has worked closely with a number of composers including Roger Reynolds, Tan Dun, Tobias Picker, and Matthew Aucoin. Graduating from Harvard University with high honors in 2013, GoGwilt was awarded the Louis Sudler Prize in the Arts.
ArKtype was established in 2005 by producer Thomas O. Kriegsmann to support the finest in emerging and established artists based in NYC and worldwide. We support risk in live performance – creating an ever-shifting mechanism for the fulfillment of artists’ visions for new work, international collaboration, production and touring. The company has grown to encompass renowned artists from twenty-five different countries at any given time, limitless genres and commercial and non-profit support structures for a variety of spaces. Realizing the infrastructural demands of the artist in an environment of limited funding and financial support for creative endeavors, ArKtype aims to balance infrastructural support with creative growth, allowing the artist a long-term relationship with a producing entity based on establishing the artist’s continued presence in the national and international regional theater and arts presenter communities. More information at www.arktype.org.
The Invisible Dog Art Center is housed in a three-story former factory building in Boerum Hill, Brooklyn. Built in 1863, our 30,000 square foot facility has been the site of various industrial endeavors – most notably a belt factory that created the famous Walt Disney invisible dog party trick, from which they take their name. The building remained dormant from the mid 1990’s to 2009 when founder, Lucien Zayan, opened The Invisible Dog.
The Invisible Dog is dedicated to the integration of forward-thinking innovation with respect for the past. In 2009 the building was restored for safety, and has been maintained over the years, but otherwise preserved in tact from its original 1863 form. The rawness of the space is vital to the space’s cultural identity.
The ground floor is used for exhibitions, performances and public events, featuring artists and curators from round the world. This floor also includes a new pop-up shop, designed by artist-in-residence Anne Mourier, conceived as a new home for independent, commercial designers in various fields. The second floor and part of the third floor are divided into over 30 artists’ studios.The third floor, luminous and spacious is used for private events, exhibitions, performances and festivals. Finally, the Glass House is a brand new, seasonal exhibition space dedicated to featuring the work of female-identified artists.